The Routledge Companion to Asian Cinemas
Herausgeber: Lee, Sangjoon; Zhang, Zhen; Mukherjee, Debashree
The Routledge Companion to Asian Cinemas
Herausgeber: Lee, Sangjoon; Zhang, Zhen; Mukherjee, Debashree
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Balancing leading scholars with emerging trendsetters, this Companion offers fresh perspectives on Asian cinemas and charts new constellations in the field with significance far beyond Asian cinema studies.
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Balancing leading scholars with emerging trendsetters, this Companion offers fresh perspectives on Asian cinemas and charts new constellations in the field with significance far beyond Asian cinema studies.
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Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 590
- Erscheinungstermin: 4. Juli 2024
- Englisch
- Abmessung: 250mm x 175mm x 36mm
- Gewicht: 1186g
- ISBN-13: 9781032199405
- ISBN-10: 1032199407
- Artikelnr.: 70146491
- Verlag: Routledge
- Seitenzahl: 590
- Erscheinungstermin: 4. Juli 2024
- Englisch
- Abmessung: 250mm x 175mm x 36mm
- Gewicht: 1186g
- ISBN-13: 9781032199405
- ISBN-10: 1032199407
- Artikelnr.: 70146491
Zhen Zhang is a Professor and directs the Asian Film and Media Initiative in the Martin Scorsese Department of Cinema Studies at New York University, USA. Her publications include An Amorous History of the Silver Screen: Shanghai Cinema 1896-1937; The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-first Century; DV-Made China: Digital Subjects and Social Transformations after Independent Film; and Women Filmmakers in Sinophone World Cinema. She also curates film programs and serves as a jury member for various platforms. Sangjoon Lee is an Associate Professor of Film Studies at the School of Creative Media, City University of Hong Kong. Lee is the author of Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network (2020) and the editor/co-editor of Hallyu 2.0: The Korean Wave in the Age of Social Media (2015), Rediscovering Korean Cinema (2019), The South Korean Film Industry (2024), and Remapping the Cold War in Asian Cinemas (2024). Lee is also a director of the Asian Cinema Research Lab (ACR Lab). His works have been translated into Korean, Japanese, Chinese, and Italian. Debashree Mukherjee is an Associate Professor of Film and Media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University, USA. She is author of Bombay Hustle: Making Movies in a Colonial City (2020) and editor of Bombay Talkies: An Unseen History of Indian Cinema (2023). Her current book project, Tropical Machines: Extractive Media and Plantation Modernity, develops a media history of South Asian indentured migration and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and has published in journals such as Film History, Feminist Media Histories, and Representations. Intan Paramaditha is a Senior Lecturer in Media and Film Studies at Macquarie University, Australia. She is the author of the novel The Wandering and short story collection Apple and Knife, and her articles have appeared in, among others, Feminist Review, Visual Anthropology, Inter-Asia Cultural Studies, and Film Quarterly. Her research and creative interests include travel, transnationalism, and decolonial feminism.
Introduction: Trans-Asian Cinemas at Home in the World Zhen Zhang, Sangjoon
Lee, Debashree Mukherjee and Intan Paramaditha SECTION I: Cine-activism &
Feminist Aesthetics Introduction Zhen Zhang 1. Film Societies and the
Screen within the Crowd in Bangladesh 2. Genres of Ecofeminism: Women
Filmmakers in India and the Environment 3. Rewriting History, Changing the
Story: An Interview with Anocha Suwichakornpong 4. Riding the Waves: An
Interview with Yim Soon-Rye Shin Chi-yun 5. Through the Lens of South
Korean Cine-feminism: House of Hummingbird (2018) and Moving On (2020) 6.
Transnational Women's Cinema in Southeast Asia: The Case of Marlina The
Murderer in Four Acts Intan Paramaditha 7. Taiwan Queer Cinema, Marriage
Equality, and Homo(trans)nationalism 8. Love In Pacific Time: Asian Screen
Culture in Vancouver SECTION II: Mediating Colonial, National and
Trans-Asian Imaginaries Introduction Debashree Mukherjee 9. What Is "Asian
Cinema" in Japan? Film and Political Economy in the 1940s 10. Filming
Taiwan Between a Quest for Artistic Purity and Propaganda in the People's
Republic of China: The Case of Taiwan Wangshi (My Bittersweet Taiwan, 2004)
Zhuoyi Wang 11. In the Name of Love: Screen Representations of Taiwanese
Indigenous People (1920s-1940s) 12. Desiring Nanyang, Nation, and Home:
Fictions of Belonging in Two Rediscovered Post-war Films from Singapore 13.
