The Routledge Companion to Cinema & Gender
Herausgeber: Hole, Kristin; Kaplan, E.; Jela¿a, Dijana
The Routledge Companion to Cinema & Gender
Herausgeber: Hole, Kristin; Kaplan, E.; Jela¿a, Dijana
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This comprehensive collection of all new essays assembles major theoretical approaches to cinema, gender, and spectatorship, covering the intersections with other discourses such as class, ethnicity, sexuality, stars, genres, new media, and feminist modes of address. Bringing together leading figures in the field, the volume provides an overview of cinema and gender, while also reflecting a desire to rethink some of the ways in which feminist film theory and filmmaking are historicized, theorized, and taught. Essays are organised into five parts, each highlighting key areas and approaches. The…mehr
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This comprehensive collection of all new essays assembles major theoretical approaches to cinema, gender, and spectatorship, covering the intersections with other discourses such as class, ethnicity, sexuality, stars, genres, new media, and feminist modes of address. Bringing together leading figures in the field, the volume provides an overview of cinema and gender, while also reflecting a desire to rethink some of the ways in which feminist film theory and filmmaking are historicized, theorized, and taught. Essays are organised into five parts, each highlighting key areas and approaches. The Companion will be an important resource for researchers and students.
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Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 514
- Erscheinungstermin: 4. November 2016
- Englisch
- Abmessung: 260mm x 183mm x 32mm
- Gewicht: 1152g
- ISBN-13: 9781138924956
- ISBN-10: 1138924954
- Artikelnr.: 48809857
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Routledge
- Seitenzahl: 514
- Erscheinungstermin: 4. November 2016
- Englisch
- Abmessung: 260mm x 183mm x 32mm
- Gewicht: 1152g
- ISBN-13: 9781138924956
- ISBN-10: 1138924954
- Artikelnr.: 48809857
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Kristin Lené Hole teaches in the film department at Portland State University. She is the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy (2015). Dijana Jelača teaches in the Department of Communication and Media Studies at Fordham University. She is the author of Dislocated Screen Memory: Narrating Trauma in Post Yugoslav Cinema (2016). Her areas of inquiry include transnational feminism, trauma and memory. Her work has appeared in Camera Obscura, Feminist Media Studies and elsewhere. E. Ann Kaplan is Distinguished Professor of English and the Women's, Gender and Sexuality Studies Department at Stony Brook University, where she also founded and directed The Humanities Institute for twenty-seven years. Her recent research focuses on trauma as evident in her co-edited book, Trauma and Cinema (2004) and her 2005 monograph, Trauma Culture: The Politics of Terror and Loss in Media and Literature. Her book on Climate Trauma: Foreseeing the Future in Dystopian Film and Fiction continues her research on trauma, and was published in 2015. Patrice Petro is Professor of Film and Media Studies at the University of California, Santa Barbara, where she also serves as Director of the Carsey-Wolf Center. She is the author, editor, and co-editor of eleven books, most recently, After Capitalism: Horizons of Finance, Culture, and Citizenship (2016), Teaching Film (2012), and Idols of Modernity: Movie Stars of the 1920s (2010).
List of Figures
Acknowledgements
List of Contributors
Introduction
Kristin Lené Hole, Dijana Jeläa, E. Ann Kaplan, Patrice Petro
Part I
WHAT IS [FEMINIST] CINEMA?
