The Rolling Stones
Sociological Perspectives
Herausgeber: Staubmann, Helmut
The Rolling Stones
Sociological Perspectives
Herausgeber: Staubmann, Helmut
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The contributors approach the Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music.
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The contributors approach the Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music.
Produktdetails
- Produktdetails
- Verlag: Lexington Books
- Seitenzahl: 256
- Erscheinungstermin: 26. Juni 2013
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 573g
- ISBN-13: 9780739176719
- ISBN-10: 0739176714
- Artikelnr.: 37744596
- Verlag: Lexington Books
- Seitenzahl: 256
- Erscheinungstermin: 26. Juni 2013
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 573g
- ISBN-13: 9780739176719
- ISBN-10: 0739176714
- Artikelnr.: 37744596
Helmut Staubmann is professor for social theory and cultural sociology and dean of the School of Political Science and Sociology at the University of Innsbruck, Austria. His research focuses on questions of aesthetics and society.
Intro: The Rolling Stones in Sociological Perspectives By Helmut Staubmann
Part I: The Group 1. The Spider and the Fly: Authenticity, Dualism, and The
Rolling Stones By Andrea Cossu and Matteo Bortolini Part II:
(Counter-)Cultures - Music Scenes 2. The Anti-Beatles: The Beatles versus
Stones Debate during the "British Invasion" By Andre Millard 3. Exile on
Main Street and the End of the Counterculture By Barry J. Faulk Part III:
Movies 4. Sympathy for the Circus: The Rolling Stones, Documentary Film and
the Construction of Authenticity By Daniel M. Downes and June Madeley 5.
"My Name is Called Disturbance": Jagger, Performance, and the Spectacle of
Excess By Marlie Centawer 6. Gimme Shelter Revisited: Deconstructing Myths
from 1969 and Altamont By Michael Skladany Part IV: Sexuality/Gender 7.
Satisfaction: Sex and The Rolling Stones' Personas, Performances, and Fan
Reactions By Andrea Baker 8. The Hegemonic Masculinity of The Rolling
Stones and Where They Came to Rest By Jason T. Eastman Part V: In Concert
9. Ladies and Gentlemen, the Greatest Rock and Roll Band in the World:
Reflections of the Rolling Stones in Concert By Peter Smith References
About the Authors
Part I: The Group 1. The Spider and the Fly: Authenticity, Dualism, and The
Rolling Stones By Andrea Cossu and Matteo Bortolini Part II:
(Counter-)Cultures - Music Scenes 2. The Anti-Beatles: The Beatles versus
Stones Debate during the "British Invasion" By Andre Millard 3. Exile on
Main Street and the End of the Counterculture By Barry J. Faulk Part III:
Movies 4. Sympathy for the Circus: The Rolling Stones, Documentary Film and
the Construction of Authenticity By Daniel M. Downes and June Madeley 5.
"My Name is Called Disturbance": Jagger, Performance, and the Spectacle of
Excess By Marlie Centawer 6. Gimme Shelter Revisited: Deconstructing Myths
from 1969 and Altamont By Michael Skladany Part IV: Sexuality/Gender 7.
Satisfaction: Sex and The Rolling Stones' Personas, Performances, and Fan
Reactions By Andrea Baker 8. The Hegemonic Masculinity of The Rolling
Stones and Where They Came to Rest By Jason T. Eastman Part V: In Concert
9. Ladies and Gentlemen, the Greatest Rock and Roll Band in the World:
Reflections of the Rolling Stones in Concert By Peter Smith References
About the Authors
Intro: The Rolling Stones in Sociological Perspectives By Helmut Staubmann
Part I: The Group 1. The Spider and the Fly: Authenticity, Dualism, and The
Rolling Stones By Andrea Cossu and Matteo Bortolini Part II:
(Counter-)Cultures - Music Scenes 2. The Anti-Beatles: The Beatles versus
Stones Debate during the "British Invasion" By Andre Millard 3. Exile on
Main Street and the End of the Counterculture By Barry J. Faulk Part III:
Movies 4. Sympathy for the Circus: The Rolling Stones, Documentary Film and
the Construction of Authenticity By Daniel M. Downes and June Madeley 5.
"My Name is Called Disturbance": Jagger, Performance, and the Spectacle of
Excess By Marlie Centawer 6. Gimme Shelter Revisited: Deconstructing Myths
from 1969 and Altamont By Michael Skladany Part IV: Sexuality/Gender 7.
Satisfaction: Sex and The Rolling Stones' Personas, Performances, and Fan
Reactions By Andrea Baker 8. The Hegemonic Masculinity of The Rolling
Stones and Where They Came to Rest By Jason T. Eastman Part V: In Concert
9. Ladies and Gentlemen, the Greatest Rock and Roll Band in the World:
Reflections of the Rolling Stones in Concert By Peter Smith References
About the Authors
Part I: The Group 1. The Spider and the Fly: Authenticity, Dualism, and The
Rolling Stones By Andrea Cossu and Matteo Bortolini Part II:
(Counter-)Cultures - Music Scenes 2. The Anti-Beatles: The Beatles versus
Stones Debate during the "British Invasion" By Andre Millard 3. Exile on
Main Street and the End of the Counterculture By Barry J. Faulk Part III:
Movies 4. Sympathy for the Circus: The Rolling Stones, Documentary Film and
the Construction of Authenticity By Daniel M. Downes and June Madeley 5.
"My Name is Called Disturbance": Jagger, Performance, and the Spectacle of
Excess By Marlie Centawer 6. Gimme Shelter Revisited: Deconstructing Myths
from 1969 and Altamont By Michael Skladany Part IV: Sexuality/Gender 7.
Satisfaction: Sex and The Rolling Stones' Personas, Performances, and Fan
Reactions By Andrea Baker 8. The Hegemonic Masculinity of The Rolling
Stones and Where They Came to Rest By Jason T. Eastman Part V: In Concert
9. Ladies and Gentlemen, the Greatest Rock and Roll Band in the World:
Reflections of the Rolling Stones in Concert By Peter Smith References
About the Authors