Where is Shangri-La? Imagining Kathmandu in Film 14. Affective-Scap/ing in
Zhang Lu's Inter-Asian Quartet 15. Postcards from Russia: Left Discourse
and Telugu Cinema SECTION III: Trans-border Industrial Cultures: Imagined
Audiences and Diasporic Dreams Introduction Debashree Mukherjee 16. Media
Topographies of East Asia: Cinema, Cables, Wirelessness and the (Somewhat)
Material Imaginaries of Territory 17. Looking Out and On the Move:
Aesthetics of Infrastructure in Recent Singapore Cinema 18. North Korea's
International Co-production Ventures: Nation and the Post-national 19.
Trans-Asian Circuits of Cinema and Media Exchange Between Australia and
Asia 20. Global Stories, Local Audiences: Dubbing Netflix in India 21.
Webtoon-based Korean Films on Netflix: Shifting Media Ecology in the
Digital Platform Era 22. Exile at the Edges: Donald Richie at the Pinch
Point between Japan and the World 23. Trans-Pacific Connection and Cine
Nikkei in Peru: A Conversation Jimena Mora and Talia Vidal with Zhen Zhang
SECTION IV: Beyond Genre: Modes, Motifs, Memories Introduction Intan
Paramaditha 24. The Melodramatic Mode in Asian Cinema: Usmar Ismail's
Lewat Djam Malam (After the Curfew) 25. Bong Joon-ho's Parasite as a Remake
of Kim Ki-young's The Housemaid: Creating an Aesthetic Genealogy within
South Korean Cinema 26. Melting the Iron Curtain: Metal-morphosis and the
Caricatured Western Leaders in Agitprop Animation in Socialist China,
1949-1965 27. The "Mirrored" Cultural Revolution - The Geo-political Making
of Apolitical Hero in Chang Cheh's The Assassin 28. Listening to
Small-Gauge Stories: Sonic Memories and Sensory Histories in Mysterious
Object at Noon (Apichatpong Weerasethakul, 2000) and Big Boy (Shireen Seno,
2011) 29. Global Aspirations/ Local Affilations: Exploring the tensions of
"Post-Crisis" Thai Cinema, 1997-2004 30. Revisiting the Face Veil in
Post-Pandemic Times: The Fhyun Humane Visual Ethics of Indonesian Islamic
Filmmaking Alicia Izharuddin 31. Karma-Image; Insight-Image: On Buddhism
and the Cinema 32. Personality and Morality in Screen Performance: Hong
Kong Film Criticism and Social Reform of the 1920s Enoch Yee-lok Tam
SECTION V: Independent Practice: Networks, Labor, and Voices at the Margins
Introduction Intan Paramaditha 33. 'Still Doing It Themselves, With a
Little Help from Friends': Independent Filmmaking in Malaysia Two Decades
Hence 34. Slippers Outside the Door: An Annotated Interview with Tan Pin
Pin 35. Let's Love Hong Kong: Hyper-density, Virtual Possibility, and Queer
Women in Hong Kong Independent Film Arnika Fuhrmann 36. Care in Filming,
Change by Love 37. Domestic temporalities and film practice: Los Otros,
Quezon City and Forum Lenteng, Jakarta 38. Unstable Pixels, Modular Selves:
Digital Subjectivity in Chinese Independent Animations 39. Experimentation
and Transnational Influences: Documentary Film in Post-Authoritarian
Indonesia Eric Sasono 40. Filming Resistance: A Conversation with Deepa
Dhanraj Fatima Nizaruddin SECTION VI: Archives, Festivals, and Film
Pedagogy Introduction Sangjoon Lee 41. Festivalizations and Cultural
Constructions of "Asian Cinema" 42. Curating the City: 10 Years of the
Urban Lens Documentary Festival in Bangalore Subasri Krishnan 43. To Be
Continued: Women Make Waves 44. Film Festival Journeys - Past, Present,
Future: A Conversation with Roger Garcia Thong Kay Wee 45. Reflection on
Film Restoration, Acculturatie and Democracy - The Case Studies of Lewat
Djam Malam and Aladin 46. Thai Film Archive and Early Thai Queer Cinema
and Atit Pongpanit
Lee, Debashree Mukherjee and Intan Paramaditha SECTION I: Cine-activism &
Feminist Aesthetics Introduction Zhen Zhang 1. Film Societies and the
Screen within the Crowd in Bangladesh 2. Genres of Ecofeminism: Women
Filmmakers in India and the Environment 3. Rewriting History, Changing the
Story: An Interview with Anocha Suwichakornpong 4. Riding the Waves: An
Interview with Yim Soon-Rye Shin Chi-yun 5. Through the Lens of South
Korean Cine-feminism: House of Hummingbird (2018) and Moving On (2020) 6.
