The Routledge Companion to Photography Theory
Herausgeber: Tormey, Jane; Durden, Mark
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The Routledge Companion to Photography Theory
Herausgeber: Tormey, Jane; Durden, Mark
- Broschiertes Buch
With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theoryâ s direction, relevance and purpose.
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With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theoryâ s direction, relevance and purpose.
Produktdetails
- Produktdetails
- Routledge Art History and Visual Studies Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 474
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 173mm x 244mm x 38mm
- Gewicht: 942g
- ISBN-13: 9781032085364
- ISBN-10: 1032085363
- Artikelnr.: 62151726
- Routledge Art History and Visual Studies Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 474
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 173mm x 244mm x 38mm
- Gewicht: 942g
- ISBN-13: 9781032085364
- ISBN-10: 1032085363
- Artikelnr.: 62151726
Mark Durden is an artist, writer and academic. He has written extensively on contemporary art and photography. Recent books include Fifty Key Writers on Photography (2012) and Photography Today (2014). With Ian Brown and David Campbell, Durden regularly exhibits as part of the artist group Common Culture. With Campbell he also recently co-curated a number of substantial exhibitions on art and comedy: Double Act (Bluecoat, Liverpool and the MAC, Belfast in 2016) and The Laughable Enigma of Ordinary Life (Arquipélago, centro de artes contemporâneas, São Miguel in 2017). Durden is currently Professor of Photography and Director of the European Centre for Documentary Research at the University of South Wales, UK. Jane Tormey is an Honorary Fellow of Loughborough University. Her writing focuses on the exchange of ideas between art practice and other disciplines, the conflict between aesthetics and political content, and the ways in which aesthetic traditions can be disturbed by and through photographic/filmic practices. Published work includes: "The Ghost in the Image" in Boelderl, Leisch-Kiesl (eds.) Die Zukunft gehört den Phantomen ([transcript], 2018); Photographic Realism: Late Twentieth-Century Aesthetics (2013) and Cities and Photography (2012). She is co-editor of Art, Politics and the Pamphleteer (forthcoming 2020) and the book series Radical Aesthetics-Radical Art.
List of figures
List of plates
List of contributors
Introduction
Mark Durden and Jane Tormey
PART I - AESTHETICS
1. Feeling in photography, the affective turn, and the history of emotions
Thy Phu, Elspeth H. Brown, and Andrea Noble
2. Jacques Rancière: aesthetics and photography
David Bate
3. Ambiguity, accident, audience: Minor White's photographic theory
Todd Cronan
4. Testing humanism: the transactions of contemporary documentary
photography
Mark Durden
5. Jeff Wall speaks with David Campany
Jeff Wall and David Campany
6. Deleuze and the simulacrum: simulation and semblance in Public Order
Sandra Plummer
7. Five versions of the photographic act: archival logic in the work of
Andrea Robbins and Max Becher
Shep Steiner
8. Jean Baudrillard's photography-a vision of his own strange world
Gerry Coulter
9. Visual episodic memory and the neurophenomenology of digital photography
Jill Bennett
PART II - POLITICS
10. Seeing the public image anew: photography exhibitions and civic
spectatorship
Robert Hariman and John Louis Lucaites
11. Still images on the move: theoretical challenges and future
possibilities
Marta Zarzycka
12. Interview with Ariella Azoulay
Ariella Azoulay and Justin Carville
13. Human rights practice and visual violations
Ruthie Ginsburg
14. Love the bomb: picturing nuclear explosion
Paula Rabinowitz
15. Twice captured: the work of atrocity photography
Molly Rogers
16. Presenting the unrepresentable: confrontation and circumvention
Jane Tormey
17. The eco-anarchist potential of environmental photography: Richard
