The Routledge Companion to Global Photographies
Herausgeber: Wooldridge, Duncan; Soutter, Lucy
The Routledge Companion to Global Photographies
Herausgeber: Wooldridge, Duncan; Soutter, Lucy
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In response to widespread demand for more knowledge and insight about contemporary photographies beyond Western centers of production and dissemination, this volume provides a transnational discussion, grounded in dialogue between authors and editors from diverse locations and contexts.
In response to widespread demand for more knowledge and insight about contemporary photographies beyond Western centers of production and dissemination, this volume provides a transnational discussion, grounded in dialogue between authors and editors from diverse locations and contexts.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Art History and Visual Studies Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 420
- Erscheinungstermin: 30. August 2024
- Englisch
- Abmessung: 252mm x 181mm x 32mm
- Gewicht: 1020g
- ISBN-13: 9781032436616
- ISBN-10: 1032436611
- Artikelnr.: 70202229
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Routledge Art History and Visual Studies Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 420
- Erscheinungstermin: 30. August 2024
- Englisch
- Abmessung: 252mm x 181mm x 32mm
- Gewicht: 1020g
- ISBN-13: 9781032436616
- ISBN-10: 1032436611
- Artikelnr.: 70202229
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Lucy Soutter is an artist and writer based in London. She is Reader in Photography at the University of Westminster. Her work focuses on questions of value and meaning in the expanded field of photography and contemporary art. She is the author of Why Art Photography? (2nd ed. 2018), co-editor of Writer Conversations (2023) and writes for publications including 1000 Words, Photoworks, and Source. Duncan Wooldridge is an artist and writer and is Reader in Photography at the School of Digital Arts, Manchester School of Art, Manchester Metropolitan University. His research explores experimentation, materialities and photography's future tenses. He is the editor of John Hilliard: Not Black and White (2014), the author of To Be Determined: Photography and the Future (2021), and the co-editor of Writer Conversations (2023).
Global Photographies and Questions of Cultural Translation 1. How to Use
This Book PART I: Photography in the Anthropocene: Climate Change and
Environment 2. The View from the South 3. Decolonising Detritus: (Re)cycles
of Extraction and (e-)Waste in the Photographs of Jean Claude Nsabimana 4.
The Politics of Water: Social Justice and Photography in the Anthropocene
in KwaZulu-Natal, South Africa 5. Antarctica, Ice, and Photography 6. A
Dialogic View from the North PART II: Decolonial Practices: Speaking Back
to the Canon 7. Can We Use Photography Against Photography? An Interview
with Rolando Vazquez Melken 8. Decolonial Strategies and the Southasian
Imagination: Auto-narrative, Archival Responses and Counter-narratives 9.
'What's Class Got to Do With It?': Decoloniality, Spatiality, Class
Struggle in the Photographs of The Evaton Peoples' Archive 10. Tongue in
Cheek: Julie Edel Hardenberg's Visual Language 11. Localising Identity and
Understanding Legacy: A New Generation of Hungarian Photographers Search
for the 'Locus of Enunciation' 12. Archive In Situ: Emese Mucsi and Nina
Mangalanayagam in conversation with Jennifer Bajorek PART III: Gender and
Queer Theory in Photography Today: Identities and Histories 13. Visual
Constellations 14. Expanded Sexual and Gender Identities 15. Visual
Disruptions of Global Landscapes 16. Gender in Curation and Exhibition
Design 17. Dissident Artists as Protagonists of Visibility Processes 18.
Poetic, Critical and Political Resonance: Report from a Roundtable between
Selfa A.Chew-Melendez, Flora Dunster, Josefina Goñi Bacugalupi, Sandra
Nagel, Alejandra Niedermaier and Jonathan Lalloz PART IV: New
Materialities: Expanded Practices in Contemporary Art Photography 19. An
Engine, Not a Camera: Curating Environmental Histories of Photography and
Extraction 20. Cut and Paste: Performing History, Materiality, and the
Family Album in the Work of Lebohang Kganye 21. Public Arrivals, Private
Departure: The Life of Images at Chobi Mela and Photo Kathmandu 22. The
Physical Lives of Images, Their Matter, Appearances and Disappearances in
the Context of Beirut 23. The Stickiness of Images: Materiality and
Attention in Contemporary European Photographies 24. The Archive of Unnamed
Workers: Examining the Legacy of Colonial-era Photography in AI 25. Cai
Dongdong's Artistic Trajectory: From Conceptual Image Making to
Photographic Installation PART V: Forming Communities: Networks, Platforms
and Institutions 26. A Mapping of Photo Communities in Southeast Asia 27.