Transnational Women's Cinema in Southeast Asia: The Case of Marlina The
Murderer in Four Acts Intan Paramaditha 7. Taiwan Queer Cinema, Marriage
Equality, and Homo(trans)nationalism 8. Love In Pacific Time: Asian Screen
Culture in Vancouver SECTION II: Mediating Colonial, National and
Trans-Asian Imaginaries Introduction Debashree Mukherjee 9. What Is "Asian
Cinema" in Japan? Film and Political Economy in the 1940s 10. Filming
Taiwan Between a Quest for Artistic Purity and Propaganda in the People's
Republic of China: The Case of Taiwan Wangshi (My Bittersweet Taiwan, 2004)
Zhuoyi Wang 11. In the Name of Love: Screen Representations of Taiwanese
Indigenous People (1920s-1940s) 12. Desiring Nanyang, Nation, and Home:
Fictions of Belonging in Two Rediscovered Post-war Films from Singapore 13.
Where is Shangri-La? Imagining Kathmandu in Film 14. Affective-Scap/ing in
Zhang Lu's Inter-Asian Quartet 15. Postcards from Russia: Left Discourse
and Telugu Cinema SECTION III: Trans-border Industrial Cultures: Imagined
Audiences and Diasporic Dreams Introduction Debashree Mukherjee 16. Media
Topographies of East Asia: Cinema, Cables, Wirelessness and the (Somewhat)
Material Imaginaries of Territory 17. Looking Out and On the Move:
Aesthetics of Infrastructure in Recent Singapore Cinema 18. North Korea's
International Co-production Ventures: Nation and the Post-national 19.
Trans-Asian Circuits of Cinema and Media Exchange Between Australia and
Asia 20. Global Stories, Local Audiences: Dubbing Netflix in India 21.
Webtoon-based Korean Films on Netflix: Shifting Media Ecology in the
Digital Platform Era 22. Exile at the Edges: Donald Richie at the Pinch
Point between Japan and the World 23. Trans-Pacific Connection and Cine
Nikkei in Peru: A Conversation Jimena Mora and Talia Vidal with Zhen Zhang
SECTION IV: Beyond Genre: Modes, Motifs, Memories Introduction Intan
Paramaditha 24. The Melodramatic Mode in Asian Cinema: Usmar Ismail's
Lewat Djam Malam (After the Curfew) 25. Bong Joon-ho's Parasite as a Remake
of Kim Ki-young's The Housemaid: Creating an Aesthetic Genealogy within
South Korean Cinema 26. Melting the Iron Curtain: Metal-morphosis and the
Caricatured Western Leaders in Agitprop Animation in Socialist China,
1949-1965 27. The "Mirrored" Cultural Revolution - The Geo-political Making
of Apolitical Hero in Chang Cheh's The Assassin 28. Listening to
Small-Gauge Stories: Sonic Memories and Sensory Histories in Mysterious
Object at Noon (Apichatpong Weerasethakul, 2000) and Big Boy (Shireen Seno,
2011) 29. Global Aspirations/ Local Affilations: Exploring the tensions of
"Post-Crisis" Thai Cinema, 1997-2004 30. Revisiting the Face Veil in
Post-Pandemic Times: The Fhyun Humane Visual Ethics of Indonesian Islamic
Filmmaking Alicia Izharuddin 31. Karma-Image; Insight-Image: On Buddhism
and the Cinema 32. Personality and Morality in Screen Performance: Hong
Kong Film Criticism and Social Reform of the 1920s Enoch Yee-lok Tam
SECTION V: Independent Practice: Networks, Labor, and Voices at the Margins
Introduction Intan Paramaditha 33. 'Still Doing It Themselves, With a
Little Help from Friends': Independent Filmmaking in Malaysia Two Decades
Hence 34. Slippers Outside the Door: An Annotated Interview with Tan Pin
