The Routledge Companion to Cinema and Gender comprises forty-three innovative essays that offer both an overview of and an intervention into the field of cinema and gender. The contributions in this volume address a variety of geographical and cultural contexts through an analysis of cinema, from the representation of women and Islam in Middle Eastern film, and female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. The book includes a special focus on women directors in a global context, examining films and filmmakers from Asia, Africa, Australia,…mehr
The Routledge Companion to Cinema and Gender comprises forty-three innovative essays that offer both an overview of and an intervention into the field of cinema and gender. The contributions in this volume address a variety of geographical and cultural contexts through an analysis of cinema, from the representation of women and Islam in Middle Eastern film, and female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. The book includes a special focus on women directors in a global context, examining films and filmmakers from Asia, Africa, Australia, Europe, and North and South America. Alongside a comprehensive overview of feminist perspectives on genre, this collection also offers discussion on a range of approaches to spectatorship, reception studies, and fandom, as well as transnational approaches to star studies and the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, ecocinema, the post-human, and the methodological dimensions of feminist film history. This Routledge Companion provides researchers, students, and scholars with an essential guide to the key political, cultural, and theoretical debates surrounding cinema and gender.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kristin Lené Hole is an Assistant Professor in the School of Film at Portland State University, USA. She is the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy (2016) and co-author (with Dijana Jeläa) of Film Feminisms: A Global Introduction (2019). Dijana Jeläa teaches in the Film Department at Brooklyn College, USA. She is the author of Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema (2016) and co-author (with Kristin Lené Hole) of Film Feminisms: A Global Introduction (2019). E. Ann Kaplan is Distinguished Professor of English and Women's, Gender and Sexuality Studies at Stony Brook University, USA, where she also founded and directed The Humanities Institute. She is Past President of the Society for Cinema and Media Studies. Kaplan's pioneering research on women in film includes Women in Film: Both Sides of the Camera, Motherhood and Representation, Looking for the Other, and Feminism and Film. Her recent research focuses on trauma: see Trauma and Cinema (2004) with Ban Wang; Trauma Culture: The Politics of Terror and Loss in Media and Literature (2005); and Climate Trauma: Foreseeing the Future in Dystopian Film and Fiction (2015). Patrice Petro is Dick Wolf Director of the Carsey-Wolf Center, Professor of Film and Media Studies, and Presidential Chair in Media Studies at the University of California, Santa Barbara, USA. She is the author, editor, and co-editor of twelve books, most recently Idols of Modernity: Movie Stars of the 1920s (2010), Teaching Film (2012), and After Capitalism: Horizons of Finance, Culture, and Citizenship (2016).
Inhaltsangabe