Introduction
Chapter 1
Classical Feminist Film Theory: Then and (Mostly) Now
Patrice Petro
Chapter 2
Postcolonial and Transnational Approaches to Film and Feminism
Sandra Ponzanesi
Chapter 3
Feminist Forms of Address: Mai Zetterling's Loving Couples
Lucy Fischer
Chapter 4
Sound and Gender
Kathleen Vernon
Chapter 5
Gender in Transit: Framing the Cinema of Migration
Sumita Chakravarty
Chapter 6
"No place for sissies": Gender, Age and Disability in Hollywood
Sally Chivers
Chapter 7
Chinese Socialist Women's Cinema: An Alternative Feminist Practice
Lingzhen Wang
Chapter 8
Gender, Socialism and European Film Cultures
Anikó Imre
Chapter 9
Queer or LGBTQ+: On the Question of Inclusivity in Queer Cinema Studies
Amy Borden
Part II
GENRES, MODES, STARS
Introduction
Chapter 10
Contested Masculinities: The Action Film, the War Film, and the Western
Yvonne Tasker
Chapter 11
The Rise and Fall of the Girly Film: From the Woman's Picture to the New
Woman's Film, the Chick Flick and the Smart-Chick Film
Hilary Radner
Chapter 12
Moving Past the Trauma: Feminist Criticism and Transformations of the
Slasher Genre Anthony Hayt
Chapter 13
Slapstick Comediennes in Silent Cinema: Women's Laughter and the Feminist
Politics of Gender in Motion
Margaret Hennefeld
Chapter 14
Feminist Porn: The Politics of Producing Pleasure
Constance Penley, Celine Parreñas Shimizu, Mireille Miller-Young, and
Tristan Taormino
Chapter 15
The Postmodern Story of the Femme Fatale
Julie Grossman
Chapter 16
The Documentary: Female Subjectivity and the Problem of Realism
Belinda Smaill
Chapter 17
Experimental Women Filmmakers
Maureen Turim
Chapter 18
Transnational Stardom
Russell Meeuf
Part III
MAKING MOVIES
Introduction
Chapter 19
Feminist and Non-Western Interrogations of Film Authorship
Priya Jaikumar
Chapter 20
Pink Material: White Womanhood and the Colonial Imaginary in World Cinema
Authorship Patricia White
Chapter 21
Women, Islam and Cinema: Gender Politics and Representation in Middle
Eastern Films and Beyond
Eylem Atakav
Chapter 22
African 'First Films': Gendered Authorship, Identity, and Discursive
Resistance
Anne Ciecko
Chapter 23
Black Women Filmmakers
Jacqueline Bobo
Chapter 24
Fair and Lovely: Class, Gender, and Colorism in Bollywood Song Sequences
Tejaswini Ganti
Chapter 25
What Was "Women's Work" in the Silent Film Era?
Jane Gaines
Chapter 26
Female Editors in Studio-Era Hollywood: Rethinking Feminist Frontiers and
the Constraints of the Archive
J.E. Smyth
Chapter 27
Film Activism and Transformative Praxis: Women Make Movies
Debra Zimmerman
Part IV
SPECTATORSHIP, RECEPTION, PROJECTING IDENTITIES
Introduction
Chapter 28
Psychoanalysis Outside and Beyond the Gaze
Claire Pajaczkowska
Chapter 29
Embodying Spectatorship: From Phenomenology to Sensation
Jenny Chamarette
Chapter 30
Deleuzian Spectatorship
Felicity Colman
Chapter 31
Film Reception Studies and Feminism
Janet Staiger
Chapter 32
Nollywood, Female Audience, and the Negotiating of Pleasure
Ikechukwu Obiaya
Chapter 33
Gender and Fandom: From Spectators to Social Audiences
Katherine E. Morrissey
Chapter 34
Classical Hollywood and Modernity: Gender, Style, Aesthetics
Veronica Pravadelli
Chapter 35
Lesbian Cinema Post-Feminism: Ageism, Difference, and Desire
Rachel Lewis
Part V
THINKING CINEMA'S FUTURE
Introduction
Chapter 36
Revolting Aesthetics: Feminist Transnational Cinema in the US
Katarzyna Marciniak
Chapter 37
Towards Trans Cinema
Eliza Steinbock
Chapter 38
Visualizing Climate Trauma: The Cultural Work of Films Anticipating the
Future
E. Ann Kaplan
Chapter 39
Eco-Cinema and Gender
Alexa Weik von Mossner
Chapter 40
Cinema, Animal Studies and the Post/Non-Human
Jennifer Lynn Peterson
Chapter 41
Class/Ornament: Cinema, New Media, Labor-Power and Performativity
Erica Levin
Chapter 42
Film Feminism, Post-Cinema and the Affective Turn
Dijana Jeläa
Chapter 43
Fantasy Echoes and the Future Anterior of Cinema and Gender
Kristin Lené Hole
Index
Acknowledgements
List of Contributors
Introduction
Kristin Lené Hole, Dijana Jeläa, E. Ann Kaplan, Patrice Petro
Part I
WHAT IS [FEMINIST] CINEMA?
