The Routledge Companion to Music and Visual Culture
Herausgeber: Leonard, Anne; Shephard, Tim
The Routledge Companion to Music and Visual Culture
Herausgeber: Leonard, Anne; Shephard, Tim
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The Routledge Companion to Music and Visual Culture is the first comprehensive study in music and visual culture. Over forty essays by contributing scholars in schools of music and art departments throughout the US and UK comprise this sweeping survey.
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The Routledge Companion to Music and Visual Culture is the first comprehensive study in music and visual culture. Over forty essays by contributing scholars in schools of music and art departments throughout the US and UK comprise this sweeping survey.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Music Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 414
- Erscheinungstermin: 25. April 2019
- Englisch
- Abmessung: 181mm x 253mm x 23mm
- Gewicht: 960g
- ISBN-13: 9780367148652
- ISBN-10: 036714865X
- Artikelnr.: 59643433
- Routledge Music Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 414
- Erscheinungstermin: 25. April 2019
- Englisch
- Abmessung: 181mm x 253mm x 23mm
- Gewicht: 960g
- ISBN-13: 9780367148652
- ISBN-10: 036714865X
- Artikelnr.: 59643433
Tim Shephard is a lecturer in Musicology at the University of Sheffield, and also a Visiting Research Fellow at the Centre for Music, Gender and Identity, University of Huddersfield. His research concerns music, identity, and visual culture at the courts of Renaissance Italy, and has appeared in several journals. Anne Leonard is a curator at the Smart Museum of Art and lecturer in the Department of Art History, University of Chicago. Her research on musical aspects of nineteenth-century art has appeared in articles, conference papers, and an exhibition catalogue, Looking and Listening in Nineteenth-Century France (2007).
Part I: Starting Points
1 Seeing Music (Richard Leppert)
2 Synaesthesia (Simon Shaw-Miller)
Part II: Methodologies
3 Art History for Musicologists (Charlotte de Mille)
4 Musicology for Art Historians (Jonathan Hicks)
5 Iconography (Robert L. Kendrick)
6 Cultural History (Marsha Morton)
7 Performance Studies (Laura Cull)
8 Studying Music and Screen Media (David Neumeyer)
9 Visual Evidence in Ethnomusicology (Andrew Killick)
Part III: Reciprocation
III.1 The Musical in Visual Culture
10 Representing Music-Making (Alan Davison)
11 Composer Portrait Prints (Stephen A. Bergquist)
12 Music, Symbolism, and Allegory (Ayla Lepine)
13 Music as Attribute: Idea, Image, Sound (Philip Weller)
14 Looking and Listening: Music and Sound as Visual Trope in Ukiyo-e
(Alexander Binns)
15 Painting and Musicality (Therese Dolan)
III.2 The Visual in Musical Culture
16 The "Representation" of Paintings in Music (William L. Coleman)
17 Gesture and Imagery in Music Performance: Perspectives from North Indian
Classical Music (Laura Leante)
18 Notations: Context and Strucutre in Japanese Traditional Music (Liv
Lande)
19 Manuscripts (Marica S. Tacconi)
20 Printed Music: Music Printing as Art (Kate van Orden)
21 Album Art and Posters: The Psychedelic Interplay of Rock Art and Art
Rock (Jan Butler)
Part IV: Convergence
IV.1 Convergence in Metaphor
22 Visual Metaphors in Music Analysis and Criticism (Gurminder Kaur Bhogal)
