The Routledge Companion to Comics
Herausgeber: Bramlett, Frank; Meskin, Aaron; Cook, Roy T
The Routledge Companion to Comics
Herausgeber: Bramlett, Frank; Meskin, Aaron; Cook, Roy T
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This cutting-edge handbook brings together an international roster of scholars to examine many facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviewsof the major topics and questions within comic studies, offering readers a truly global approach to understanding the field.
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This cutting-edge handbook brings together an international roster of scholars to examine many facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviewsof the major topics and questions within comic studies, offering readers a truly global approach to understanding the field.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 472
- Erscheinungstermin: 30. Juni 2020
- Englisch
- Abmessung: 244mm x 173mm x 25mm
- Gewicht: 726g
- ISBN-13: 9780367581534
- ISBN-10: 0367581531
- Artikelnr.: 65956292
- Verlag: Taylor & Francis
- Seitenzahl: 472
- Erscheinungstermin: 30. Juni 2020
- Englisch
- Abmessung: 244mm x 173mm x 25mm
- Gewicht: 726g
- ISBN-13: 9780367581534
- ISBN-10: 0367581531
- Artikelnr.: 65956292
Frank Bramlett is a linguist at the University of Nebraska at Omaha. He is the editor of Linguistics and the Study of Comics (Palgrave 2012) and co-edited a special issue of ImageTexT (8.2) devoted to the works of Grant Morrison. Roy T Cook is CLA Scholar of the College, Professor of Philosophy at the University of Minnesota - Twin Cities, and Resident Fellow of the Minnesota Center for Philosophy of Science. He is the co-editor of The Art of Comics: A Philosophical Approach (Wiley-Blackwell, 2012). Aaron Meskin is Associate Professor of Philosophy at the University of Leeds. He is the co-editor of The Art of Comics: A Philosophical Approach (Wiley-Blackwell, 2012), Aesthetics and the Sciences of Mind (OUP, 2014), and Philosophical Aesthetics and the Sciences of Art (CUP, 2014).
Introduction. Section I. History and Traditions 1. Origins of Early Comics
and Proto-Comics 2. Newspaper Strips 3. Comics Code 4.
Alternative/Independent Comics 5. British Comics 6. French and Belgian
Comics 7. Canadian Comics: A Brief History 8. Comics in Latin America 9. A
Brief History of Comics in Italy and Spain 10. Comics in India 11.
Eastern/Central European Comics 12. East Asian Comix: Intermingling
Japanese Manga and Euro-American Comics. Section II. Comics Genres13. Art
Comics 14. Superhero Comics 15. Journalistic Comics 16. Funny Animals 17.
Erotic Comics 18. Western Comics 19. Horror Comics 20. War Comics 21.
Autobiographical Comics 22. Silent Comics 23. Editorial Comics: From "Boss"
Tweed to "Dubya" Section III. Issues and Concepts 24. Defining Comics 25.
Comics and Adaptation 26. Comics and Authorship 27. Comics and Seriality
28. Metacomics 29. Comics and Fandom 30. Comics, Race, and Ethnicity 31.
Comics and Gender 32. LGBTQ Representation in Comics 33. Comics and Time
34. Comics and Ethics 35. Comics and Translation 36. Comics and Criticism.
Section IV. Other Media and Other Disciplines 37. Comics and Film 38.
Comics and Art 39. Teaching and Learning with Comics 40. Caricature and
Comics 41. Comics and Linguistics 42. Comics and Literature 43. Comics in
Libraries 44. Comics and Rhetoric 45. Comics and Politics 46. Comics and
Cultural Studies 47. Comics, Children's Literature, and Childhood Studies
and Proto-Comics 2. Newspaper Strips 3. Comics Code 4.
Alternative/Independent Comics 5. British Comics 6. French and Belgian
Comics 7. Canadian Comics: A Brief History 8. Comics in Latin America 9. A
Brief History of Comics in Italy and Spain 10. Comics in India 11.
Eastern/Central European Comics 12. East Asian Comix: Intermingling
Japanese Manga and Euro-American Comics. Section II. Comics Genres13. Art
Comics 14. Superhero Comics 15. Journalistic Comics 16. Funny Animals 17.