Introduction
Chapter 1
Classical Feminist Film Theory: Then and (Mostly) Now
Patrice Petro
Chapter 2
Postcolonial and Transnational Approaches to Film and Feminism
Sandra Ponzanesi
Chapter 3
Feminist Forms of Address: Mai Zetterling's Loving Couples
Lucy Fischer
Chapter 4
Sound and Gender
Kathleen Vernon
Chapter 5
Gender in Transit: Framing the Cinema of Migration
Sumita Chakravarty
Chapter 6
"No place for sissies": Gender, Age and Disability in Hollywood
Sally Chivers
Chapter 7
Chinese Socialist Women's Cinema: An Alternative Feminist Practice
Lingzhen Wang
Chapter 8
Gender, Socialism and European Film Cultures
Anikó Imre
Chapter 9
Queer or LGBTQ+: On the Question of Inclusivity in Queer Cinema Studies
Amy Borden
Part II
GENRES, MODES, STARS
Introduction
Chapter 10
Contested Masculinities: The Action Film, the War Film, and the Western
Yvonne Tasker
Chapter 11
The Rise and Fall of the Girly Film: From the Woman's Picture to the New
Woman's Film, the Chick Flick and the Smart-Chick Film
Hilary Radner
Chapter 12
Moving Past the Trauma: Feminist Criticism and Transformations of the
Slasher Genre Anthony Hayt
Chapter 13
Slapstick Comediennes in Silent Cinema: Women's Laughter and the Feminist
Politics of Gender in Motion
Margaret Hennefeld
Chapter 14
Feminist Porn: The Politics of Producing Pleasure
Constance Penley, Celine Parreñas Shimizu, Mireille Miller-Young, and
Tristan Taormino
Chapter 15
The Postmodern Story of the Femme Fatale
Julie Grossman
Chapter 16
The Documentary: Female Subjectivity and the Problem of Realism
Belinda Smaill
Chapter 17
Experimental Women Filmmakers
Maureen Turim
Chapter 18
Transnational Stardom
Russell Meeuf
Part III
MAKING MOVIES
Introduction
Chapter 19
Feminist and Non-Western Interrogations of Film Authorship
Priya Jaikumar
Chapter 20
Pink Material: White Womanhood and the Colonial Imaginary in World Cinema
Authorship Patricia White
Chapter 21
Women, Islam and Cinema: Gender Politics and Representation in Middle
Eastern Films and Beyond
Eylem Atakav
Chapter 22
African 'First Films': Gendered Authorship, Identity, and Discursive
Resistance
Anne Ciecko
Chapter 23
Black Women Filmmakers
Jacqueline Bobo
Chapter 24
Fair and Lovely: Class, Gender, and Colorism in Bollywood Song Sequences
Tejaswini Ganti
Chapter 25
What Was "Women's Work" in the Silent Film Era?