List of Figures Acknowledgements List of Contributors Introduction Kristin Lené Hole, Dijana Jeläa, E. Ann Kaplan, Patrice Petro Part I WHAT IS [FEMINIST] CINEMA? Introduction Chapter 1 Classical Feminist Film Theory: Then and (Mostly) Now Patrice Petro Chapter 2 Postcolonial and Transnational Approaches to Film and Feminism Sandra Ponzanesi Chapter 3 Feminist Forms of Address: Mai Zetterling's Loving Couples Lucy Fischer Chapter 4 Sound and Gender Kathleen Vernon Chapter 5 Gender in Transit: Framing the Cinema of Migration Sumita Chakravarty Chapter 6 "No place for sissies": Gender, Age and Disability in Hollywood Sally Chivers Chapter 7 Chinese Socialist Women's Cinema: An Alternative Feminist Practice Lingzhen Wang Chapter 8 Gender, Socialism and European Film Cultures Anikó Imre Chapter 9 Queer or LGBTQ+: On the Question of Inclusivity in Queer Cinema Studies Amy Borden Part II GENRES, MODES, STARS Introduction Chapter 10 Contested Masculinities: The Action Film, the War Film, and the Western Yvonne Tasker Chapter 11 The Rise and Fall of the Girly Film: From the Woman's Picture to the New Woman's Film, the Chick Flick and the Smart-Chick Film Hilary Radner Chapter 12 Moving Past the Trauma: Feminist Criticism and Transformations of the Slasher Genre Anthony Hayt Chapter 13 Slapstick Comediennes in Silent Cinema: Women's Laughter and the Feminist Politics of Gender in Motion Margaret Hennefeld Chapter 14 Feminist Porn: The Politics of Producing Pleasure Constance Penley, Celine Parreñas Shimizu, Mireille Miller-Young, and Tristan Taormino Chapter 15 The Postmodern Story of the Femme Fatale Julie Grossman Chapter 16 The Documentary: Female Subjectivity and the Problem of Realism Belinda Smaill Chapter 17 Experimental Women Filmmakers Maureen Turim Chapter 18 Transnational Stardom Russell Meeuf Part III MAKING MOVIES Introduction Chapter 19 Feminist and Non-Western Interrogations of Film Authorship Priya Jaikumar Chapter 20 Pink Material: White Womanhood and the Colonial Imaginary in World Cinema Authorship Patricia White Chapter 21 Women, Islam and Cinema: Gender Politics and Representation in Middle Eastern Films and Beyond Eylem Atakav Chapter 22 African 'First Films': Gendered Authorship, Identity, and Discursive Resistance Anne Ciecko Chapter 23 Black Women Filmmakers Jacqueline Bobo Chapter 24 Fair and Lovely: Class, Gender, and Colorism in Bollywood Song Sequences Tejaswini Ganti Chapter 25 What Was "Women's Work" in the Silent Film Era? Jane Gaines Chapter 26 Female Editors in Studio-Era Hollywood: Rethinking Feminist Frontiers and the Constraints of the Archive J.E. Smyth Chapter 27 Film Activism and Transformative Praxis: Women Make Movies Debra Zimmerman Part IV SPECTATORSHIP, RECEPTION, PROJECTING IDENTITIES Introduction Chapter 28 Psychoanalysis Outside and Beyond the Gaze Claire Pajaczkowska Chapter 29 Embodying Spectatorship: From Phenomenology to Sensation Jenny Chamarette Chapter 30 Deleuzian Spectatorship Felicity Colman Chapter 31 Film Reception Studies and Feminism Janet Staiger Chapter 32 Nollywood, Female Audience, and the Negotiating of Pleasure Ikechukwu Obiaya Chapter 33 Gender and Fandom: From Spectators to Social Audiences Katherine E. Morrissey Chapter 34 Classical Hollywood and Modernity: Gender, Style, Aesthetics Veronica Pravadelli Chapter 35 Lesbian Cinema Post-Feminism: Ageism, Difference, and Desire Rachel Lewis Part V THINKING CINEMA'S FUTURE Introduction Chapter 36 Revolting Aesthetics: Feminist Transnational Cinema in the US Katarzyna Marciniak Chapter 37 Towards Trans Cinema Eliza Steinbock Chapter 38 Visualizing Climate Trauma: The Cultural Work of Films Anticipating the Future E. Ann Kaplan Chapter 39 Eco-Cinema and Gender Alexa Weik von Mossner Chapter 40 Cinema, Animal Studies and the Post/Non-Human Jennifer Lynn Peterson Chapter 41 Class/Ornament: Cinema, New Media, Labor-Power and Performativity Erica Levin Chapter 42 Film Feminism, Post-Cinema and the Affective Turn Dijana Jeläa Chapter 43 Fantasy Echoes and the Future Anterior of Cinema and Gender Kristin Lené Hole Index