Erotic Comics 18. Western Comics 19. Horror Comics 20. War Comics 21.
Autobiographical Comics 22. Silent Comics 23. Editorial Comics: From "Boss"
Tweed to "Dubya" Section III. Issues and Concepts 24. Defining Comics 25.
Comics and Adaptation 26. Comics and Authorship 27. Comics and Seriality
28. Metacomics 29. Comics and Fandom 30. Comics, Race, and Ethnicity 31.
Comics and Gender 32. LGBTQ Representation in Comics 33. Comics and Time
34. Comics and Ethics 35. Comics and Translation 36. Comics and Criticism.
Section IV. Other Media and Other Disciplines 37. Comics and Film 38.
Comics and Art 39. Teaching and Learning with Comics 40. Caricature and
Comics 41. Comics and Linguistics 42. Comics and Literature 43. Comics in
Libraries 44. Comics and Rhetoric 45. Comics and Politics 46. Comics and
Cultural Studies 47. Comics, Children's Literature, and Childhood Studies
Introduction. Section I. History and Traditions 1. Origins of Early Comics
and Proto-Comics 2. Newspaper Strips 3. Comics Code 4.
Alternative/Independent Comics 5. British Comics 6. French and Belgian
Comics 7. Canadian Comics: A Brief History 8. Comics in Latin America 9. A
Brief History of Comics in Italy and Spain 10. Comics in India 11.
Eastern/Central European Comics 12. East Asian Comix: Intermingling
Japanese Manga and Euro-American Comics. Section II. Comics Genres13. Art
Comics 14. Superhero Comics 15. Journalistic Comics 16. Funny Animals 17.
Erotic Comics 18. Western Comics 19. Horror Comics 20. War Comics 21.
Autobiographical Comics 22. Silent Comics 23. Editorial Comics: From "Boss"
Tweed to "Dubya" Section III. Issues and Concepts 24. Defining Comics 25.
Comics and Adaptation 26. Comics and Authorship 27. Comics and Seriality
28. Metacomics 29. Comics and Fandom 30. Comics, Race, and Ethnicity 31.
Comics and Gender 32. LGBTQ Representation in Comics 33. Comics and Time
34. Comics and Ethics 35. Comics and Translation 36. Comics and Criticism.
Section IV. Other Media and Other Disciplines 37. Comics and Film 38.
Comics and Art 39. Teaching and Learning with Comics 40. Caricature and
Comics 41. Comics and Linguistics 42. Comics and Literature 43. Comics in
Libraries 44. Comics and Rhetoric 45. Comics and Politics 46. Comics and
Cultural Studies 47. Comics, Children's Literature, and Childhood Studies
and Proto-Comics 2. Newspaper Strips 3. Comics Code 4.
Alternative/Independent Comics 5. British Comics 6. French and Belgian
Comics 7. Canadian Comics: A Brief History 8. Comics in Latin America 9. A
Brief History of Comics in Italy and Spain 10. Comics in India 11.
Eastern/Central European Comics 12. East Asian Comix: Intermingling
Japanese Manga and Euro-American Comics. Section II. Comics Genres13. Art
Comics 14. Superhero Comics 15. Journalistic Comics 16. Funny Animals 17.
Erotic Comics 18. Western Comics 19. Horror Comics 20. War Comics 21.
Autobiographical Comics 22. Silent Comics 23. Editorial Comics: From "Boss"
Tweed to "Dubya" Section III. Issues and Concepts 24. Defining Comics 25.
Comics and Adaptation 26. Comics and Authorship 27. Comics and Seriality
28. Metacomics 29. Comics and Fandom 30. Comics, Race, and Ethnicity 31.
Comics and Gender 32. LGBTQ Representation in Comics 33. Comics and Time
34. Comics and Ethics 35. Comics and Translation 36. Comics and Criticism.
Section IV. Other Media and Other Disciplines 37. Comics and Film 38.
Comics and Art 39. Teaching and Learning with Comics 40. Caricature and
Comics 41. Comics and Linguistics 42. Comics and Literature 43. Comics in
Libraries 44. Comics and Rhetoric 45. Comics and Politics 46. Comics and
Cultural Studies 47. Comics, Children's Literature, and Childhood Studies