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This Companion is a comprehensive examination of the varied ways in which gender issues manifest throughout culture in Japan, using a range of international perspectives to examine private and public constructions of identity, as well as gender- and sexuality-inflected cultural production. The Routledge Companion to Gender and Japanese Culture features both new work and updated accounts of classic scholarship, providing a go-to reference work for contemporary scholarship on gender in Japanese culture. The volume is interdisciplinary in scope, with chapters drawing from a range of perspectives,…mehr

Produktbeschreibung
This Companion is a comprehensive examination of the varied ways in which gender issues manifest throughout culture in Japan, using a range of international perspectives to examine private and public constructions of identity, as well as gender- and sexuality-inflected cultural production. The Routledge Companion to Gender and Japanese Culture features both new work and updated accounts of classic scholarship, providing a go-to reference work for contemporary scholarship on gender in Japanese culture. The volume is interdisciplinary in scope, with chapters drawing from a range of perspectives, fields, and disciplines, including anthropology, art history, history, law, linguistics, literature, media and cultural studies, politics, and sociology. This reflects the fundamentally interdisciplinary nature of the dual focal points of this volume-gender and culture-and the ways in which these themes infuse a range of disciplines and subfields. In this volume, Jennifer Coates, Lucy Fraser, and Mark Pendleton have brought together an essential guide to experiences of gender in Japanese culture today-perfect for students, scholars, and anyone else interested in Japan, culture, gender studies, and beyond.
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Autorenporträt
Jennifer Coates is Senior Lecturer in Japanese Studies at the School of East Asian Studies, University of Sheffield. She is the author of Making Icons: Repetition and the Female Image in Japanese Cinema, 1945-1964 (2016), as well as journal articles and book chapters on cinema and audiences in postwar and contemporary Japan. Her current ethnographic research project focuses on early postwar film audiences in Japan. Lucy Fraser is Lecturer in Japanese at The University of Queensland, where she teaches Japanese literature, popular culture, and language. She researches fairy tale studies in Japanese and English, with particular interests in ideas of gender and animals in retellings of folktales and traditional stories. She is the author of The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid" (2017). She has translated short stories by writers such as Kawakami Hiromi and Hoshino Tomoyuki and literary and cultural studies criticism by scholars such as Kan Satoko, Fujimoto Yukari, and Honda Masuko. Mark Pendleton is Lecturer in Japanese Studies at the University of Sheffield. A cultural and social historian by training, his research interests lie in modern and contemporary Japan, East Asian memory studies, and transnational histories of gender and sexuality. He has published in a number of academic journals including Japanese Studies and Asian Studies Review , and has contributed book chapters on topics related to historical justice and memory, transnational sexual politics in East Asia, and Japanese dark tourism. He is a member of the editorial committee of leading history journal History Workshop Journal .