List of Figures Acknowledgements List of Contributors Introduction Kristin Lené Hole, Dijana Jeläa, E. Ann Kaplan, Patrice Petro Part I WHAT IS [FEMINIST] CINEMA? Introduction Chapter 1 Classical Feminist Film Theory: Then and (Mostly) Now Patrice Petro Chapter 2 Postcolonial and Transnational Approaches to Film and Feminism Sandra Ponzanesi Chapter 3 Feminist Forms of Address: Mai Zetterling's Loving Couples Lucy Fischer Chapter 4 Sound and Gender Kathleen Vernon Chapter 5 Gender in Transit: Framing the Cinema of Migration Sumita Chakravarty Chapter 6 "No place for sissies": Gender, Age and Disability in Hollywood Sally Chivers Chapter 7 Chinese Socialist Women's Cinema: An Alternative Feminist Practice Lingzhen Wang Chapter 8 Gender, Socialism and European Film Cultures Anikó Imre Chapter 9 Queer or LGBTQ+: On the Question of Inclusivity in Queer Cinema Studies Amy Borden Part II GENRES, MODES, STARS Introduction Chapter 10 Contested Masculinities: The Action Film, the War Film, and the Western Yvonne Tasker Chapter 11 The Rise and Fall of the Girly Film: From the Woman's Picture to the New Woman's Film, the Chick Flick and the Smart-Chick Film Hilary Radner Chapter 12 Moving Past the Trauma: Feminist Criticism and Transformations of the Slasher Genre Anthony Hayt Chapter 13 Slapstick Comediennes in Silent Cinema: Women's Laughter and the Feminist Politics of Gender in Motion Margaret Hennefeld Chapter 14 Feminist Porn: The Politics of Producing Pleasure Constance Penley, Celine Parreñas Shimizu, Mireille Miller-Young, and Tristan Taormino Chapter 15 The Postmodern Story of the Femme Fatale Julie Grossman Chapter 16 The Documentary: Female Subjectivity and the Problem of Realism Belinda Smaill Chapter 17 Experimental Women Filmmakers Maureen Turim Chapter 18 Transnational Stardom Russell Meeuf Part III MAKING MOVIES Introduction Chapter 19 Feminist and Non-Western Interrogations of Film Authorship Priya Jaikumar Chapter 20 Pink Material: White Womanhood and the Colonial Imaginary in World Cinema Authorship Patricia White Chapter 21 Women, Islam and Cinema: Gender Politics and Representation in Middle Eastern Films and Beyond Eylem Atakav Chapter 22 African 'First Films': Gendered Authorship, Identity, and Discursive Resistance Anne Ciecko Chapter 23 Black Women Filmmakers Jacqueline Bobo Chapter 24 Fair and Lovely: Class, Gender, and Colorism in Bollywood Song Sequences Tejaswini Ganti Chapter 25 What Was "Women's Work" in the Silent Film Era? Jane Gaines Chapter 26 Female Editors in Studio-Era Hollywood: Rethinking Feminist Frontiers and the Constraints of the Archive J.E. Smyth Chapter 27 Film Activism and Transformative Praxis: Women Make Movies Debra Zimmerman Part IV SPECTATORSHIP, RECEPTION, PROJECTING IDENTITIES Introduction Chapter 28 Psychoanalysis Outside and Beyond the Gaze Claire Pajaczkowska Chapter 29 Embodying Spectatorship: From Phenomenology to Sensation Jenny Chamarette Chapter 30 Deleuzian Spectatorship Felicity Colman Chapter 31 Film Reception Studies and Feminism Janet Staiger Chapter 32 Nollywood, Female Audience, and the Negotiating of Pleasure Ikechukwu Obiaya Chapter 33 Gender and Fandom: From Spectators to Social Audiences Katherine E. Morrissey Chapter 34 Classical Hollywood and Modernity: Gender, Style, Aesthetics Veronica Pravadelli Chapter 35 Lesbian Cinema Post-Feminism: Ageism, Difference, and Desire Rachel Lewis Part V THINKING CINEMA'S FUTURE Introduction Chapter 36 Revolting Aesthetics: Feminist Transnational Cinema in the US Katarzyna Marciniak Chapter 37 Towards Trans Cinema Eliza Steinbock Chapter 38 Visualizing Climate Trauma: The Cultural Work of Films Anticipating the Future E. Ann Kaplan Chapter 39 Eco-Cinema and Gender Alexa Weik von Mossner Chapter 40 Cinema, Animal Studies and the Post/Non-Human Jennifer Lynn Peterson Chapter 41 Class/Ornament: Cinema, New Media, Labor-Power and Performativity Erica Levin Chapter 42 Film Feminism, Post-Cinema and the Affective Turn Dijana Jeläa Chapter 43 Fantasy Echoes and the Future Anterior of Cinema and Gender Kristin Lené Hole Index
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