Misrach and Kate Orff's Petrochemical America
Conohar Scott
18. Counter-forensics and photography
Thomas Keenan
PART III - THEORIES
19. Derrida and photography theory
Malcolm Barnard
20. Image, affect, and autobiography: Roland Barthes' photographic theory
in light of his posthumous publications
Kathrin Yacavone
21. Ideation and photography: a critique of François Laruelle's concept of
abstraction
John Roberts
22. Fractal photography and the politics of invisibility
Daniel Rubinstein
23. Photographic apparatus in the era of tagshot culture
Mika Elo
24. Artistic representation and politics: an exchange between Victor Burgin
and Hilde Van Gelder
Victor Burgin and Hilde Van Gelder
25. Decentering the photographer: authorship and digital photography
Daniel Palmer
26. Out of language: photographing as translating
List of plates
List of contributors
Introduction
Mark Durden and Jane Tormey
PART I - AESTHETICS
1. Feeling in photography, the affective turn, and the history of emotions
Thy Phu, Elspeth H. Brown, and Andrea Noble
2. Jacques Rancière: aesthetics and photography
David Bate
3. Ambiguity, accident, audience: Minor White's photographic theory
Todd Cronan
4. Testing humanism: the transactions of contemporary documentary
photography
Mark Durden
5. Jeff Wall speaks with David Campany
Jeff Wall and David Campany
6. Deleuze and the simulacrum: simulation and semblance in Public Order
Sandra Plummer
7. Five versions of the photographic act: archival logic in the work of
Andrea Robbins and Max Becher
Shep Steiner
8. Jean Baudrillard's photography-a vision of his own strange world
Gerry Coulter
9. Visual episodic memory and the neurophenomenology of digital photography
Jill Bennett
PART II - POLITICS
10. Seeing the public image anew: photography exhibitions and civic
spectatorship
Robert Hariman and John Louis Lucaites
11. Still images on the move: theoretical challenges and future
possibilities
Marta Zarzycka
12. Interview with Ariella Azoulay
Ariella Azoulay and Justin Carville
13. Human rights practice and visual violations
Ruthie Ginsburg
14. Love the bomb: picturing nuclear explosion
Paula Rabinowitz
15. Twice captured: the work of atrocity photography
Molly Rogers
16. Presenting the unrepresentable: confrontation and circumvention
Jane Tormey
17. The eco-anarchist potential of environmental photography: Richard
Misrach and Kate Orff's Petrochemical America
Conohar Scott
18. Counter-forensics and photography
Thomas Keenan
PART III - THEORIES
19. Derrida and photography theory
Malcolm Barnard
20. Image, affect, and autobiography: Roland Barthes' photographic theory
in light of his posthumous publications
Kathrin Yacavone
21. Ideation and photography: a critique of François Laruelle's concept of
abstraction
John Roberts
22. Fractal photography and the politics of invisibility
Daniel Rubinstein
23. Photographic apparatus in the era of tagshot culture
Mika Elo
24. Artistic representation and politics: an exchange between Victor Burgin
and Hilde Van Gelder
Victor Burgin and Hilde Van Gelder
25. Decentering the photographer: authorship and digital photography
Daniel Palmer
26. Out of language: photographing as translating
List of figures
List of plates
List of contributors
Introduction
Mark Durden and Jane Tormey
PART I - AESTHETICS
1. Feeling in photography, the affective turn, and the history of emotions
Thy Phu, Elspeth H. Brown, and Andrea Noble
2. Jacques Rancière: aesthetics and photography
David Bate
3. Ambiguity, accident, audience: Minor White's photographic theory
Todd Cronan
4. Testing humanism: the transactions of contemporary documentary
photography
Mark Durden
5. Jeff Wall speaks with David Campany
Jeff Wall and David Campany
6. Deleuze and the simulacrum: simulation and semblance in Public Order
Sandra Plummer
7. Five versions of the photographic act: archival logic in the work of
Andrea Robbins and Max Becher
Shep Steiner
