The Rinehart Frames questions the boundaries of diaspora and narrative through a tethering of voices and forms that infringe upon monolithic categorizations of Blackness and what can be intersected with it.
The Rinehart Frames questions the boundaries of diaspora and narrative through a tethering of voices and forms that infringe upon monolithic categorizations of Blackness and what can be intersected with it. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Cheswayo Mphanza was born in Lusaka, Zambia, and raised in Chicago, Illinois. His work has been featured in the New England Review, the Paris Review, Lolwe, Hampden-Sydney Review, Hayden’s Ferry Review, Birdfeast, and elsewhere. He has received fellowships from the Bread Loaf Writers’ Conference, Hurston/Wright Foundation, Callaloo, Cave Canem, and Columbia University.
Inhaltsangabe
Foreword by Kwame Dawes Frame One I The Code of Hammurabi Frame Two Frame Three Getting Lost with Hayao Miyazaki and Satoshi Kon Frame Four Lester Leaps In II Frame Five Frame Six Open Casket Body Double for Patrice Lumumba’s Funeral Notes toward a Biography of Henry Tayali III Frame Seven (with Director’s Commentary*) Taste of Cherry (Abbas Kiarostami, 1997) Frame Eight Auteur Poetica Djibril Diop Mambéty’s Scene Descriptions IV Frame Nine A Stack of Shovels 43 That Same Pain, That Same Pleasure Frame Ten Amrita Sher-Gil Introductory Wall Texts V Frame Eleven Pastoral Paean to Chikumbi At David Livingstone’s Statue Frame Twelve Dear Suzanne Attributions Acknowledgments
Foreword by Kwame Dawes Frame One I The Code of Hammurabi Frame Two Frame Three Getting Lost with Hayao Miyazaki and Satoshi Kon Frame Four Lester Leaps In II Frame Five Frame Six Open Casket Body Double for Patrice Lumumba’s Funeral Notes toward a Biography of Henry Tayali III Frame Seven (with Director’s Commentary*) Taste of Cherry (Abbas Kiarostami, 1997) Frame Eight Auteur Poetica Djibril Diop Mambéty’s Scene Descriptions IV Frame Nine A Stack of Shovels 43 That Same Pain, That Same Pleasure Frame Ten Amrita Sher-Gil Introductory Wall Texts V Frame Eleven Pastoral Paean to Chikumbi At David Livingstone’s Statue Frame Twelve Dear Suzanne Attributions Acknowledgments
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