The Routledge Companion to Research in the Arts
Herausgeber: Biggs, Michael; Karlsson, Henrik
The Routledge Companion to Research in the Arts
Herausgeber: Biggs, Michael; Karlsson, Henrik
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The Routledge Companion to Research in the Arts is a major collection of new writings on research in the creative and performing arts by leading authorities from around the world.
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The Routledge Companion to Research in the Arts is a major collection of new writings on research in the creative and performing arts by leading authorities from around the world.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 488
- Erscheinungstermin: 24. September 2010
- Englisch
- Abmessung: 249mm x 175mm x 30mm
- Gewicht: 1021g
- ISBN-13: 9780415581691
- ISBN-10: 0415581699
- Artikelnr.: 32223027
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 488
- Erscheinungstermin: 24. September 2010
- Englisch
- Abmessung: 249mm x 175mm x 30mm
- Gewicht: 1021g
- ISBN-13: 9780415581691
- ISBN-10: 0415581699
- Artikelnr.: 32223027
Michael Biggs is Professor of Aesthetics and former Associate Dean Research at the University of Hertfordshire, UK and Visiting Professor in Arts-based Research in Architecture at the University of Lund, Sweden. He coordinates a network of excellence in the field, and has published widely on research theory in the creative and performing arts. Henrik Karlsson is Assistant Professor in musicology, former research secretary at the Royal Swedish Academy of Music and consultant to Riksbankens Jubileumsfond. He headed the assessment of the Swedish Research Council's grants to artistic research (Context-Quality-Continuity, 2007) and has edited a great number of anthologies in music and cultural sciences.
Part 1: Foundations Chapter 1: University Politics and Practice-based
Research Torsten Kälvemark Chapter 2: Pleading for Plurality: artistic and
other kinds of research Søren Kjørup Chapter 3: The Production of Knowledge
in Artistic Research Henk Borgdorff Chapter 4: Some Notes on Mode 1 and
Mode 2: adversaries or dialogue partners? Halina Dunin-Woyseth Chapter 5:
Communities, Values, Conventions and Actions Michael Biggs and Daniela
Büchler Chapter 6: Artistic Cognition and Creativity Graeme Sullivan
Chapter 7: The Role of the Artefact and Frameworks for Practice-based
Research Linda Candy and Ernest Edmonds Chapter 8: Embodied Knowing Through
Art Mark Johnson Part 2: Voices Chapter 9: Rhetoric: Writing, Reading and
Producing the Visual Joan Mullin Chapter 10: Research and the Self
Morwenna Griffiths Chapter 11: Addressing the 'Ancient Quarrel': creative
writing as research Jen Webb and Donna Lee Brien Chapter 12: The Virtual
and the Physical: a phenomenological approach to performance research
Susan Kozel Chapter 13: Navigating in Heterogeneity: architectural thinking
and art based research Catharina Dyrssen Chapter 14: Insight and Rigour: a
Freudo-Lacanian approach Malcolm Quinn Chapter 15: Transformational
Practice: on the place of material novelty in artistic change Stephen
Scrivener Chapter 16: Time and Interaction: research through non-visual
arts and media Henrik Frisk and Henrik Karlsson Chapter 17: Thinking About
Art after the Media: research as practised culture of experiment Siegfried
Zielinski Part 3: Contexts Chapter 18: Characteristics of Visual and
Performing Arts Annette Arlander Chapter 19: Differential Iconography Henk
Slager Chapter 20: Writing and the PhD in Fine Art Katy Macleod & Lin
Holdridge Chapter 21: Research Training in the Creative Arts and Design
Darren Newbury Chapter 22: No Copyright and No Cultural Conglomerates: new
opportunities for artists Joost Smiers Chapter 23: Evaluating Quality in
Artistic Research Michael Biggs & Henrik Karlsson References Index
Research Torsten Kälvemark Chapter 2: Pleading for Plurality: artistic and
other kinds of research Søren Kjørup Chapter 3: The Production of Knowledge
in Artistic Research Henk Borgdorff Chapter 4: Some Notes on Mode 1 and
Mode 2: adversaries or dialogue partners? Halina Dunin-Woyseth Chapter 5:
Communities, Values, Conventions and Actions Michael Biggs and Daniela
Büchler Chapter 6: Artistic Cognition and Creativity Graeme Sullivan
Chapter 7: The Role of the Artefact and Frameworks for Practice-based
Research Linda Candy and Ernest Edmonds Chapter 8: Embodied Knowing Through
Art Mark Johnson Part 2: Voices Chapter 9: Rhetoric: Writing, Reading and
Producing the Visual Joan Mullin Chapter 10: Research and the Self
Morwenna Griffiths Chapter 11: Addressing the 'Ancient Quarrel': creative
writing as research Jen Webb and Donna Lee Brien Chapter 12: The Virtual
and the Physical: a phenomenological approach to performance research
Susan Kozel Chapter 13: Navigating in Heterogeneity: architectural thinking
