Andere Kunden interessierten sich auch für
![A Rhetoric of the Unreal]( "A Rhetoric of the Unreal")
A Rhetoric of the Unreal69,99 €![Rhetoric and Culture in Lacan]( "Rhetoric and Culture in Lacan")
Rhetoric and Culture in Lacan29,99 €![Sketches of English Literature, from the Fourteenth to the Present Century]( "Sketches of English Literature, from the Fourteenth to the Present Century")
Sketches of English Literature, from the Fourteenth to the Present Century46,99 €![The Cambridge Introduction to Literature and Psychoanalysis]( "The Cambridge Introduction to Literature and Psychoanalysis")
The Cambridge Introduction to Literature and Psychoanalysis36,99 €![Fiction and the Law]( "Fiction and the Law")
Fiction and the Law52,99 €![The Practice of Criticism]( "The Practice of Criticism")
The Practice of Criticism27,99 €![The Gay Science - Volume 2]( "The Gay Science - Volume 2")
The Gay Science - Volume 246,99 €
Profoundly original study of Ovid's troubling presence in Renaissance representations of gender and desire.
This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature.
Review quote:
'Lynn Enterline's The Rhetoric of the Body from Ovid to Shakespeare is a subtle, sophisticated, and lucid essay on the Ovidian tradition. Particularly impressive is the clarity and magisterial logic with which she sets complex issues in relation to each other, through extraordinarily nuanced readings. No one has done a better job of mapping the intersection of Ovidianism and Petrarchanism and their bearing on Elizabethan literature.' Leonard Barkan, New York University
Table of contents:
Acknowledgements; 1. Pursuing Daphne; 2. Medusa's mouth: body and voice in the Metamorphoses; 3. Embodied voices: autobiography and fetishism in the Rime Sparse; 4. 'Be not obsceane though wanton': Marston's Metamorphosis of Pigmalions Image; 5. 'Poor instruments' and unspeakable events in The Rape of Lucrece; 6. 'You speak a language that I understand not': the rhetoric of animation in The Winter's Tale; Notes; Index.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature.
Review quote:
'Lynn Enterline's The Rhetoric of the Body from Ovid to Shakespeare is a subtle, sophisticated, and lucid essay on the Ovidian tradition. Particularly impressive is the clarity and magisterial logic with which she sets complex issues in relation to each other, through extraordinarily nuanced readings. No one has done a better job of mapping the intersection of Ovidianism and Petrarchanism and their bearing on Elizabethan literature.' Leonard Barkan, New York University
Table of contents:
Acknowledgements; 1. Pursuing Daphne; 2. Medusa's mouth: body and voice in the Metamorphoses; 3. Embodied voices: autobiography and fetishism in the Rime Sparse; 4. 'Be not obsceane though wanton': Marston's Metamorphosis of Pigmalions Image; 5. 'Poor instruments' and unspeakable events in The Rape of Lucrece; 6. 'You speak a language that I understand not': the rhetoric of animation in The Winter's Tale; Notes; Index.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.