8. Jean Baudrillard's photography-a vision of his own strange world
Gerry Coulter
9. Visual episodic memory and the neurophenomenology of digital photography
Jill Bennett
PART II - POLITICS
10. Seeing the public image anew: photography exhibitions and civic
spectatorship
Robert Hariman and John Louis Lucaites
11. Still images on the move: theoretical challenges and future
possibilities
Marta Zarzycka
12. Interview with Ariella Azoulay
Ariella Azoulay and Justin Carville
13. Human rights practice and visual violations
Ruthie Ginsburg
14. Love the bomb: picturing nuclear explosion
Paula Rabinowitz
15. Twice captured: the work of atrocity photography
Molly Rogers
16. Presenting the unrepresentable: confrontation and circumvention
Jane Tormey
17. The eco-anarchist potential of environmental photography: Richard
Misrach and Kate Orff's Petrochemical America
Conohar Scott
18. Counter-forensics and photography
Thomas Keenan
PART III - THEORIES
19. Derrida and photography theory
Malcolm Barnard
20. Image, affect, and autobiography: Roland Barthes' photographic theory
in light of his posthumous publications
Kathrin Yacavone
21. Ideation and photography: a critique of François Laruelle's concept of
abstraction
John Roberts
22. Fractal photography and the politics of invisibility
Daniel Rubinstein
23. Photographic apparatus in the era of tagshot culture
Mika Elo
24. Artistic representation and politics: an exchange between Victor Burgin
and Hilde Van Gelder
Victor Burgin and Hilde Van Gelder
25. Decentering the photographer: authorship and digital photography
Daniel Palmer
26. Out of language: photographing as translating
List of plates
List of contributors
Introduction
Mark Durden and Jane Tormey
PART I - AESTHETICS
1. Feeling in photography, the affective turn, and the history of emotions
Thy Phu, Elspeth H. Brown, and Andrea Noble
2. Jacques Rancière: aesthetics and photography
David Bate
3. Ambiguity, accident, audience: Minor White's photographic theory
Todd Cronan
4. Testing humanism: the transactions of contemporary documentary
photography
Mark Durden
5. Jeff Wall speaks with David Campany
Jeff Wall and David Campany
6. Deleuze and the simulacrum: simulation and semblance in Public Order
Sandra Plummer
7. Five versions of the photographic act: archival logic in the work of
Andrea Robbins and Max Becher
Shep Steiner
8. Jean Baudrillard's photography-a vision of his own strange world
Gerry Coulter
9. Visual episodic memory and the neurophenomenology of digital photography
Jill Bennett
PART II - POLITICS
10. Seeing the public image anew: photography exhibitions and civic
spectatorship
Robert Hariman and John Louis Lucaites
11. Still images on the move: theoretical challenges and future
possibilities
Marta Zarzycka
12. Interview with Ariella Azoulay
Ariella Azoulay and Justin Carville
13. Human rights practice and visual violations
Ruthie Ginsburg
14. Love the bomb: picturing nuclear explosion
Paula Rabinowitz
15. Twice captured: the work of atrocity photography
Molly Rogers
16. Presenting the unrepresentable: confrontation and circumvention
Jane Tormey
17. The eco-anarchist potential of environmental photography: Richard
Misrach and Kate Orff's Petrochemical America
Conohar Scott
18. Counter-forensics and photography
Thomas Keenan
PART III - THEORIES
19. Derrida and photography theory
Malcolm Barnard
20. Image, affect, and autobiography: Roland Barthes' photographic theory
in light of his posthumous publications
Kathrin Yacavone
21. Ideation and photography: a critique of François Laruelle's concept of
abstraction
John Roberts
22. Fractal photography and the politics of invisibility
Daniel Rubinstein
23. Photographic apparatus in the era of tagshot culture
Mika Elo
24. Artistic representation and politics: an exchange between Victor Burgin
and Hilde Van Gelder
Victor Burgin and Hilde Van Gelder
25. Decentering the photographer: authorship and digital photography
Daniel Palmer
26. Out of language: photographing as translating