Photography and Trans-Africanism: A Story of Journeys 28. Collection and
Educational Dissemination: A Case Study in Bogotá, Colombia 29. Towards A
New Arts Ecosystem: PhotoIreland's Strategy in Converging Communities
around Photography 30. Towards an Artisanal Intelligence: Reflections from
the Academic Periphery in Latin America PART VI: Global Approaches to
Photobooks: From Production to Distribution 31. The Expansion of the
Photobook: From Traditional to Post-digital 32. The Photobook as Shape
Shifter in the Expanded Realm of Contemporary Photography: Examples from
South Korea 33. Transforming Perspectives: A Conversation with Yanyou Yuan
Di, Pioneer of Chinese Contemporary Photographic Publishing 34. Toward a
Publishing Model to Come 35. Foto Fémina: Shaping the Narrative of Female
Photographers from Latin America and the Caribbean 36. Curating Photobooks
in Southeast Asia and Hong Kong: A Roundtable
This Book PART I: Photography in the Anthropocene: Climate Change and
Environment 2. The View from the South 3. Decolonising Detritus: (Re)cycles
of Extraction and (e-)Waste in the Photographs of Jean Claude Nsabimana 4.
The Politics of Water: Social Justice and Photography in the Anthropocene
in KwaZulu-Natal, South Africa 5. Antarctica, Ice, and Photography 6. A
Dialogic View from the North PART II: Decolonial Practices: Speaking Back
to the Canon 7. Can We Use Photography Against Photography? An Interview
with Rolando Vazquez Melken 8. Decolonial Strategies and the Southasian
Imagination: Auto-narrative, Archival Responses and Counter-narratives 9.
'What's Class Got to Do With It?': Decoloniality, Spatiality, Class
Struggle in the Photographs of The Evaton Peoples' Archive 10. Tongue in
Cheek: Julie Edel Hardenberg's Visual Language 11. Localising Identity and
Understanding Legacy: A New Generation of Hungarian Photographers Search
for the 'Locus of Enunciation' 12. Archive In Situ: Emese Mucsi and Nina
Mangalanayagam in conversation with Jennifer Bajorek PART III: Gender and
Queer Theory in Photography Today: Identities and Histories 13. Visual
Constellations 14. Expanded Sexual and Gender Identities 15. Visual
Disruptions of Global Landscapes 16. Gender in Curation and Exhibition
Design 17. Dissident Artists as Protagonists of Visibility Processes 18.
Poetic, Critical and Political Resonance: Report from a Roundtable between
Selfa A.Chew-Melendez, Flora Dunster, Josefina Goñi Bacugalupi, Sandra
Nagel, Alejandra Niedermaier and Jonathan Lalloz PART IV: New
Materialities: Expanded Practices in Contemporary Art Photography 19. An
Engine, Not a Camera: Curating Environmental Histories of Photography and
Extraction 20. Cut and Paste: Performing History, Materiality, and the
Family Album in the Work of Lebohang Kganye 21. Public Arrivals, Private
Departure: The Life of Images at Chobi Mela and Photo Kathmandu 22. The
Physical Lives of Images, Their Matter, Appearances and Disappearances in
the Context of Beirut 23. The Stickiness of Images: Materiality and
Attention in Contemporary European Photographies 24. The Archive of Unnamed
Workers: Examining the Legacy of Colonial-era Photography in AI 25. Cai
Dongdong's Artistic Trajectory: From Conceptual Image Making to
Photographic Installation PART V: Forming Communities: Networks, Platforms
and Institutions 26. A Mapping of Photo Communities in Southeast Asia 27.