23 Visual Metaphors in Music Treatises: Metaphor as Experience in Vincenzo
Galilei's Dialogo della Musica Antica e della Moderna (Antonio Cascelli)
24 Musical Metaphors in Art Criticism (Anne Leonard)
25 Musical Metaphors in Art Treatises: The Codification of Emotions in
Eighteenth-Century Art Theory (Clare Hornsby)
IV.2 Convergence in Conception
26 Leonardo and the Paragone (Tim Shephard)
27 Poussin and the Modes (Sheila McTighe)
28 Wagner's Gesamtkunstwerk (Diane Silverthorne)
29 R¿gas, Mood, and Representation (Jonathan B. Katz)
IV.3 Convergence in Practice
30 Artists as Musicians and Musical Connoisseurs: Musicians, Mélomanes, and
Ideas of Music among Nineteenth-Century Artists (Peter Schmunk)
31 Musical Spaces: The Politics of Space in Renaissance Italy (Tim
Shephard)
32 Built Architecture for Music: Spaces for Chamber Music in
Sixteenth-Century Italy (Laura Moretti)
33 Urban Soundscapes: Hearing and Seeing Jerusalem (Abigail Wood)
34 Music in Social and Artistic Context: Women Qin Players (Mingmei Yip)
35 Music in New Media (Fabian Holt)
Part V: Hybrid Arts
36 Pageantry (Kelley Harness)
37 Opera (Sarah Hibberd)
38 Ballet: Interactions of Musical and Visual Style (Philip Weller)
39 Dance: Visual/Musical Effects in Two Dance Performances (Flaviana
Sampaio)
40 Musicals (Dominic McHugh)
41 Film I: Bollywood--Music and Multimedia (Anna Morcom)
42 Film II (David Neumeyer)
43 Multi-Media Art: Video Art-Music (Holly Rogers)
44 Music, Visual Culture, and Digital Games (Roger Mosele)
1 Seeing Music (Richard Leppert)
2 Synaesthesia (Simon Shaw-Miller)
Part II: Methodologies
3 Art History for Musicologists (Charlotte de Mille)
4 Musicology for Art Historians (Jonathan Hicks)
5 Iconography (Robert L. Kendrick)
6 Cultural History (Marsha Morton)
7 Performance Studies (Laura Cull)
8 Studying Music and Screen Media (David Neumeyer)
9 Visual Evidence in Ethnomusicology (Andrew Killick)
Part III: Reciprocation
III.1 The Musical in Visual Culture
10 Representing Music-Making (Alan Davison)
11 Composer Portrait Prints (Stephen A. Bergquist)
12 Music, Symbolism, and Allegory (Ayla Lepine)
13 Music as Attribute: Idea, Image, Sound (Philip Weller)
14 Looking and Listening: Music and Sound as Visual Trope in Ukiyo-e
(Alexander Binns)
15 Painting and Musicality (Therese Dolan)
III.2 The Visual in Musical Culture
16 The "Representation" of Paintings in Music (William L. Coleman)
17 Gesture and Imagery in Music Performance: Perspectives from North Indian
Classical Music (Laura Leante)
18 Notations: Context and Strucutre in Japanese Traditional Music (Liv
Lande)
19 Manuscripts (Marica S. Tacconi)
20 Printed Music: Music Printing as Art (Kate van Orden)
21 Album Art and Posters: The Psychedelic Interplay of Rock Art and Art
Rock (Jan Butler)
Part IV: Convergence
IV.1 Convergence in Metaphor
22 Visual Metaphors in Music Analysis and Criticism (Gurminder Kaur Bhogal)
23 Visual Metaphors in Music Treatises: Metaphor as Experience in Vincenzo
Galilei's Dialogo della Musica Antica e della Moderna (Antonio Cascelli)
24 Musical Metaphors in Art Criticism (Anne Leonard)
25 Musical Metaphors in Art Treatises: The Codification of Emotions in
Eighteenth-Century Art Theory (Clare Hornsby)
IV.2 Convergence in Conception
26 Leonardo and the Paragone (Tim Shephard)
27 Poussin and the Modes (Sheila McTighe)
28 Wagner's Gesamtkunstwerk (Diane Silverthorne)
29 R¿gas, Mood, and Representation (Jonathan B. Katz)
