The first comprehensive study of musical form in operatic and concert overtures in continental Europe between 1815 and 1850.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Steven Vande Moortele is Assistant Professor of Music Theory at the University of Toronto. His research interests include theories of musical form, the analysis of large-scale instrumental music from the late-eighteenth to the early-twentieth century, and the works of Richard Wagner and Arnold Schoenberg. He is the author of Two-Dimensional Sonata Form: Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg, and Zemlinsky (2009) and co-editor of Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno (with Julie Pedneault-Deslauriers and Nathan John Martin, 2015). From 2013 to 2016, he was also co-editor of the journal Music Theory and Analysis (MTA).
Inhaltsangabe
Introduction 1. Making overtures 2. Form as formula 3. Potpourri overtures 4. Beginning before the beginning 5. Strong subordinate themes 6. Open-ended expositions 7. Recomposed recapitulations.
Introduction 1. Making overtures 2. Form as formula 3. Potpourri overtures 4. Beginning before the beginning 5. Strong subordinate themes 6. Open-ended expositions 7. Recomposed recapitulations.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497