Jane Gaines
Chapter 26
Female Editors in Studio-Era Hollywood: Rethinking Feminist Frontiers and
the Constraints of the Archive
J.E. Smyth
Chapter 27
Film Activism and Transformative Praxis: Women Make Movies
Debra Zimmerman
Part IV
SPECTATORSHIP, RECEPTION, PROJECTING IDENTITIES
Introduction
Chapter 28
Psychoanalysis Outside and Beyond the Gaze
Claire Pajaczkowska
Chapter 29
Embodying Spectatorship: From Phenomenology to Sensation
Jenny Chamarette
Chapter 30
Deleuzian Spectatorship
Felicity Colman
Chapter 31
Film Reception Studies and Feminism
Janet Staiger
Chapter 32
Nollywood, Female Audience, and the Negotiating of Pleasure
Ikechukwu Obiaya
Chapter 33
Gender and Fandom: From Spectators to Social Audiences
Katherine E. Morrissey
Chapter 34
Classical Hollywood and Modernity: Gender, Style, Aesthetics
Veronica Pravadelli
Chapter 35
Lesbian Cinema Post-Feminism: Ageism, Difference, and Desire
Rachel Lewis
Part V
THINKING CINEMA'S FUTURE
Introduction
Chapter 36
Revolting Aesthetics: Feminist Transnational Cinema in the US
Katarzyna Marciniak
Chapter 37
Towards Trans Cinema
Eliza Steinbock
Chapter 38
Visualizing Climate Trauma: The Cultural Work of Films Anticipating the
Future
E. Ann Kaplan
Chapter 39
Eco-Cinema and Gender
Alexa Weik von Mossner
Chapter 40
Cinema, Animal Studies and the Post/Non-Human
Jennifer Lynn Peterson
Chapter 41
Class/Ornament: Cinema, New Media, Labor-Power and Performativity
Erica Levin
Chapter 42
Film Feminism, Post-Cinema and the Affective Turn
Dijana Jeläa
Chapter 43
Fantasy Echoes and the Future Anterior of Cinema and Gender
Kristin Lené Hole
Index
List of Figures
Acknowledgements
List of Contributors
Introduction
Kristin Lené Hole, Dijana Jeläa, E. Ann Kaplan, Patrice Petro
Part I
WHAT IS [FEMINIST] CINEMA?
Introduction
Chapter 1
Classical Feminist Film Theory: Then and (Mostly) Now
Patrice Petro
Chapter 2
Postcolonial and Transnational Approaches to Film and Feminism
Sandra Ponzanesi
Chapter 3
Feminist Forms of Address: Mai Zetterling's Loving Couples
Lucy Fischer
Chapter 4
Sound and Gender
Kathleen Vernon
Chapter 5
Gender in Transit: Framing the Cinema of Migration
Sumita Chakravarty
Chapter 6
"No place for sissies": Gender, Age and Disability in Hollywood
Sally Chivers
Chapter 7
Chinese Socialist Women's Cinema: An Alternative Feminist Practice
Lingzhen Wang
Chapter 8
Gender, Socialism and European Film Cultures
Anikó Imre
Chapter 9
Queer or LGBTQ+: On the Question of Inclusivity in Queer Cinema Studies
Amy Borden
Part II
GENRES, MODES, STARS
Introduction
Chapter 10
Contested Masculinities: The Action Film, the War Film, and the Western
Yvonne Tasker
Chapter 11
The Rise and Fall of the Girly Film: From the Woman's Picture to the New
Woman's Film, the Chick Flick and the Smart-Chick Film
Hilary Radner
Chapter 12
Moving Past the Trauma: Feminist Criticism and Transformations of the
Slasher Genre Anthony Hayt
Chapter 13
Slapstick Comediennes in Silent Cinema: Women's Laughter and the Feminist
Politics of Gender in Motion
Margaret Hennefeld
Chapter 14
Feminist Porn: The Politics of Producing Pleasure
Constance Penley, Celine Parreñas Shimizu, Mireille Miller-Young, and
Tristan Taormino
Chapter 15
The Postmodern Story of the Femme Fatale
Julie Grossman
Chapter 16
The Documentary: Female Subjectivity and the Problem of Realism
Belinda Smaill
Chapter 17
Experimental Women Filmmakers
Maureen Turim
Chapter 18
Transnational Stardom
Russell Meeuf
Part III
MAKING MOVIES
Introduction
Chapter 19
Feminist and Non-Western Interrogations of Film Authorship
Priya Jaikumar
Chapter 20
Pink Material: White Womanhood and the Colonial Imaginary in World Cinema
Authorship Patricia White
Chapter 21
Women, Islam and Cinema: Gender Politics and Representation in Middle
Eastern Films and Beyond
Eylem Atakav
Chapter 22
African 'First Films': Gendered Authorship, Identity, and Discursive
Resistance
Anne Ciecko
Chapter 23
Black Women Filmmakers
Jacqueline Bobo
Chapter 24
Fair and Lovely: Class, Gender, and Colorism in Bollywood Song Sequences
Tejaswini Ganti
Chapter 25
What Was "Women's Work" in the Silent Film Era?