IV.3 Convergence in Practice
30 Artists as Musicians and Musical Connoisseurs: Musicians, Mélomanes, and
Ideas of Music among Nineteenth-Century Artists (Peter Schmunk)
31 Musical Spaces: The Politics of Space in Renaissance Italy (Tim
Shephard)
32 Built Architecture for Music: Spaces for Chamber Music in
Sixteenth-Century Italy (Laura Moretti)
33 Urban Soundscapes: Hearing and Seeing Jerusalem (Abigail Wood)
34 Music in Social and Artistic Context: Women Qin Players (Mingmei Yip)
35 Music in New Media (Fabian Holt)
Part V: Hybrid Arts
36 Pageantry (Kelley Harness)
37 Opera (Sarah Hibberd)
38 Ballet: Interactions of Musical and Visual Style (Philip Weller)
39 Dance: Visual/Musical Effects in Two Dance Performances (Flaviana
Sampaio)
40 Musicals (Dominic McHugh)
41 Film I: Bollywood--Music and Multimedia (Anna Morcom)
42 Film II (David Neumeyer)
43 Multi-Media Art: Video Art-Music (Holly Rogers)
44 Music, Visual Culture, and Digital Games (Roger Mosele)
Part I: Starting Points
1 Seeing Music (Richard Leppert)
2 Synaesthesia (Simon Shaw-Miller)
Part II: Methodologies
3 Art History for Musicologists (Charlotte de Mille)
4 Musicology for Art Historians (Jonathan Hicks)
5 Iconography (Robert L. Kendrick)
6 Cultural History (Marsha Morton)
7 Performance Studies (Laura Cull)
8 Studying Music and Screen Media (David Neumeyer)
9 Visual Evidence in Ethnomusicology (Andrew Killick)
Part III: Reciprocation
III.1 The Musical in Visual Culture
10 Representing Music-Making (Alan Davison)
11 Composer Portrait Prints (Stephen A. Bergquist)
12 Music, Symbolism, and Allegory (Ayla Lepine)
13 Music as Attribute: Idea, Image, Sound (Philip Weller)
14 Looking and Listening: Music and Sound as Visual Trope in Ukiyo-e
(Alexander Binns)
15 Painting and Musicality (Therese Dolan)
III.2 The Visual in Musical Culture
16 The "Representation" of Paintings in Music (William L. Coleman)
17 Gesture and Imagery in Music Performance: Perspectives from North Indian
Classical Music (Laura Leante)
18 Notations: Context and Strucutre in Japanese Traditional Music (Liv
Lande)
19 Manuscripts (Marica S. Tacconi)
20 Printed Music: Music Printing as Art (Kate van Orden)
21 Album Art and Posters: The Psychedelic Interplay of Rock Art and Art
Rock (Jan Butler)
Part IV: Convergence
IV.1 Convergence in Metaphor
22 Visual Metaphors in Music Analysis and Criticism (Gurminder Kaur Bhogal)
23 Visual Metaphors in Music Treatises: Metaphor as Experience in Vincenzo
Galilei's Dialogo della Musica Antica e della Moderna (Antonio Cascelli)
24 Musical Metaphors in Art Criticism (Anne Leonard)
25 Musical Metaphors in Art Treatises: The Codification of Emotions in
Eighteenth-Century Art Theory (Clare Hornsby)
IV.2 Convergence in Conception
26 Leonardo and the Paragone (Tim Shephard)
27 Poussin and the Modes (Sheila McTighe)
28 Wagner's Gesamtkunstwerk (Diane Silverthorne)
29 R¿gas, Mood, and Representation (Jonathan B. Katz)
IV.3 Convergence in Practice
30 Artists as Musicians and Musical Connoisseurs: Musicians, Mélomanes, and
Ideas of Music among Nineteenth-Century Artists (Peter Schmunk)
31 Musical Spaces: The Politics of Space in Renaissance Italy (Tim
Shephard)
32 Built Architecture for Music: Spaces for Chamber Music in
Sixteenth-Century Italy (Laura Moretti)
33 Urban Soundscapes: Hearing and Seeing Jerusalem (Abigail Wood)
34 Music in Social and Artistic Context: Women Qin Players (Mingmei Yip)
