The Routledge Companion to the Contemporary Musical
Herausgeber: Wollman, Elizabeth L.; Sternfeld, Jessica
The Routledge Companion to the Contemporary Musical
Herausgeber: Wollman, Elizabeth L.; Sternfeld, Jessica
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The Routledge Companion to the Contemporary Musical is dedicated to the musicalâ s evolving relationship to American culture in the late 20th and early 21st centuries.
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The Routledge Companion to the Contemporary Musical is dedicated to the musicalâ s evolving relationship to American culture in the late 20th and early 21st centuries.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Music Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 496
- Erscheinungstermin: 13. Dezember 2021
- Englisch
- Abmessung: 252mm x 176mm x 28mm
- Gewicht: 916g
- ISBN-13: 9781032240541
- ISBN-10: 1032240547
- Artikelnr.: 62951866
- Routledge Music Companions
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 496
- Erscheinungstermin: 13. Dezember 2021
- Englisch
- Abmessung: 252mm x 176mm x 28mm
- Gewicht: 916g
- ISBN-13: 9781032240541
- ISBN-10: 1032240547
- Artikelnr.: 62951866
Jessica Sternfeld is Associate Professor of Music and Director of the BA in Music at Chapman University. Elizabeth L. Wollman is Professor of Music at Baruch College, CUNY, and a member of the doctoral faculty in the theater department at the CUNY Graduate Center.
Part 1 - Setting the Stage: An Introduction to Analyzing the Musical
Theater / 1. Musical Theater Reception Theory, Or What Happens When You See
a Show? (Katie Welsh and Stacy Wolf) / 2. "[title of chapter]" (Millie
Taylor) / Part 2 - Starting with the '70s / 3. They're Playing My Song: The
American Musical in the Me-Decade (Bryan M. Vandevender) / 4. "My Corner of
the Sky": Adolescence and Coming of Age in the Musicals of Stephen Schwartz
(Ryan Bunch) / 5. Style as Star: Bob Fosse and Sixty Seconds That Changed
Broadway (Ryan Donovan) / 6. Recreating the Ephemeral: Broadway Revivals
Since 1971 (James Lovensheimer) / Part 3 - Aesthetic Transformations / 7.
Sing: Musical Theater Voices from Superstar to Hamilton (Ben Macpherson) /
8. Amplifying Broadway After the Golden Age (Arreanna Rostosky) / 9.
Starlight Expression and Phantom Operatics: Technology, Performance and the
Megamusical's Aesthetic of the Voice (Dominic Symonds) / 10. The Sung and
the Spoken in Michael John LaChiusa's Musicals (Alex Bádue) / 11. The New
"Sounds of Broadway": Orchestrating Electronic Instruments in Contemporary
Musicals (Michael M. Kennedy) / 12. Chart-Toppers to Showstoppers: Pop
Artists Scoring the Broadway Stage (Matthew Lockitt) / 13. Scenographic
Aesthetics and Automated Technologies in Broadway Musicals (Christin Essin)
/ Part 4 - Reading the Musical Through Gender / 14. Do-Re-#MeToo: Women,
Work and Representation in the Broadway Musical (Mary Jo Lodge) / 15. It's
Still Working: Collaborating to Perform the Stories of Everyday Americans,
Then and Now (Trudi Wright) / 16. The Pink Elephant in the Room (Aaron C.
Thomas) / 17. "A Little More Mascara": Drag and the Broadway Musical from
La Cage aux Folles to Kinky Boots (John M. Clum) / Part 5 - Reading the
Musical through Race and Ethnicity / 18. The Multiracial Musical
Metropolis: Casting and Race after A Chorus Line (Todd Decker) / 19.
"Before the Parade Passes By": All-Black and All-Asian Hello, Dolly! as
Celebration of Difference (Sissi Liu) / 20. Race and the City: Racial
Formation in Avenue Q (SAJones) / 21. Can We "Leave Behind the World We
Know"? Exploring Race and Ethnicity in the Musicals of Lin-Manuel Miranda
(Elizabeth Titrington Craft) / 22. Falsettos and Indecent in the Shadow of
Fiddler on the Roof: Reconsidering Jewish Identity on Broadway in the New
Millennium (Raymond Knapp and Zelda Knapp) / Part 6 - Reading the Musical
through Dance / 23. What Makes a Musical? Contact (2000) and Debates About
Genre at the Dawn of the Twenty-First Century (Joanna Dee Das) / 24. Dance
in Musical Theater Revival and Adaptation: Engaging With the Past While
Creating Dances for the Present (Liza Gennaro) / 25. The Convergence of
Dance Styles in Hamilton: An American Musical (Phoebe Rumsey) / Part 7 -
Reading the Musical through Interdisciplinary Lenses / 26. Post-Secular
Musicals in a Post-Truth World (Jake Johnson) / 27. Let's Do the Time Warp
Again: Performing Time, Genre, and Spectatorship (Sarah Taylor Ellis) /
28. The Eye of the Storm: Reading Next to Normal with Psychoanalysis
(Aleksei Grinenko) / 29. Parent/Child Relationships in the Musicals of
Stephen Schwartz (Paul R. Laird) / 30. John Kander: The First Ninety-One
Years (James Leve) / 31. Unlikely Subjects: The Critical Reception of
History Musicals (Elissa Harbert) / Part 8 - Beyond Broadway: New Media and
Fan Studies / 32. Worshipping Lin-Manuel Miranda: Fans and Totems in the
Digital Age (Jessica Hillman-McCord) / 33. "Trash Talk and Virtual
Protests: The Musical Genre's Personal and Political Interactivity in the
Age of Social Media" (Kelly Kessler) / 34. The Great Generational Divide:
Stage-to-Screen Hollywood Musical Adaptations and the Enactment of Fandom
(Holley Replogle-Wong) / 35. Play It Again (and Again, and Again): The
Superfan and Musical Theater (James Deaville) / 36. Joss Whedon and the
Geek Musical (Renée Camus) / 37. "YouTube! Musicals! YouTubesicals!"