Photography and Trans-Africanism: A Story of Journeys 28. Collection and
Educational Dissemination: A Case Study in Bogotá, Colombia 29. Towards A
New Arts Ecosystem: PhotoIreland's Strategy in Converging Communities
around Photography 30. Towards an Artisanal Intelligence: Reflections from
the Academic Periphery in Latin America PART VI: Global Approaches to
Photobooks: From Production to Distribution 31. The Expansion of the
Photobook: From Traditional to Post-digital 32. The Photobook as Shape
Shifter in the Expanded Realm of Contemporary Photography: Examples from
South Korea 33. Transforming Perspectives: A Conversation with Yanyou Yuan
Di, Pioneer of Chinese Contemporary Photographic Publishing 34. Toward a
Publishing Model to Come 35. Foto Fémina: Shaping the Narrative of Female
Photographers from Latin America and the Caribbean 36. Curating Photobooks
in Southeast Asia and Hong Kong: A Roundtable
Global Photographies and Questions of Cultural Translation 1. How to Use
This Book PART I: Photography in the Anthropocene: Climate Change and
Environment 2. The View from the South 3. Decolonising Detritus: (Re)cycles
of Extraction and (e-)Waste in the Photographs of Jean Claude Nsabimana 4.
The Politics of Water: Social Justice and Photography in the Anthropocene
in KwaZulu-Natal, South Africa 5. Antarctica, Ice, and Photography 6. A
Dialogic View from the North PART II: Decolonial Practices: Speaking Back
to the Canon 7. Can We Use Photography Against Photography? An Interview
with Rolando Vazquez Melken 8. Decolonial Strategies and the Southasian
Imagination: Auto-narrative, Archival Responses and Counter-narratives 9.
'What's Class Got to Do With It?': Decoloniality, Spatiality, Class
Struggle in the Photographs of The Evaton Peoples' Archive 10. Tongue in
Cheek: Julie Edel Hardenberg's Visual Language 11. Localising Identity and
Understanding Legacy: A New Generation of Hungarian Photographers Search
for the 'Locus of Enunciation' 12. Archive In Situ: Emese Mucsi and Nina
Mangalanayagam in conversation with Jennifer Bajorek PART III: Gender and
Queer Theory in Photography Today: Identities and Histories 13. Visual
Constellations 14. Expanded Sexual and Gender Identities 15. Visual
Disruptions of Global Landscapes 16. Gender in Curation and Exhibition
Design 17. Dissident Artists as Protagonists of Visibility Processes 18.
Poetic, Critical and Political Resonance: Report from a Roundtable between
Selfa A.Chew-Melendez, Flora Dunster, Josefina Goñi Bacugalupi, Sandra
Nagel, Alejandra Niedermaier and Jonathan Lalloz PART IV: New
Materialities: Expanded Practices in Contemporary Art Photography 19. An
Engine, Not a Camera: Curating Environmental Histories of Photography and
Extraction 20. Cut and Paste: Performing History, Materiality, and the
Family Album in the Work of Lebohang Kganye 21. Public Arrivals, Private
Departure: The Life of Images at Chobi Mela and Photo Kathmandu 22. The
Physical Lives of Images, Their Matter, Appearances and Disappearances in
the Context of Beirut 23. The Stickiness of Images: Materiality and
Attention in Contemporary European Photographies 24. The Archive of Unnamed
Workers: Examining the Legacy of Colonial-era Photography in AI 25. Cai
Dongdong's Artistic Trajectory: From Conceptual Image Making to
Photographic Installation PART V: Forming Communities: Networks, Platforms
and Institutions 26. A Mapping of Photo Communities in Southeast Asia 27.
