This book argues that the medicalization of pregnancy and childbirth traumatizes pregnant people in various ways, using a select group of horror films to portray this trauma on a visceral level. This analysis allows audiences to identify and empathize with pregnant people who are victims of the medicalized pregnancy process.
This book argues that the medicalization of pregnancy and childbirth traumatizes pregnant people in various ways, using a select group of horror films to portray this trauma on a visceral level. This analysis allows audiences to identify and empathize with pregnant people who are victims of the medicalized pregnancy process.
Courtney Patrick-Weber is assistant professor of rhetoric and composition at Bay Path University.
Inhaltsangabe
Foreword Chapter 1: Defining Horror as a Rhetorical Genre Chapter 2: Horror Films and the Medicalization of Pregnancy and Childbirth Chapter 3: The Void and the Medicalized Rhetoric of Stillbirth Chapter 4: The Rhetoric of Home Birth, Containment, and Expertise in À l'intérieur (2007) and Inside (2016) Chapter 5: Abortion and the Rhetoric of Choice in Black Christmas (1974) and Red Christmas (2016) Bibliography and Filmography About the Author
Foreword Chapter 1: Defining Horror as a Rhetorical Genre Chapter 2: Horror Films and the Medicalization of Pregnancy and Childbirth Chapter 3: The Void and the Medicalized Rhetoric of Stillbirth Chapter 4: The Rhetoric of Home Birth, Containment, and Expertise in À l'intérieur (2007) and Inside (2016) Chapter 5: Abortion and the Rhetoric of Choice in Black Christmas (1974) and Red Christmas (2016) Bibliography and Filmography About the Author
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