and art based research Catharina Dyrssen Chapter 14: Insight and Rigour: a
Freudo-Lacanian approach Malcolm Quinn Chapter 15: Transformational
Practice: on the place of material novelty in artistic change Stephen
Scrivener Chapter 16: Time and Interaction: research through non-visual
arts and media Henrik Frisk and Henrik Karlsson Chapter 17: Thinking About
Art after the Media: research as practised culture of experiment Siegfried
Zielinski Part 3: Contexts Chapter 18: Characteristics of Visual and
Performing Arts Annette Arlander Chapter 19: Differential Iconography Henk
Slager Chapter 20: Writing and the PhD in Fine Art Katy Macleod & Lin
Holdridge Chapter 21: Research Training in the Creative Arts and Design
Darren Newbury Chapter 22: No Copyright and No Cultural Conglomerates: new
opportunities for artists Joost Smiers Chapter 23: Evaluating Quality in
Artistic Research Michael Biggs & Henrik Karlsson References Index
Part 1: Foundations Chapter 1: University Politics and Practice-based
Research Torsten Kälvemark Chapter 2: Pleading for Plurality: artistic and
other kinds of research Søren Kjørup Chapter 3: The Production of Knowledge
in Artistic Research Henk Borgdorff Chapter 4: Some Notes on Mode 1 and
Mode 2: adversaries or dialogue partners? Halina Dunin-Woyseth Chapter 5:
Communities, Values, Conventions and Actions Michael Biggs and Daniela
Büchler Chapter 6: Artistic Cognition and Creativity Graeme Sullivan
Chapter 7: The Role of the Artefact and Frameworks for Practice-based
Research Linda Candy and Ernest Edmonds Chapter 8: Embodied Knowing Through
Art Mark Johnson Part 2: Voices Chapter 9: Rhetoric: Writing, Reading and
Producing the Visual Joan Mullin Chapter 10: Research and the Self
Morwenna Griffiths Chapter 11: Addressing the 'Ancient Quarrel': creative
writing as research Jen Webb and Donna Lee Brien Chapter 12: The Virtual
and the Physical: a phenomenological approach to performance research
Susan Kozel Chapter 13: Navigating in Heterogeneity: architectural thinking
and art based research Catharina Dyrssen Chapter 14: Insight and Rigour: a
Freudo-Lacanian approach Malcolm Quinn Chapter 15: Transformational
Practice: on the place of material novelty in artistic change Stephen
Scrivener Chapter 16: Time and Interaction: research through non-visual
arts and media Henrik Frisk and Henrik Karlsson Chapter 17: Thinking About
Art after the Media: research as practised culture of experiment Siegfried
Zielinski Part 3: Contexts Chapter 18: Characteristics of Visual and
Performing Arts Annette Arlander Chapter 19: Differential Iconography Henk
Slager Chapter 20: Writing and the PhD in Fine Art Katy Macleod & Lin
Holdridge Chapter 21: Research Training in the Creative Arts and Design
Darren Newbury Chapter 22: No Copyright and No Cultural Conglomerates: new
opportunities for artists Joost Smiers Chapter 23: Evaluating Quality in
Artistic Research Michael Biggs & Henrik Karlsson References Index
Research Torsten Kälvemark Chapter 2: Pleading for Plurality: artistic and
other kinds of research Søren Kjørup Chapter 3: The Production of Knowledge
in Artistic Research Henk Borgdorff Chapter 4: Some Notes on Mode 1 and
Mode 2: adversaries or dialogue partners? Halina Dunin-Woyseth Chapter 5:
Communities, Values, Conventions and Actions Michael Biggs and Daniela
Büchler Chapter 6: Artistic Cognition and Creativity Graeme Sullivan
Chapter 7: The Role of the Artefact and Frameworks for Practice-based
Research Linda Candy and Ernest Edmonds Chapter 8: Embodied Knowing Through
Art Mark Johnson Part 2: Voices Chapter 9: Rhetoric: Writing, Reading and
Producing the Visual Joan Mullin Chapter 10: Research and the Self
Morwenna Griffiths Chapter 11: Addressing the 'Ancient Quarrel': creative
writing as research Jen Webb and Donna Lee Brien Chapter 12: The Virtual
and the Physical: a phenomenological approach to performance research
Susan Kozel Chapter 13: Navigating in Heterogeneity: architectural thinking
and art based research Catharina Dyrssen Chapter 14: Insight and Rigour: a
Freudo-Lacanian approach Malcolm Quinn Chapter 15: Transformational
Practice: on the place of material novelty in artistic change Stephen
Scrivener Chapter 16: Time and Interaction: research through non-visual
arts and media Henrik Frisk and Henrik Karlsson Chapter 17: Thinking About
Art after the Media: research as practised culture of experiment Siegfried
Zielinski Part 3: Contexts Chapter 18: Characteristics of Visual and
Performing Arts Annette Arlander Chapter 19: Differential Iconography Henk
Slager Chapter 20: Writing and the PhD in Fine Art Katy Macleod & Lin
Holdridge Chapter 21: Research Training in the Creative Arts and Design
Darren Newbury Chapter 22: No Copyright and No Cultural Conglomerates: new
opportunities for artists Joost Smiers Chapter 23: Evaluating Quality in
Artistic Research Michael Biggs & Henrik Karlsson References Index