Elizabeth Cooper’s The Rival Widows, or Fair Libertine provides a unique opportunity to restore to scholarly and pedagogical attention a neglected female writer and a play with broad and significant implications for studies of eighteenth-century history, culture and gender.
Elizabeth Cooper’s The Rival Widows, or Fair Libertine provides a unique opportunity to restore to scholarly and pedagogical attention a neglected female writer and a play with broad and significant implications for studies of eighteenth-century history, culture and gender.
List of Illustrations Preface by the General Editors Acknowledgements Introduction The Rival Widows, or Fair Libertine Appendix A: Elizabeth Cooper’s Announcement of her Benefit Performance The Grub-Street Journal 226 (25 April 1734) Appendix B: Review of The Rival Widows The Prompter 34 (7 March 1735) Appendix C: Argument in Support of the Proposed Licensing Act The Daily Gazetteer (6 and 8 June 1737) Appendix D: Lord Chesterfield’s Address to Parliament Against the Proposed Licensing Act Appendix E: The Licensing Act of 1737 Appendix F: Elizabeth Cooper’s Preface to The Muses Library (1737) Bibliography Index
List of Illustrations Preface by the General Editors Acknowledgements Introduction The Rival Widows, or Fair Libertine Appendix A: Elizabeth Cooper’s Announcement of her Benefit Performance The Grub-Street Journal 226 (25 April 1734) Appendix B: Review of The Rival Widows The Prompter 34 (7 March 1735) Appendix C: Argument in Support of the Proposed Licensing Act The Daily Gazetteer (6 and 8 June 1737) Appendix D: Lord Chesterfield’s Address to Parliament Against the Proposed Licensing Act Appendix E: The Licensing Act of 1737 Appendix F: Elizabeth Cooper’s Preface to The Muses Library (1737) Bibliography Index
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