Pin 35. Let's Love Hong Kong: Hyper-density, Virtual Possibility, and Queer
Women in Hong Kong Independent Film Arnika Fuhrmann 36. Care in Filming,
Change by Love 37. Domestic temporalities and film practice: Los Otros,
Quezon City and Forum Lenteng, Jakarta 38. Unstable Pixels, Modular Selves:
Digital Subjectivity in Chinese Independent Animations 39. Experimentation
and Transnational Influences: Documentary Film in Post-Authoritarian
Indonesia Eric Sasono 40. Filming Resistance: A Conversation with Deepa
Dhanraj Fatima Nizaruddin SECTION VI: Archives, Festivals, and Film
Pedagogy Introduction Sangjoon Lee 41. Festivalizations and Cultural
Constructions of "Asian Cinema" 42. Curating the City: 10 Years of the
Urban Lens Documentary Festival in Bangalore Subasri Krishnan 43. To Be
Continued: Women Make Waves 44. Film Festival Journeys - Past, Present,
Future: A Conversation with Roger Garcia Thong Kay Wee 45. Reflection on
Film Restoration, Acculturatie and Democracy - The Case Studies of Lewat
Djam Malam and Aladin 46. Thai Film Archive and Early Thai Queer Cinema
and Atit Pongpanit
Introduction: Trans-Asian Cinemas at Home in the World Zhen Zhang, Sangjoon
Lee, Debashree Mukherjee and Intan Paramaditha SECTION I: Cine-activism &
Feminist Aesthetics Introduction Zhen Zhang 1. Film Societies and the
Screen within the Crowd in Bangladesh 2. Genres of Ecofeminism: Women
Filmmakers in India and the Environment 3. Rewriting History, Changing the
Story: An Interview with Anocha Suwichakornpong 4. Riding the Waves: An
Interview with Yim Soon-Rye Shin Chi-yun 5. Through the Lens of South
Korean Cine-feminism: House of Hummingbird (2018) and Moving On (2020) 6.
Transnational Women's Cinema in Southeast Asia: The Case of Marlina The
Murderer in Four Acts Intan Paramaditha 7. Taiwan Queer Cinema, Marriage
Equality, and Homo(trans)nationalism 8. Love In Pacific Time: Asian Screen
Culture in Vancouver SECTION II: Mediating Colonial, National and
Trans-Asian Imaginaries Introduction Debashree Mukherjee 9. What Is "Asian
Cinema" in Japan? Film and Political Economy in the 1940s 10. Filming
Taiwan Between a Quest for Artistic Purity and Propaganda in the People's
Republic of China: The Case of Taiwan Wangshi (My Bittersweet Taiwan, 2004)
Zhuoyi Wang 11. In the Name of Love: Screen Representations of Taiwanese
Indigenous People (1920s-1940s) 12. Desiring Nanyang, Nation, and Home:
Fictions of Belonging in Two Rediscovered Post-war Films from Singapore 13.
Where is Shangri-La? Imagining Kathmandu in Film 14. Affective-Scap/ing in
Zhang Lu's Inter-Asian Quartet 15. Postcards from Russia: Left Discourse
and Telugu Cinema SECTION III: Trans-border Industrial Cultures: Imagined
Audiences and Diasporic Dreams Introduction Debashree Mukherjee 16. Media
Topographies of East Asia: Cinema, Cables, Wirelessness and the (Somewhat)
Material Imaginaries of Territory 17. Looking Out and On the Move:
Aesthetics of Infrastructure in Recent Singapore Cinema 18. North Korea's
International Co-production Ventures: Nation and the Post-national 19.
Trans-Asian Circuits of Cinema and Media Exchange Between Australia and
Asia 20. Global Stories, Local Audiences: Dubbing Netflix in India 21.
