The Routledge Companion to Sound Studies
Herausgeber: Bull, Michael
The Routledge Companion to Sound Studies
Herausgeber: Bull, Michael
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The Routledge Companion to Sound Studies provides both upper level students and researchers with a comparative and historically informed understanding of the workings of sound in culture, while also mapping potential future directions for research in the field.
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The Routledge Companion to Sound Studies provides both upper level students and researchers with a comparative and historically informed understanding of the workings of sound in culture, while also mapping potential future directions for research in the field.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Media and Cultural Studies Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 440
- Erscheinungstermin: 30. September 2020
- Englisch
- Abmessung: 242mm x 173mm x 26mm
- Gewicht: 772g
- ISBN-13: 9780367659745
- ISBN-10: 0367659743
- Artikelnr.: 60006860
- Routledge Media and Cultural Studies Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 440
- Erscheinungstermin: 30. September 2020
- Englisch
- Abmessung: 242mm x 173mm x 26mm
- Gewicht: 772g
- ISBN-13: 9780367659745
- ISBN-10: 0367659743
- Artikelnr.: 60006860
Michael Bull is Professor of Sound Studies at the University of Sussex. His works include Sounding Out the City: Personal Stereos and the Management of Everyday life (2000) and Sound Moves: iPod Culture and Urban Experience (2007) He has just completed a monograph on Sirens and is presently writing a monograph on Reinterpreting the Sounds of World War 1. He is the co-founding editor of the journals Senses and Society and Sound Studies (both with Routledge) and is editor of the book series The Study of Sound.
Introduction: Sound Studies and the Art of Listening
Section 1 Introduction: Sonic Epistemologies and Debates
1. Holger Schulze: Sound As Theory 1863 - 2014: From Hermann von
Helmholtz to Salome Voeglin
2. Mark Grimshaw: What is Sound Studies?
3. David Howes: Embodiment and the Senses
4. Nina Sun Eidsheim: Multisensory Investigation of Sound, Body and
Voice.
5. Neil Verma: The Return to Sound Aesthetics
6. Christabel Stirling: Sound, Affect, Politics
Section 2Introduction: Sonic Conflicts, Concepts and Culture
7. Richard Rath: Silence and Noise
8. Karin Bijsterveld: Sound Waves of Protest: Noise Abatement Movements
9. David Goodman: Propaganda and Sound
10. Alex Corey: Sounding Out Racial Difference
11. Marie Thompson: Gendered Sound
12. Amanda Cachia: Mapping Hearing Impairment: Sound/Tracks in the Corner
Space
13. Jonathan Pieslak: Sound and terrorism: Exploring the World of the
Islamic State
Section 3Introduction: Sonic Spaces and Places
14. John M. Picker: The Turning of a Word: Soundscape to Soundscapes
15. Tim Edensor: The Sonic Rhythms of Place
16. Bennett Hogg: Geographies of Silence
17. Meri Kyto: Public and Private Space: Sound Transformations
18. Yiu-Fai Chow: Diaspora as Method. Music as Hope
Section 4 Introduction: Sonic Skills: Finding, Recording and
Researching.
19. Salome Voeglin: Technologies of Sound Art
20. Carolyn Birdsall: Found in Translation: Recording, Storing and
Writing of sounds
21. Shannon Mattern: Sonic Archaeologies
22. Blake Durham: Curating Online Sounds
23. Tom Rice: Ethnographies of Sound
24. Frauke Berendt: Soundwalking
25. Paul Nataraj: Surface Tension: Sheena and Bowie's 'Station to
Station' as Palimpsest.
Section 5 Introduction: Technology, Culture and Sonic Experience.
26. Julian Henriques and Hillegonda C Rietveld: Echo
27. Thor Magnusson: Sound and Music in Networked Media
28. Louis Neibur: Ordinary and Avant-Garde Sound in British Radio's Early
Years.
