The Routledge Companion to Popular Music Analysis
Expanding Approaches
Herausgeber: Scotto, Ciro; Smith, Kenneth M.; Brackett, John
64,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
Melden Sie sich
hier
hier
für den Produktalarm an, um über die Verfügbarkeit des Produkts informiert zu werden.
The Routledge Companion to Popular Music Analysis
Expanding Approaches
Herausgeber: Scotto, Ciro; Smith, Kenneth M.; Brackett, John
- Broschiertes Buch
The Routledge Companion to Popular Music Analysis: Expanding Approaches widens the scope of analytical approaches for popular music by incorporating methods developed for analyzing contemporary art music. It endeavors to create a new analytical paradigm for examining popular music from the perspective of developments in contemporary
Andere Kunden interessierten sich auch für
![Performing Electronic Music Live]( "Performing Electronic Music Live")
Kirsten HermesPerforming Electronic Music Live194,99 €![Another Song for Europe]( "Another Song for Europe")
Ivan RaykoffAnother Song for Europe37,99 €![Opera in Performance]( "Opera in Performance")
Clemens RisiOpera in Performance198,99 €![Jazz and Death]( "Jazz and Death")
Walter van de LeurJazz and Death174,99 €![The Routledge Companion to Aural Skills Pedagogy]( "The Routledge Companion to Aural Skills Pedagogy")
The Routledge Companion to Aural Skills Pedagogy58,99 €![The Routledge Companion to Music Theory Pedagogy]( "The Routledge Companion to Music Theory Pedagogy")
The Routledge Companion to Music Theory Pedagogy64,99 €![Music, Gender, and Sexuality Studies]( "Music, Gender, and Sexuality Studies")
Jacqueline WarwickMusic, Gender, and Sexuality Studies46,99 €-
-
-
The Routledge Companion to Popular Music Analysis: Expanding Approaches widens the scope of analytical approaches for popular music by incorporating methods developed for analyzing contemporary art music. It endeavors to create a new analytical paradigm for examining popular music from the perspective of developments in contemporary
Produktdetails
- Produktdetails
- Routledge Music Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 442
- Erscheinungstermin: 30. Juni 2020
- Englisch
- Abmessung: 179mm x 252mm x 33mm
- Gewicht: 840g
- ISBN-13: 9780367570545
- ISBN-10: 0367570548
- Artikelnr.: 61597677
- Routledge Music Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 442
- Erscheinungstermin: 30. Juni 2020
- Englisch
- Abmessung: 179mm x 252mm x 33mm
- Gewicht: 840g
- ISBN-13: 9780367570545
- ISBN-10: 0367570548
- Artikelnr.: 61597677
Part 1: Establishing and Expanding Analytical Frameworks / 1. Some
Practical Issues in the Aesthetic Analysis of Popular Music (Christopher
Doll) / 2. Style as Analysis (Phil Ford) / 3. Thank You for the Music (
Giles Hooper) / 4. Listening to the Sound Music Makes (Allan F. Moore) /
5. Analyse This: Types and Tactics of Self-Referential Songs (Bethany Lowe
with Freya Jarman) / 6. A-ha's "Take on Me": Melody, Vocal Compulsion and
Rotoscoping (Stan Hawkins and Jon Mikkel Broch Ålvik) / 7. Interpreting
Transmedia and Multimodal Narratives: Steven Wilson's 'The Raven That
Refused to Sing' (Lori Burns) / Part 2: Technology and Timbre / 8.
Analysing the Product of Recorded Musical Activity (Simon Zagorski-Thomas)
/ 9. The Production of Timbre: Analyzing the Sonic Signatures of Tool's
Ænima (1996) (Kevin Osborn and Brad Osborn) / 10. "What Music Isn't Ambient
in the 21st Century?": A Design-Oriented Approach to Analyzing and
Interpreting Ambient Music Recordings (Victor Szabo) / 11.
