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Look up! From the Caldecott Medal-winning creator of the Hat trilogy comes a new deadpan gem. Turtle really likes standing in his favourite spot. He likes it so much that he asks his friend Armadillo to come over and stand in it, too. But now that Armadillo is standing in that spot, he has a bad feeling about it... A hilarious meditation on the workings of friendship, fate, shared futuristic visions, and that funny feeling you get that there's something off somewhere, but you just can't put your finger on it. Merging broad visual suspense with wry wit and existential silliness, celebrated…mehr

Produktbeschreibung
Look up! From the Caldecott Medal-winning creator of the Hat trilogy comes a new deadpan gem. Turtle really likes standing in his favourite spot. He likes it so much that he asks his friend Armadillo to come over and stand in it, too. But now that Armadillo is standing in that spot, he has a bad feeling about it... A hilarious meditation on the workings of friendship, fate, shared futuristic visions, and that funny feeling you get that there's something off somewhere, but you just can't put your finger on it. Merging broad visual suspense with wry wit and existential silliness, celebrated picture-book creator Jon Klassen gives us a wholly original comedy for the ages.
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Autorenporträt
Jon Klassen is the bestselling author and illustrator of The Rock from the Sky, The Skull, I Want My Hat Back, We Found a Hat, and This Is Not My Hat , which won the Caldecott Medal and Kate Greenaway Medal. He is also the illustrator of the Shapes series, Extra Yarn, which received a Caldecott Honor, Sam and Dave Dig a Hole and How Does Santa Go Down the Chimney? all written by Mac Barnett. His Shapes series with Mac Barnett has been adapted into Shape Island, a stop-motion animated TV series on Apple TV+. Originally from Ontario, Canada, Jon worked as an illustrator for feature animated films and now lives in Los Angeles, USA. Find him online as @jonklassen on Instagram.
Rezensionen
Saturated with Klassen's characteristic wry humour, and ideal for children of four or five and up, it's full of side-eyeing reptiles, shared imaginings, creeping suspense and narrowly avoided catastrophe. The Guardian