The Rome Express - Griffiths, Arthur; Arthur Griffiths
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The Rome Express, the direttissimo, or most direct, was approaching Paris one morning in March, when it became known to the occupants of the sleeping-car that there was something amiss, very much amiss, in the car. The train was travelling the last stage, between Laroche and Paris, a run of a hundred miles without a stop. It had halted at Laroche for early breakfast, and many, if not all the passengers, had turned out. Of those in the sleeping-car, seven in number, six had been seen in the restaurant, or about the platform; the seventh, a lady, had not stirred. All had reentered their berths…mehr

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Produktbeschreibung
The Rome Express, the direttissimo, or most direct, was approaching Paris one morning in March, when it became known to the occupants of the sleeping-car that there was something amiss, very much amiss, in the car. The train was travelling the last stage, between Laroche and Paris, a run of a hundred miles without a stop. It had halted at Laroche for early breakfast, and many, if not all the passengers, had turned out. Of those in the sleeping-car, seven in number, six had been seen in the restaurant, or about the platform; the seventh, a lady, had not stirred. All had reentered their berths to sleep or doze when the train went on, but several were on the move as it neared Paris, taking their turn at the lavatory, calling for water, towels, making the usual stir of preparation as the end of a journey was at hand.
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Autorenporträt
Arthur George Frederick Griffiths (1838-1908) become a British writer, journalist, and prison administrator acknowledged for his great contributions to the sphere of criminology and his keen interest in penal reform. Griffiths had a various career that blanketed serving as an army officer, a prison governor, and a prolific author on various subjects associated with crime and punishment. One of Griffiths' tremendous works is "Early French Prisons," posted within the overdue 19th century. This masterpiece delves into the historic evolution of prisons in France, offering a meticulous examination in their structures, situations, and the prevailing penal systems from medieval instances to the 18th century. Griffiths employed his firsthand experiences as a jail governor to offer insightful analyses of the social and institutional factors of French prisons. "Early French Prisons" stands out for its meticulous research, bright descriptions, and Griffiths' commitment to losing mild on the frequently harsh and inhumane situations of historical prison systems. The book now not simplest serves as a treasured historic record but also contributes to the wider discourse on penal reform. Arthur Griffiths' multidimensional profession, combining practical revel in with a literary flair, underscores his effect on shaping conversations about criminal justice and penology. His paintings remains relevant for scholars, historians, and those interested in the evolution of prison systems and the quest for humane and powerful approaches to criminal punishment.