Jane Gaines
Chapter 26
Female Editors in Studio-Era Hollywood: Rethinking Feminist Frontiers and
the Constraints of the Archive
J.E. Smyth
Chapter 27
Film Activism and Transformative Praxis: Women Make Movies
Debra Zimmerman
Part IV
SPECTATORSHIP, RECEPTION, PROJECTING IDENTITIES
Introduction
Chapter 28
Psychoanalysis Outside and Beyond the Gaze
Claire Pajaczkowska
Chapter 29
Embodying Spectatorship: From Phenomenology to Sensation
Jenny Chamarette
Chapter 30
Deleuzian Spectatorship
Felicity Colman
Chapter 31
Film Reception Studies and Feminism
Janet Staiger
Chapter 32
Nollywood, Female Audience, and the Negotiating of Pleasure
Ikechukwu Obiaya
Chapter 33
Gender and Fandom: From Spectators to Social Audiences
Katherine E. Morrissey
Chapter 34
Classical Hollywood and Modernity: Gender, Style, Aesthetics
Veronica Pravadelli
Chapter 35
Lesbian Cinema Post-Feminism: Ageism, Difference, and Desire
Rachel Lewis
Part V
THINKING CINEMA'S FUTURE
Introduction
Chapter 36
Revolting Aesthetics: Feminist Transnational Cinema in the US
Katarzyna Marciniak
Chapter 37
Towards Trans Cinema
Eliza Steinbock
Chapter 38
Visualizing Climate Trauma: The Cultural Work of Films Anticipating the
Future
E. Ann Kaplan
Chapter 39
Eco-Cinema and Gender
Alexa Weik von Mossner
Chapter 40
Cinema, Animal Studies and the Post/Non-Human
Jennifer Lynn Peterson
Chapter 41
Class/Ornament: Cinema, New Media, Labor-Power and Performativity
Erica Levin
Chapter 42
Film Feminism, Post-Cinema and the Affective Turn
Dijana Jeläa
Chapter 43
Fantasy Echoes and the Future Anterior of Cinema and Gender
Kristin Lené Hole
Index
Acknowledgements
List of Contributors
Introduction
Kristin Lené Hole, Dijana Jeläa, E. Ann Kaplan, Patrice Petro
Part I
WHAT IS [FEMINIST] CINEMA?