Electronically-Modified Voices as Expressing the (Post)Human Condition in
Daft Punk's Random Access Memories (2013) (Jane Piper Clendinning) / Part
3: Rhythm, Pitch, and Harmony / 12. Pulse as Dynamic Attending: Analysing
Beat Bin Metre in Neo Soul Grooves (Anne Danielsen) / 13. Rhythmic
Functions in Pop-Rock Music (Nicole Biamonte) / 14. The Aesthetics of Drone
(Jonathan W. Bernard) / 15. A Tonal Axis to Grind: The Central Dyad in
Sonic Youth's Divergent Textures (David Heetderks) / 16. Chromatic Linear
Progressions in Popular Music (Neil Newton) / 17. System 7 (Ciro Scotto) /
18. Emerson, Lake and Palmer's "Toccata" and the Cyborg Essence of Alberto
Gianastera (Kevin Holm-Hudson) / Part 4: Form and Structure / 19. Yes, the
Psychedelic-Symphonic Cover, and "Every Little Thing (John Covach) / 20.
'Silence in the Studio!' Collage as Retransition in Pink Floyd's 'Atom
Heart Mother Suite' (Shaugn O'Donnell) / 21. "Weed Crumbles into Glitter":
Representing a Marijuana High in Frank Ocean's Blonde (John Brackett) / 22.
Form and Time in Trout Mask Replica (Peter Silberman) / Part 5: Critical
Frameworks: Analytical, Formal, Structural, and Political / 23. New Music
in a Borderless World (Marianna Ritchey) / 24. Here Lies Love and the
Politics of Disco-Opera (Áine Mangaoang) / 25. The Love Detective:
Cybernetic Cycles and the Mysteries of Desire in Arab Strap (Stephen Overy
and Kenneth Smith) / 26. Unending Eruptions: White-Collar Metal
Appropriations of Classical Complexity, Experimentation, Elitism, and
Cultural Legitimization (Eric Smialek and Méi-Ra St-Laurent) / 27. Hearing
Postmemory: Anne Frank in Neutral Milk Hotel's In the Aeroplane over the
Sea (Michael Spitzer) / 28. "Poet-Composers": Art and Legitimacy in the
Singer-Songwriter Movement (Christa Bentley)
Practical Issues in the Aesthetic Analysis of Popular Music (Christopher
Doll) / 2. Style as Analysis (Phil Ford) / 3. Thank You for the Music (
Giles Hooper) / 4. Listening to the Sound Music Makes (Allan F. Moore) /
5. Analyse This: Types and Tactics of Self-Referential Songs (Bethany Lowe
with Freya Jarman) / 6. A-ha's "Take on Me": Melody, Vocal Compulsion and
Rotoscoping (Stan Hawkins and Jon Mikkel Broch Ålvik) / 7. Interpreting
Transmedia and Multimodal Narratives: Steven Wilson's 'The Raven That
Refused to Sing' (Lori Burns) / Part 2: Technology and Timbre / 8.
Analysing the Product of Recorded Musical Activity (Simon Zagorski-Thomas)
/ 9. The Production of Timbre: Analyzing the Sonic Signatures of Tool's
Ænima (1996) (Kevin Osborn and Brad Osborn) / 10. "What Music Isn't Ambient
in the 21st Century?": A Design-Oriented Approach to Analyzing and
Interpreting Ambient Music Recordings (Victor Szabo) / 11.
Electronically-Modified Voices as Expressing the (Post)Human Condition in
Daft Punk's Random Access Memories (2013) (Jane Piper Clendinning) / Part
3: Rhythm, Pitch, and Harmony / 12. Pulse as Dynamic Attending: Analysing
Beat Bin Metre in Neo Soul Grooves (Anne Danielsen) / 13. Rhythmic
Functions in Pop-Rock Music (Nicole Biamonte) / 14. The Aesthetics of Drone
(Jonathan W. Bernard) / 15. A Tonal Axis to Grind: The Central Dyad in
Sonic Youth's Divergent Textures (David Heetderks) / 16. Chromatic Linear
Progressions in Popular Music (Neil Newton) / 17. System 7 (Ciro Scotto) /
18. Emerson, Lake and Palmer's "Toccata" and the Cyborg Essence of Alberto
Gianastera (Kevin Holm-Hudson) / Part 4: Form and Structure / 19. Yes, the
Psychedelic-Symphonic Cover, and "Every Little Thing (John Covach) / 20.