29. Jacob Smith: Remastering the Recording Angel
30. Alex Russo: Radio Sound
31. Tom Artiss: Structures of Sonic feeling.
32. Cara Wallis: Gender and the Telephonic Voice.
Section 6 Introduction: Sound Connections
33. James Mansell: Ways of Hearing: Sound, Culture and History
Section 1 Introduction: Sonic Epistemologies and Debates
1. Holger Schulze: Sound As Theory 1863 - 2014: From Hermann von
Helmholtz to Salome Voeglin
2. Mark Grimshaw: What is Sound Studies?
3. David Howes: Embodiment and the Senses
4. Nina Sun Eidsheim: Multisensory Investigation of Sound, Body and
Voice.
5. Neil Verma: The Return to Sound Aesthetics
6. Christabel Stirling: Sound, Affect, Politics
Section 2Introduction: Sonic Conflicts, Concepts and Culture
7. Richard Rath: Silence and Noise
8. Karin Bijsterveld: Sound Waves of Protest: Noise Abatement Movements
9. David Goodman: Propaganda and Sound
10. Alex Corey: Sounding Out Racial Difference
11. Marie Thompson: Gendered Sound
12. Amanda Cachia: Mapping Hearing Impairment: Sound/Tracks in the Corner
Space
13. Jonathan Pieslak: Sound and terrorism: Exploring the World of the
Islamic State
Section 3Introduction: Sonic Spaces and Places
14. John M. Picker: The Turning of a Word: Soundscape to Soundscapes
15. Tim Edensor: The Sonic Rhythms of Place
16. Bennett Hogg: Geographies of Silence
17. Meri Kyto: Public and Private Space: Sound Transformations
18. Yiu-Fai Chow: Diaspora as Method. Music as Hope
Section 4 Introduction: Sonic Skills: Finding, Recording and
Researching.
19. Salome Voeglin: Technologies of Sound Art
20. Carolyn Birdsall: Found in Translation: Recording, Storing and
Writing of sounds
21. Shannon Mattern: Sonic Archaeologies
22. Blake Durham: Curating Online Sounds
23. Tom Rice: Ethnographies of Sound
24. Frauke Berendt: Soundwalking
25. Paul Nataraj: Surface Tension: Sheena and Bowie's 'Station to
Station' as Palimpsest.
Section 5 Introduction: Technology, Culture and Sonic Experience.
26. Julian Henriques and Hillegonda C Rietveld: Echo
27. Thor Magnusson: Sound and Music in Networked Media
28. Louis Neibur: Ordinary and Avant-Garde Sound in British Radio's Early
Years.
29. Jacob Smith: Remastering the Recording Angel
30. Alex Russo: Radio Sound
31. Tom Artiss: Structures of Sonic feeling.
32. Cara Wallis: Gender and the Telephonic Voice.
Section 6 Introduction: Sound Connections
33. James Mansell: Ways of Hearing: Sound, Culture and History
Introduction: Sound Studies and the Art of Listening
Section 1 Introduction: Sonic Epistemologies and Debates
1. Holger Schulze: Sound As Theory 1863 - 2014: From Hermann von
Helmholtz to Salome Voeglin
2. Mark Grimshaw: What is Sound Studies?
3. David Howes: Embodiment and the Senses
4. Nina Sun Eidsheim: Multisensory Investigation of Sound, Body and
Voice.
5. Neil Verma: The Return to Sound Aesthetics
6. Christabel Stirling: Sound, Affect, Politics
Section 2Introduction: Sonic Conflicts, Concepts and Culture
7. Richard Rath: Silence and Noise
8. Karin Bijsterveld: Sound Waves of Protest: Noise Abatement Movements
9. David Goodman: Propaganda and Sound
10. Alex Corey: Sounding Out Racial Difference
11. Marie Thompson: Gendered Sound
12. Amanda Cachia: Mapping Hearing Impairment: Sound/Tracks in the Corner
Space
13. Jonathan Pieslak: Sound and terrorism: Exploring the World of the
Islamic State
Section 3Introduction: Sonic Spaces and Places
14. John M. Picker: The Turning of a Word: Soundscape to Soundscapes
15. Tim Edensor: The Sonic Rhythms of Place
16. Bennett Hogg: Geographies of Silence
17. Meri Kyto: Public and Private Space: Sound Transformations
18. Yiu-Fai Chow: Diaspora as Method. Music as Hope
Section 4 Introduction: Sonic Skills: Finding, Recording and
Researching.