35 Music in New Media (Fabian Holt)
Part V: Hybrid Arts
36 Pageantry (Kelley Harness)
37 Opera (Sarah Hibberd)
38 Ballet: Interactions of Musical and Visual Style (Philip Weller)
39 Dance: Visual/Musical Effects in Two Dance Performances (Flaviana
Sampaio)
40 Musicals (Dominic McHugh)
41 Film I: Bollywood--Music and Multimedia (Anna Morcom)
42 Film II (David Neumeyer)
43 Multi-Media Art: Video Art-Music (Holly Rogers)
44 Music, Visual Culture, and Digital Games (Roger Mosele)
1 Seeing Music (Richard Leppert)
2 Synaesthesia (Simon Shaw-Miller)
Part II: Methodologies
3 Art History for Musicologists (Charlotte de Mille)
4 Musicology for Art Historians (Jonathan Hicks)
5 Iconography (Robert L. Kendrick)
6 Cultural History (Marsha Morton)
7 Performance Studies (Laura Cull)
8 Studying Music and Screen Media (David Neumeyer)
9 Visual Evidence in Ethnomusicology (Andrew Killick)
Part III: Reciprocation
III.1 The Musical in Visual Culture
10 Representing Music-Making (Alan Davison)
11 Composer Portrait Prints (Stephen A. Bergquist)
12 Music, Symbolism, and Allegory (Ayla Lepine)
13 Music as Attribute: Idea, Image, Sound (Philip Weller)
14 Looking and Listening: Music and Sound as Visual Trope in Ukiyo-e
(Alexander Binns)
15 Painting and Musicality (Therese Dolan)
III.2 The Visual in Musical Culture
16 The "Representation" of Paintings in Music (William L. Coleman)
17 Gesture and Imagery in Music Performance: Perspectives from North Indian
Classical Music (Laura Leante)
18 Notations: Context and Strucutre in Japanese Traditional Music (Liv
Lande)
19 Manuscripts (Marica S. Tacconi)
20 Printed Music: Music Printing as Art (Kate van Orden)
21 Album Art and Posters: The Psychedelic Interplay of Rock Art and Art
Rock (Jan Butler)
Part IV: Convergence
IV.1 Convergence in Metaphor
22 Visual Metaphors in Music Analysis and Criticism (Gurminder Kaur Bhogal)
23 Visual Metaphors in Music Treatises: Metaphor as Experience in Vincenzo
Galilei's Dialogo della Musica Antica e della Moderna (Antonio Cascelli)
24 Musical Metaphors in Art Criticism (Anne Leonard)
25 Musical Metaphors in Art Treatises: The Codification of Emotions in
Eighteenth-Century Art Theory (Clare Hornsby)
IV.2 Convergence in Conception
26 Leonardo and the Paragone (Tim Shephard)
27 Poussin and the Modes (Sheila McTighe)
28 Wagner's Gesamtkunstwerk (Diane Silverthorne)
29 R¿gas, Mood, and Representation (Jonathan B. Katz)
IV.3 Convergence in Practice
30 Artists as Musicians and Musical Connoisseurs: Musicians, Mélomanes, and
Ideas of Music among Nineteenth-Century Artists (Peter Schmunk)
31 Musical Spaces: The Politics of Space in Renaissance Italy (Tim
Shephard)
32 Built Architecture for Music: Spaces for Chamber Music in
Sixteenth-Century Italy (Laura Moretti)
33 Urban Soundscapes: Hearing and Seeing Jerusalem (Abigail Wood)
34 Music in Social and Artistic Context: Women Qin Players (Mingmei Yip)
35 Music in New Media (Fabian Holt)
Part V: Hybrid Arts
36 Pageantry (Kelley Harness)
37 Opera (Sarah Hibberd)
38 Ballet: Interactions of Musical and Visual Style (Philip Weller)
39 Dance: Visual/Musical Effects in Two Dance Performances (Flaviana
Sampaio)
40 Musicals (Dominic McHugh)
41 Film I: Bollywood--Music and Multimedia (Anna Morcom)
42 Film II (David Neumeyer)
43 Multi-Media Art: Video Art-Music (Holly Rogers)
44 Music, Visual Culture, and Digital Games (Roger Mosele)