'Silence in the Studio!' Collage as Retransition in Pink Floyd's 'Atom
Heart Mother Suite' (Shaugn O'Donnell) / 21. "Weed Crumbles into Glitter":
Representing a Marijuana High in Frank Ocean's Blonde (John Brackett) / 22.
Form and Time in Trout Mask Replica (Peter Silberman) / Part 5: Critical
Frameworks: Analytical, Formal, Structural, and Political / 23. New Music
in a Borderless World (Marianna Ritchey) / 24. Here Lies Love and the
Politics of Disco-Opera (Áine Mangaoang) / 25. The Love Detective:
Cybernetic Cycles and the Mysteries of Desire in Arab Strap (Stephen Overy
and Kenneth Smith) / 26. Unending Eruptions: White-Collar Metal
Appropriations of Classical Complexity, Experimentation, Elitism, and
Cultural Legitimization (Eric Smialek and Méi-Ra St-Laurent) / 27. Hearing
Postmemory: Anne Frank in Neutral Milk Hotel's In the Aeroplane over the
Sea (Michael Spitzer) / 28. "Poet-Composers": Art and Legitimacy in the
Singer-Songwriter Movement (Christa Bentley)
Part 1: Establishing and Expanding Analytical Frameworks / 1. Some
Practical Issues in the Aesthetic Analysis of Popular Music (Christopher
Doll) / 2. Style as Analysis (Phil Ford) / 3. Thank You for the Music (
Giles Hooper) / 4. Listening to the Sound Music Makes (Allan F. Moore) /
5. Analyse This: Types and Tactics of Self-Referential Songs (Bethany Lowe
with Freya Jarman) / 6. A-ha's "Take on Me": Melody, Vocal Compulsion and
Rotoscoping (Stan Hawkins and Jon Mikkel Broch Ålvik) / 7. Interpreting
Transmedia and Multimodal Narratives: Steven Wilson's 'The Raven That
Refused to Sing' (Lori Burns) / Part 2: Technology and Timbre / 8.
Analysing the Product of Recorded Musical Activity (Simon Zagorski-Thomas)
/ 9. The Production of Timbre: Analyzing the Sonic Signatures of Tool's
Ænima (1996) (Kevin Osborn and Brad Osborn) / 10. "What Music Isn't Ambient
in the 21st Century?": A Design-Oriented Approach to Analyzing and
Interpreting Ambient Music Recordings (Victor Szabo) / 11.
Electronically-Modified Voices as Expressing the (Post)Human Condition in
Daft Punk's Random Access Memories (2013) (Jane Piper Clendinning) / Part
3: Rhythm, Pitch, and Harmony / 12. Pulse as Dynamic Attending: Analysing
Beat Bin Metre in Neo Soul Grooves (Anne Danielsen) / 13. Rhythmic
Functions in Pop-Rock Music (Nicole Biamonte) / 14. The Aesthetics of Drone
(Jonathan W. Bernard) / 15. A Tonal Axis to Grind: The Central Dyad in
Sonic Youth's Divergent Textures (David Heetderks) / 16. Chromatic Linear
Progressions in Popular Music (Neil Newton) / 17. System 7 (Ciro Scotto) /
18. Emerson, Lake and Palmer's "Toccata" and the Cyborg Essence of Alberto
Gianastera (Kevin Holm-Hudson) / Part 4: Form and Structure / 19. Yes, the
Psychedelic-Symphonic Cover, and "Every Little Thing (John Covach) / 20.
'Silence in the Studio!' Collage as Retransition in Pink Floyd's 'Atom
Heart Mother Suite' (Shaugn O'Donnell) / 21. "Weed Crumbles into Glitter":
Representing a Marijuana High in Frank Ocean's Blonde (John Brackett) / 22.