Webtoon-based Korean Films on Netflix: Shifting Media Ecology in the
Digital Platform Era 22. Exile at the Edges: Donald Richie at the Pinch
Point between Japan and the World 23. Trans-Pacific Connection and Cine
Nikkei in Peru: A Conversation Jimena Mora and Talia Vidal with Zhen Zhang
SECTION IV: Beyond Genre: Modes, Motifs, Memories Introduction Intan
Paramaditha 24. The Melodramatic Mode in Asian Cinema: Usmar Ismail's
Lewat Djam Malam (After the Curfew) 25. Bong Joon-ho's Parasite as a Remake
of Kim Ki-young's The Housemaid: Creating an Aesthetic Genealogy within
South Korean Cinema 26. Melting the Iron Curtain: Metal-morphosis and the
Caricatured Western Leaders in Agitprop Animation in Socialist China,
1949-1965 27. The "Mirrored" Cultural Revolution - The Geo-political Making
of Apolitical Hero in Chang Cheh's The Assassin 28. Listening to
Small-Gauge Stories: Sonic Memories and Sensory Histories in Mysterious
Object at Noon (Apichatpong Weerasethakul, 2000) and Big Boy (Shireen Seno,
2011) 29. Global Aspirations/ Local Affilations: Exploring the tensions of
"Post-Crisis" Thai Cinema, 1997-2004 30. Revisiting the Face Veil in
Post-Pandemic Times: The Fhyun Humane Visual Ethics of Indonesian Islamic
Filmmaking Alicia Izharuddin 31. Karma-Image; Insight-Image: On Buddhism
and the Cinema 32. Personality and Morality in Screen Performance: Hong
Kong Film Criticism and Social Reform of the 1920s Enoch Yee-lok Tam
SECTION V: Independent Practice: Networks, Labor, and Voices at the Margins
Introduction Intan Paramaditha 33. 'Still Doing It Themselves, With a
Little Help from Friends': Independent Filmmaking in Malaysia Two Decades
Hence 34. Slippers Outside the Door: An Annotated Interview with Tan Pin
Pin 35. Let's Love Hong Kong: Hyper-density, Virtual Possibility, and Queer
Women in Hong Kong Independent Film Arnika Fuhrmann 36. Care in Filming,
Change by Love 37. Domestic temporalities and film practice: Los Otros,
Quezon City and Forum Lenteng, Jakarta 38. Unstable Pixels, Modular Selves:
Digital Subjectivity in Chinese Independent Animations 39. Experimentation
and Transnational Influences: Documentary Film in Post-Authoritarian
Indonesia Eric Sasono 40. Filming Resistance: A Conversation with Deepa
Dhanraj Fatima Nizaruddin SECTION VI: Archives, Festivals, and Film
Pedagogy Introduction Sangjoon Lee 41. Festivalizations and Cultural
Constructions of "Asian Cinema" 42. Curating the City: 10 Years of the
Urban Lens Documentary Festival in Bangalore Subasri Krishnan 43. To Be
Continued: Women Make Waves 44. Film Festival Journeys - Past, Present,
Future: A Conversation with Roger Garcia Thong Kay Wee 45. Reflection on
Film Restoration, Acculturatie and Democracy - The Case Studies of Lewat
Djam Malam and Aladin 46. Thai Film Archive and Early Thai Queer Cinema
and Atit Pongpanit
Lee, Debashree Mukherjee and Intan Paramaditha SECTION I: Cine-activism &
Feminist Aesthetics Introduction Zhen Zhang 1. Film Societies and the
Screen within the Crowd in Bangladesh 2. Genres of Ecofeminism: Women
Filmmakers in India and the Environment 3. Rewriting History, Changing the
Story: An Interview with Anocha Suwichakornpong 4. Riding the Waves: An
Interview with Yim Soon-Rye Shin Chi-yun 5. Through the Lens of South
Korean Cine-feminism: House of Hummingbird (2018) and Moving On (2020) 6.
Transnational Women's Cinema in Southeast Asia: The Case of Marlina The
Murderer in Four Acts Intan Paramaditha 7. Taiwan Queer Cinema, Marriage
Equality, and Homo(trans)nationalism 8. Love In Pacific Time: Asian Screen
Culture in Vancouver SECTION II: Mediating Colonial, National and
Trans-Asian Imaginaries Introduction Debashree Mukherjee 9. What Is "Asian
Cinema" in Japan? Film and Political Economy in the 1940s 10. Filming
Taiwan Between a Quest for Artistic Purity and Propaganda in the People's
Republic of China: The Case of Taiwan Wangshi (My Bittersweet Taiwan, 2004)
Zhuoyi Wang 11. In the Name of Love: Screen Representations of Taiwanese
Indigenous People (1920s-1940s) 12. Desiring Nanyang, Nation, and Home:
Fictions of Belonging in Two Rediscovered Post-war Films from Singapore 13.