19. Salome Voeglin: Technologies of Sound Art
20. Carolyn Birdsall: Found in Translation: Recording, Storing and
Writing of sounds
21. Shannon Mattern: Sonic Archaeologies
22. Blake Durham: Curating Online Sounds
23. Tom Rice: Ethnographies of Sound
24. Frauke Berendt: Soundwalking
25. Paul Nataraj: Surface Tension: Sheena and Bowie's 'Station to
Station' as Palimpsest.
Section 5 Introduction: Technology, Culture and Sonic Experience.
26. Julian Henriques and Hillegonda C Rietveld: Echo
27. Thor Magnusson: Sound and Music in Networked Media
28. Louis Neibur: Ordinary and Avant-Garde Sound in British Radio's Early
Years.
29. Jacob Smith: Remastering the Recording Angel
30. Alex Russo: Radio Sound
31. Tom Artiss: Structures of Sonic feeling.
32. Cara Wallis: Gender and the Telephonic Voice.
Section 6 Introduction: Sound Connections
33. James Mansell: Ways of Hearing: Sound, Culture and History
Section 1 Introduction: Sonic Epistemologies and Debates
1. Holger Schulze: Sound As Theory 1863 - 2014: From Hermann von
Helmholtz to Salome Voeglin
2. Mark Grimshaw: What is Sound Studies?
3. David Howes: Embodiment and the Senses
4. Nina Sun Eidsheim: Multisensory Investigation of Sound, Body and
Voice.
5. Neil Verma: The Return to Sound Aesthetics
6. Christabel Stirling: Sound, Affect, Politics
Section 2Introduction: Sonic Conflicts, Concepts and Culture
7. Richard Rath: Silence and Noise
8. Karin Bijsterveld: Sound Waves of Protest: Noise Abatement Movements
9. David Goodman: Propaganda and Sound
10. Alex Corey: Sounding Out Racial Difference
11. Marie Thompson: Gendered Sound
12. Amanda Cachia: Mapping Hearing Impairment: Sound/Tracks in the Corner
Space
13. Jonathan Pieslak: Sound and terrorism: Exploring the World of the
Islamic State
Section 3Introduction: Sonic Spaces and Places
14. John M. Picker: The Turning of a Word: Soundscape to Soundscapes
15. Tim Edensor: The Sonic Rhythms of Place
16. Bennett Hogg: Geographies of Silence
17. Meri Kyto: Public and Private Space: Sound Transformations
18. Yiu-Fai Chow: Diaspora as Method. Music as Hope
Section 4 Introduction: Sonic Skills: Finding, Recording and
Researching.
19. Salome Voeglin: Technologies of Sound Art
20. Carolyn Birdsall: Found in Translation: Recording, Storing and
Writing of sounds
21. Shannon Mattern: Sonic Archaeologies
22. Blake Durham: Curating Online Sounds
23. Tom Rice: Ethnographies of Sound
24. Frauke Berendt: Soundwalking
25. Paul Nataraj: Surface Tension: Sheena and Bowie's 'Station to
Station' as Palimpsest.
Section 5 Introduction: Technology, Culture and Sonic Experience.
26. Julian Henriques and Hillegonda C Rietveld: Echo
27. Thor Magnusson: Sound and Music in Networked Media
28. Louis Neibur: Ordinary and Avant-Garde Sound in British Radio's Early
Years.
29. Jacob Smith: Remastering the Recording Angel
30. Alex Russo: Radio Sound
31. Tom Artiss: Structures of Sonic feeling.
32. Cara Wallis: Gender and the Telephonic Voice.
Section 6 Introduction: Sound Connections
33. James Mansell: Ways of Hearing: Sound, Culture and History