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Focuses specifically on how Hollywood lost a lucrative international Spanish-speaking audience between 1929 and 1939, along with talent it had carefully nurtured in the United States. It examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. Using case studies based on archival research in the US, Spain, and Mexico, this shows how language led to new expectations from audiences and new possibilities for film producers.

Produktbeschreibung
Focuses specifically on how Hollywood lost a lucrative international Spanish-speaking audience between 1929 and 1939, along with talent it had carefully nurtured in the United States. It examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. Using case studies based on archival research in the US, Spain, and Mexico, this shows how language led to new expectations from audiences and new possibilities for film producers.
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Autorenporträt
LISA JARVINEN is an assistant professor of history at La Salle University. She has published essays in The Wiley-Blackwell History of American Film and in Cinema and the Swastika: The International Expansion of Third Reich Cinema (1933–1945).