Introduction
Chapter 1
Classical Feminist Film Theory: Then and (Mostly) Now
Patrice Petro
Chapter 2
Postcolonial and Transnational Approaches to Film and Feminism
Sandra Ponzanesi
Chapter 3
Feminist Forms of Address: Mai Zetterling's Loving Couples
Lucy Fischer
Chapter 4
Sound and Gender
Kathleen Vernon
Chapter 5
Gender in Transit: Framing the Cinema of Migration
Sumita Chakravarty
Chapter 6
"No place for sissies": Gender, Age and Disability in Hollywood
Sally Chivers
Chapter 7
Chinese Socialist Women's Cinema: An Alternative Feminist Practice
Lingzhen Wang
Chapter 8
Gender, Socialism and European Film Cultures
Anikó Imre
Chapter 9
Queer or LGBTQ+: On the Question of Inclusivity in Queer Cinema Studies
Amy Borden
Part II
GENRES, MODES, STARS
Introduction
Chapter 10
Contested Masculinities: The Action Film, the War Film, and the Western
Yvonne Tasker
Chapter 11
The Rise and Fall of the Girly Film: From the Woman's Picture to the New
Woman's Film, the Chick Flick and the Smart-Chick Film
Hilary Radner
Chapter 12
Moving Past the Trauma: Feminist Criticism and Transformations of the
Slasher Genre Anthony Hayt
Chapter 13
Slapstick Comediennes in Silent Cinema: Women's Laughter and the Feminist
Politics of Gender in Motion
Margaret Hennefeld
Chapter 14
Feminist Porn: The Politics of Producing Pleasure
Constance Penley, Celine Parreñas Shimizu, Mireille Miller-Young, and
Tristan Taormino
Chapter 15
The Postmodern Story of the Femme Fatale
Julie Grossman
Chapter 16
The Documentary: Female Subjectivity and the Problem of Realism
Belinda Smaill
Chapter 17
Experimental Women Filmmakers
Maureen Turim
Chapter 18
Transnational Stardom
Russell Meeuf
Part III
MAKING MOVIES
Introduction
Chapter 19
Feminist and Non-Western Interrogations of Film Authorship
Priya Jaikumar
Chapter 20
Pink Material: White Womanhood and the Colonial Imaginary in World Cinema
Authorship Patricia White
Chapter 21
Women, Islam and Cinema: Gender Politics and Representation in Middle
Eastern Films and Beyond
Eylem Atakav
Chapter 22
African 'First Films': Gendered Authorship, Identity, and Discursive
Resistance
Anne Ciecko
Chapter 23
Black Women Filmmakers
Jacqueline Bobo
Chapter 24
Fair and Lovely: Class, Gender, and Colorism in Bollywood Song Sequences
Tejaswini Ganti
Chapter 25
What Was "Women's Work" in the Silent Film Era?
Jane Gaines
Chapter 26
Female Editors in Studio-Era Hollywood: Rethinking Feminist Frontiers and
the Constraints of the Archive
J.E. Smyth
Chapter 27
Film Activism and Transformative Praxis: Women Make Movies
Debra Zimmerman
Part IV
SPECTATORSHIP, RECEPTION, PROJECTING IDENTITIES
Introduction
Chapter 28
Psychoanalysis Outside and Beyond the Gaze
Claire Pajaczkowska
Chapter 29
Embodying Spectatorship: From Phenomenology to Sensation
Jenny Chamarette
Chapter 30
Deleuzian Spectatorship
Felicity Colman
Chapter 31
Film Reception Studies and Feminism
Janet Staiger
Chapter 32
Nollywood, Female Audience, and the Negotiating of Pleasure
Ikechukwu Obiaya
Chapter 33
Gender and Fandom: From Spectators to Social Audiences
Katherine E. Morrissey
Chapter 34
Classical Hollywood and Modernity: Gender, Style, Aesthetics
Veronica Pravadelli
Chapter 35
Lesbian Cinema Post-Feminism: Ageism, Difference, and Desire
Rachel Lewis
Part V
THINKING CINEMA'S FUTURE
Introduction
Chapter 36
Revolting Aesthetics: Feminist Transnational Cinema in the US
Katarzyna Marciniak
Chapter 37
Towards Trans Cinema
Eliza Steinbock
Chapter 38
Visualizing Climate Trauma: The Cultural Work of Films Anticipating the
Future
E. Ann Kaplan
Chapter 39
Eco-Cinema and Gender
Alexa Weik von Mossner
Chapter 40
Cinema, Animal Studies and the Post/Non-Human
Jennifer Lynn Peterson
Chapter 41
Class/Ornament: Cinema, New Media, Labor-Power and Performativity
Erica Levin
Chapter 42
Film Feminism, Post-Cinema and the Affective Turn
Dijana Jeläa
Chapter 43
Fantasy Echoes and the Future Anterior of Cinema and Gender
Kristin Lené Hole
Index