Where is Shangri-La? Imagining Kathmandu in Film 14. Affective-Scap/ing in
Zhang Lu's Inter-Asian Quartet 15. Postcards from Russia: Left Discourse
and Telugu Cinema SECTION III: Trans-border Industrial Cultures: Imagined
Audiences and Diasporic Dreams Introduction Debashree Mukherjee 16. Media
Topographies of East Asia: Cinema, Cables, Wirelessness and the (Somewhat)
Material Imaginaries of Territory 17. Looking Out and On the Move:
Aesthetics of Infrastructure in Recent Singapore Cinema 18. North Korea's
International Co-production Ventures: Nation and the Post-national 19.
Trans-Asian Circuits of Cinema and Media Exchange Between Australia and
Asia 20. Global Stories, Local Audiences: Dubbing Netflix in India 21.
Webtoon-based Korean Films on Netflix: Shifting Media Ecology in the
Digital Platform Era 22. Exile at the Edges: Donald Richie at the Pinch
Point between Japan and the World 23. Trans-Pacific Connection and Cine
Nikkei in Peru: A Conversation Jimena Mora and Talia Vidal with Zhen Zhang
SECTION IV: Beyond Genre: Modes, Motifs, Memories Introduction Intan
Paramaditha 24. The Melodramatic Mode in Asian Cinema: Usmar Ismail's
Lewat Djam Malam (After the Curfew) 25. Bong Joon-ho's Parasite as a Remake
of Kim Ki-young's The Housemaid: Creating an Aesthetic Genealogy within
South Korean Cinema 26. Melting the Iron Curtain: Metal-morphosis and the
Caricatured Western Leaders in Agitprop Animation in Socialist China,
1949-1965 27. The "Mirrored" Cultural Revolution - The Geo-political Making
of Apolitical Hero in Chang Cheh's The Assassin 28. Listening to
Small-Gauge Stories: Sonic Memories and Sensory Histories in Mysterious
Object at Noon (Apichatpong Weerasethakul, 2000) and Big Boy (Shireen Seno,
2011) 29. Global Aspirations/ Local Affilations: Exploring the tensions of
"Post-Crisis" Thai Cinema, 1997-2004 30. Revisiting the Face Veil in
Post-Pandemic Times: The Fhyun Humane Visual Ethics of Indonesian Islamic
Filmmaking Alicia Izharuddin 31. Karma-Image; Insight-Image: On Buddhism
and the Cinema 32. Personality and Morality in Screen Performance: Hong
Kong Film Criticism and Social Reform of the 1920s Enoch Yee-lok Tam
SECTION V: Independent Practice: Networks, Labor, and Voices at the Margins
Introduction Intan Paramaditha 33. 'Still Doing It Themselves, With a
Little Help from Friends': Independent Filmmaking in Malaysia Two Decades
Hence 34. Slippers Outside the Door: An Annotated Interview with Tan Pin
Pin 35. Let's Love Hong Kong: Hyper-density, Virtual Possibility, and Queer
Women in Hong Kong Independent Film Arnika Fuhrmann 36. Care in Filming,
Change by Love 37. Domestic temporalities and film practice: Los Otros,
Quezon City and Forum Lenteng, Jakarta 38. Unstable Pixels, Modular Selves:
Digital Subjectivity in Chinese Independent Animations 39. Experimentation
and Transnational Influences: Documentary Film in Post-Authoritarian
Indonesia Eric Sasono 40. Filming Resistance: A Conversation with Deepa
Dhanraj Fatima Nizaruddin SECTION VI: Archives, Festivals, and Film
Pedagogy Introduction Sangjoon Lee 41. Festivalizations and Cultural
Constructions of "Asian Cinema" 42. Curating the City: 10 Years of the
Urban Lens Documentary Festival in Bangalore Subasri Krishnan 43. To Be
Continued: Women Make Waves 44. Film Festival Journeys - Past, Present,
Future: A Conversation with Roger Garcia Thong Kay Wee 45. Reflection on
Film Restoration, Acculturatie and Democracy - The Case Studies of Lewat
Djam Malam and Aladin 46. Thai Film Archive and Early Thai Queer Cinema
and Atit Pongpanit