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Robert Sheppard has been at the forefront of innovative poetry since the 1980s. From early contact with Bob Cobbing, Robert Creeley, and Lee Harwood, and a rejection of Movement orthodoxy, Sheppard quickly began to form/reform our perceptions of British poetry. This wide-ranging volume celebrates the writings of Sheppard, offering extensive of his work-from poet, to critic, editor, teacher, and inventor. Including contributions from major contemporaries, as well as a new generation of scholarship, The Robert Sheppard Companion situates the remarkable writing life of one of Britain's most…mehr

Produktbeschreibung
Robert Sheppard has been at the forefront of innovative poetry since the 1980s. From early contact with Bob Cobbing, Robert Creeley, and Lee Harwood, and a rejection of Movement orthodoxy, Sheppard quickly began to form/reform our perceptions of British poetry. This wide-ranging volume celebrates the writings of Sheppard, offering extensive of his work-from poet, to critic, editor, teacher, and inventor. Including contributions from major contemporaries, as well as a new generation of scholarship, The Robert Sheppard Companion situates the remarkable writing life of one of Britain's most imaginative poets. 'Sheppard has been a champion of British poetry that actively resists the complacent and the convenient, the merely competent. That has meant evading bullies who would "banish us," to use Dickinson's phrase. Sheppard's aesthetic justice has never been just for him; his social imagination is at one with poems, essays, teaching, and editing. His work is restlessly agile, generous at heart.' -Charles Bernstein, from 'Preface' to The Robert Sheppard Companion '[Sheppard's] poetry skews language to takes on big themes and his writing can be seen as comprehensive poetic chronicling of our times on an epic scale culminating in his Complete Twentieth Century Blues. Sheppard's writing is rough, rude, quirky, serious, learned, and never afraid to be humorous. In short it is as irreverent as it is relevant. Finally, his generosity in writing about and promoting the work of others has been unstinting and invaluable, especially in a country which largely chooses to ignore its innovative poets.' - Geraldine Monk, from 'The Robert Sheppard Roundtable' 'This book shows how far-reaching and generous Sheppard's writing life has been. He has argued and sung for the benefit of an entire community, to keep opening the possibilities of poetry itself. He stands and stands up for the breadth and depth and future of modern poetry. He's written it, written about it, published it; theorized, organised and celebrated. It is not often that innovative practice, political engagement, a thorough knowledge of poetry, and wit are combined in one body of work. But this valuable Companion provides the necessary spread of insights and perspectives to do justice to the extraordinary range of Sheppard's achievements. And that is some achievement in itself.' -Peter Hughes
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Autorenporträt
Poet, editor, and translator James Byrne was born in the UK. He is the author of the poetry collections Everything that is Broken Up Dances (Tupelo Press, 2015), White Coins (Arc, 2015), and Blood/Sugar (Arc, 2009). He earned an MFA in poetry from New York University, where he was awarded a Stein Fellowship. Byrne was the poet in residence at Clare Hall, University of Cambridge, and is a senior lecturer in Creative Writing at Edge Hill University in England. He is the international editor for Arc Publications and the editor of The Wolf, which he cofounded in 2002.Byrne's poems have been translated into several languages-including Arabic, Burmese, and Chinese-and he has given poetry readings across the world. The poet John Kinsella wrote: "James Byrne is a phenomenon and Blood/Sugar is astonishing. Byrne has a razor-sharp wit, an acute intellect and a superb facility with language. The poetry he writes is both culturally and intellectually 'learned', but also rhetorically and lyrically confident. He is a complete original." Forrest Gander wrote of Everything Broken Up Dances that it is "like gulping firewater shots of the world."Byrne cotranslated and coedited Bones Will Crow (Arc, 2012), the first anthology of contemporary Burmese poetry to be published in English. He is the coeditor of Voice Recognition: 21 Poets for the 21st Century, (Bloodaxe, 2009) and editor of The Wolf: A Decade (2012). He is currently coediting Atlantic Drift: an Anthology of Poetry & Poetics, featuring poets from the US, UK, and Canada.Byrne lives near Liverpool, England.