Form and Time in Trout Mask Replica (Peter Silberman) / Part 5: Critical
Frameworks: Analytical, Formal, Structural, and Political / 23. New Music
in a Borderless World (Marianna Ritchey) / 24. Here Lies Love and the
Politics of Disco-Opera (Áine Mangaoang) / 25. The Love Detective:
Cybernetic Cycles and the Mysteries of Desire in Arab Strap (Stephen Overy
and Kenneth Smith) / 26. Unending Eruptions: White-Collar Metal
Appropriations of Classical Complexity, Experimentation, Elitism, and
Cultural Legitimization (Eric Smialek and Méi-Ra St-Laurent) / 27. Hearing
Postmemory: Anne Frank in Neutral Milk Hotel's In the Aeroplane over the
Sea (Michael Spitzer) / 28. "Poet-Composers": Art and Legitimacy in the
Singer-Songwriter Movement (Christa Bentley)
Practical Issues in the Aesthetic Analysis of Popular Music (Christopher
Doll) / 2. Style as Analysis (Phil Ford) / 3. Thank You for the Music (
Giles Hooper) / 4. Listening to the Sound Music Makes (Allan F. Moore) /
5. Analyse This: Types and Tactics of Self-Referential Songs (Bethany Lowe
with Freya Jarman) / 6. A-ha's "Take on Me": Melody, Vocal Compulsion and
Rotoscoping (Stan Hawkins and Jon Mikkel Broch Ålvik) / 7. Interpreting
Transmedia and Multimodal Narratives: Steven Wilson's 'The Raven That
Refused to Sing' (Lori Burns) / Part 2: Technology and Timbre / 8.
Analysing the Product of Recorded Musical Activity (Simon Zagorski-Thomas)
/ 9. The Production of Timbre: Analyzing the Sonic Signatures of Tool's
Ænima (1996) (Kevin Osborn and Brad Osborn) / 10. "What Music Isn't Ambient
in the 21st Century?": A Design-Oriented Approach to Analyzing and
Interpreting Ambient Music Recordings (Victor Szabo) / 11.
Electronically-Modified Voices as Expressing the (Post)Human Condition in
Daft Punk's Random Access Memories (2013) (Jane Piper Clendinning) / Part
3: Rhythm, Pitch, and Harmony / 12. Pulse as Dynamic Attending: Analysing
Beat Bin Metre in Neo Soul Grooves (Anne Danielsen) / 13. Rhythmic
Functions in Pop-Rock Music (Nicole Biamonte) / 14. The Aesthetics of Drone
(Jonathan W. Bernard) / 15. A Tonal Axis to Grind: The Central Dyad in
Sonic Youth's Divergent Textures (David Heetderks) / 16. Chromatic Linear
Progressions in Popular Music (Neil Newton) / 17. System 7 (Ciro Scotto) /
18. Emerson, Lake and Palmer's "Toccata" and the Cyborg Essence of Alberto
Gianastera (Kevin Holm-Hudson) / Part 4: Form and Structure / 19. Yes, the
Psychedelic-Symphonic Cover, and "Every Little Thing (John Covach) / 20.
'Silence in the Studio!' Collage as Retransition in Pink Floyd's 'Atom
Heart Mother Suite' (Shaugn O'Donnell) / 21. "Weed Crumbles into Glitter":
Representing a Marijuana High in Frank Ocean's Blonde (John Brackett) / 22.
Form and Time in Trout Mask Replica (Peter Silberman) / Part 5: Critical
Frameworks: Analytical, Formal, Structural, and Political / 23. New Music
in a Borderless World (Marianna Ritchey) / 24. Here Lies Love and the
Politics of Disco-Opera (Áine Mangaoang) / 25. The Love Detective:
Cybernetic Cycles and the Mysteries of Desire in Arab Strap (Stephen Overy
and Kenneth Smith) / 26. Unending Eruptions: White-Collar Metal
Appropriations of Classical Complexity, Experimentation, Elitism, and
Cultural Legitimization (Eric Smialek and Méi-Ra St-Laurent) / 27. Hearing
Postmemory: Anne Frank in Neutral Milk Hotel's In the Aeroplane over the
Sea (Michael Spitzer) / 28. "Poet-Composers": Art and Legitimacy in the
Singer-Songwriter Movement (Christa Bentley)