This anthology offers an introduction to Renaissance theatre in its historical and political contexts, along with newly edited texts of ten plays and a masque.
This anthology offers an introduction to Renaissance theatre in its historical and political contexts, along with newly edited texts of ten plays and a masque.
Simon Barker is Principal Lecturer in English at the University of Gloucestershire. His research and teaching interests lie in the cultural history of the Tudor and early-Stuart periods with an emphasis on drama. Hilary Hinds is Lecturer in English at the University of Lancaster. Her research and teaching focus principally on seventeenth-century literature, in particular on women's writing from the radical sects.
Inhaltsangabe
Acknowledgements. Guide to the Anthology. Introduction. Further Reading. Chronology of English Culture and Society 1558 to 1642. The Plays: Thomas Kyd The Spanish Tragedy (1585); Anon. Arden of Faversham (1592); Christopher Marlowe Edward II (1593); Thomas Heywood A Woman Killed With Kindness (1603); Elizabeth Cary The Tragedy of Mariam The Fair Queen of Jewry (1604); Ben Jonson The Masque of Blackness (1605); Francis Beaumont The Knight of the Burning Pestle (1607); Ben Jonson Epicoene or The Silent Woman (1609); Thomas Middleton and Thomas Dekker The Roaring Girl (1611); Thomas Middleton and William Rowley The Changeling (1622); John Ford 'Tis a Pity She's a Whore (1633).
Acknowledgements. Guide to the Anthology. Introduction. Further Reading. Chronology of English Culture and Society 1558 to 1642. The Plays: Thomas Kyd The Spanish Tragedy (1585); Anon. Arden of Faversham (1592); Christopher Marlowe Edward II (1593); Thomas Heywood A Woman Killed With Kindness (1603); Elizabeth Cary The Tragedy of Mariam The Fair Queen of Jewry (1604); Ben Jonson The Masque of Blackness (1605); Francis Beaumont The Knight of the Burning Pestle (1607); Ben Jonson Epicoene or The Silent Woman (1609); Thomas Middleton and Thomas Dekker The Roaring Girl (1611); Thomas Middleton and William Rowley The Changeling (1622); John Ford 'Tis a Pity She's a Whore (1633).
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