Thomas Waugh

The Right to Play Oneself

Looking Back on Documentary Film

• Broschiertes Buch

Produktbeschreibung

The Right to Play Oneself collects for the first time Thomas Waugh's essays on the politics, history, and aesthetics of documentary film, written between 1974 and 2008. The title, inspired by Walter Benjamin's and Joris Ivens's manifestos of "committed" documentary from the 19 0s, reflects the book's theme of the political potential of documentary for representing the democratic performance of citizens and artists. Waugh analyzes an eclectic international selection of films and issues from the 1920s to the present day. The essays provide a transcultural focus, moving from documentaries of the industrialized societies of North America and Europe to those of 1980s India and addressing such canonical directors as Dziga Vertov, Emile de Antonio, Barbara Hammer, Rosa von Praunheim, and Anand Patwardhan. Woven through the volume is the relationship of the documentary with the history of the Left, including discussions of LGBT documentary pioneers and the firebrand collectives that changed the history of documentary, such as Challenge for Change and ACT UP's Women's Collective. Together with the introduction by the author, Waugh's essays advance a defiantly and persuasively personal point of view on the history and significance of documentary film.

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Produktdetails

• Verlag: University of Minnesota Press
• Seitenzahl: 338
• Erscheinungstermin: 12. Mai 2011
• Englisch
• Abmessung: 254mm x 178mm x 18mm
• Gewicht: 637g
• ISBN-13: 9780816645879
• ISBN-10: 0816645876
• Artikelnr.: 32739943

Autorenporträt

Thomas Waugh is professor of film studies at Concordia University, Montreal.

Inhaltsangabe

Preface: Of Pulses, Panaceas, and Parallel Universes
Acknowledgments
1. Why Documentary Filmmakers Keep Trying to Change the World, or Why
People Changing the World Keep Making Documentaries (1984)
2. Dziga Vertov, 1930s Populism, and Three Songs of Lenin (1975)
3. Bread, Water, Blood, Rifles, Planes: Documentary Imagery of the Spanish
Civil War from the North American Popular Front (1990)
4. Acting to Play Oneself: Performance in Documentary (1990)
5. Beyond Vérité: Emile de Antonio (1977)
6. Sufficient Virtue, Necessary Artistry: The Shifting Challenges of
Revolutionary Documentary History (2006-2008)
7. Lesbian and Gay Documentary: Minority Self-Imaging, Oppositional Film
Practice, and the Question of Image Ethics (1984)
8. Walking on Tippy Toes: Lesbian and Gay Liberation Documentary of the
Post-Stonewall Period (1997)
9. "Words of Command": Cultural and Political Inflections of Direct Cinema
in Indian Independent Documentary (1990)
10. Joris Ivens and the Legacy of Committed Documentary (1999)
Notes
Filmography
Bibliography
Publication History
Index