Photography and Trans-Africanism: A Story of Journeys 28. Collection and
Educational Dissemination: A Case Study in Bogotá, Colombia 29. Towards A
New Arts Ecosystem: PhotoIreland's Strategy in Converging Communities
around Photography 30. Towards an Artisanal Intelligence: Reflections from
the Academic Periphery in Latin America PART VI: Global Approaches to
Photobooks: From Production to Distribution 31. The Expansion of the
Photobook: From Traditional to Post-digital 32. The Photobook as Shape
Shifter in the Expanded Realm of Contemporary Photography: Examples from
South Korea 33. Transforming Perspectives: A Conversation with Yanyou Yuan
Di, Pioneer of Chinese Contemporary Photographic Publishing 34. Toward a
Publishing Model to Come 35. Foto Fémina: Shaping the Narrative of Female
Photographers from Latin America and the Caribbean 36. Curating Photobooks
in Southeast Asia and Hong Kong: A Roundtable
This Book PART I: Photography in the Anthropocene: Climate Change and
Environment 2. The View from the South 3. Decolonising Detritus: (Re)cycles
of Extraction and (e-)Waste in the Photographs of Jean Claude Nsabimana 4.
The Politics of Water: Social Justice and Photography in the Anthropocene
in KwaZulu-Natal, South Africa 5. Antarctica, Ice, and Photography 6. A
Dialogic View from the North PART II: Decolonial Practices: Speaking Back
to the Canon 7. Can We Use Photography Against Photography? An Interview
with Rolando Vazquez Melken 8. Decolonial Strategies and the Southasian
Imagination: Auto-narrative, Archival Responses and Counter-narratives 9.
'What's Class Got to Do With It?': Decoloniality, Spatiality, Class
Struggle in the Photographs of The Evaton Peoples' Archive 10. Tongue in
Cheek: Julie Edel Hardenberg's Visual Language 11. Localising Identity and
Understanding Legacy: A New Generation of Hungarian Photographers Search
for the 'Locus of Enunciation' 12. Archive In Situ: Emese Mucsi and Nina
Mangalanayagam in conversation with Jennifer Bajorek PART III: Gender and
Queer Theory in Photography Today: Identities and Histories 13. Visual
Constellations 14. Expanded Sexual and Gender Identities 15. Visual
Disruptions of Global Landscapes 16. Gender in Curation and Exhibition
Design 17. Dissident Artists as Protagonists of Visibility Processes 18.
Poetic, Critical and Political Resonance: Report from a Roundtable between
Selfa A.Chew-Melendez, Flora Dunster, Josefina Goñi Bacugalupi, Sandra
Nagel, Alejandra Niedermaier and Jonathan Lalloz PART IV: New
Materialities: Expanded Practices in Contemporary Art Photography 19. An
Engine, Not a Camera: Curating Environmental Histories of Photography and
Extraction 20. Cut and Paste: Performing History, Materiality, and the
Family Album in the Work of Lebohang Kganye 21. Public Arrivals, Private
Departure: The Life of Images at Chobi Mela and Photo Kathmandu 22. The
Physical Lives of Images, Their Matter, Appearances and Disappearances in
the Context of Beirut 23. The Stickiness of Images: Materiality and
Attention in Contemporary European Photographies 24. The Archive of Unnamed
Workers: Examining the Legacy of Colonial-era Photography in AI 25. Cai
Dongdong's Artistic Trajectory: From Conceptual Image Making to
Photographic Installation PART V: Forming Communities: Networks, Platforms
and Institutions 26. A Mapping of Photo Communities in Southeast Asia 27.
Photography and Trans-Africanism: A Story of Journeys 28. Collection and
Educational Dissemination: A Case Study in Bogotá, Colombia 29. Towards A
New Arts Ecosystem: PhotoIreland's Strategy in Converging Communities
around Photography 30. Towards an Artisanal Intelligence: Reflections from
the Academic Periphery in Latin America PART VI: Global Approaches to
Photobooks: From Production to Distribution 31. The Expansion of the
Photobook: From Traditional to Post-digital 32. The Photobook as Shape
Shifter in the Expanded Realm of Contemporary Photography: Examples from
South Korea 33. Transforming Perspectives: A Conversation with Yanyou Yuan
Di, Pioneer of Chinese Contemporary Photographic Publishing 34. Toward a
Publishing Model to Come 35. Foto Fémina: Shaping the Narrative of Female
Photographers from Latin America and the Caribbean 36. Curating Photobooks
in Southeast Asia and Hong Kong: A Roundtable