Cultivating Theater Fandom Through New Media (Aya Esther Hayashi) / 38.
Dual-Focus Strategy in a Serial Narrative: SMASH, Nashville, and the
Television Musical Series (Robynn Stilwell) / Part 9 - Growth and
Expansion: Across the Country and Around the World / 39. Sharon McQueen and
Milwaukee's Alternative Regional Musical Theater (Amanda McQueen) / 40.
Musicals in the Regional Theater (Jeffrey Ullom) / 41. Big River: A New
Road to Broadway (Steven Adler) / 42. The Third Biggest Market: Musical
Theater in Germany Since 1990 (Frédéric Döhl) / 43. The Korean
Self/American Other: Korean Musical Theater in the Context of National
Cultural Development (Hyunjung Lee) / 44. The Lion King: An International
History (Susan Bennett)
Theater / 1. Musical Theater Reception Theory, Or What Happens When You See
a Show? (Katie Welsh and Stacy Wolf) / 2. "[title of chapter]" (Millie
Taylor) / Part 2 - Starting with the '70s / 3. They're Playing My Song: The
American Musical in the Me-Decade (Bryan M. Vandevender) / 4. "My Corner of
the Sky": Adolescence and Coming of Age in the Musicals of Stephen Schwartz
(Ryan Bunch) / 5. Style as Star: Bob Fosse and Sixty Seconds That Changed
Broadway (Ryan Donovan) / 6. Recreating the Ephemeral: Broadway Revivals
Since 1971 (James Lovensheimer) / Part 3 - Aesthetic Transformations / 7.
Sing: Musical Theater Voices from Superstar to Hamilton (Ben Macpherson) /
8. Amplifying Broadway After the Golden Age (Arreanna Rostosky) / 9.
Starlight Expression and Phantom Operatics: Technology, Performance and the
Megamusical's Aesthetic of the Voice (Dominic Symonds) / 10. The Sung and
the Spoken in Michael John LaChiusa's Musicals (Alex Bádue) / 11. The New
"Sounds of Broadway": Orchestrating Electronic Instruments in Contemporary
Musicals (Michael M. Kennedy) / 12. Chart-Toppers to Showstoppers: Pop
Artists Scoring the Broadway Stage (Matthew Lockitt) / 13. Scenographic
Aesthetics and Automated Technologies in Broadway Musicals (Christin Essin)
/ Part 4 - Reading the Musical Through Gender / 14. Do-Re-#MeToo: Women,
Work and Representation in the Broadway Musical (Mary Jo Lodge) / 15. It's
Still Working: Collaborating to Perform the Stories of Everyday Americans,
Then and Now (Trudi Wright) / 16. The Pink Elephant in the Room (Aaron C.
Thomas) / 17. "A Little More Mascara": Drag and the Broadway Musical from
La Cage aux Folles to Kinky Boots (John M. Clum) / Part 5 - Reading the
Musical through Race and Ethnicity / 18. The Multiracial Musical
Metropolis: Casting and Race after A Chorus Line (Todd Decker) / 19.
"Before the Parade Passes By": All-Black and All-Asian Hello, Dolly! as
Celebration of Difference (Sissi Liu) / 20. Race and the City: Racial
Formation in Avenue Q (SAJones) / 21. Can We "Leave Behind the World We
Know"? Exploring Race and Ethnicity in the Musicals of Lin-Manuel Miranda
(Elizabeth Titrington Craft) / 22. Falsettos and Indecent in the Shadow of
Fiddler on the Roof: Reconsidering Jewish Identity on Broadway in the New
Millennium (Raymond Knapp and Zelda Knapp) / Part 6 - Reading the Musical
through Dance / 23. What Makes a Musical? Contact (2000) and Debates About
Genre at the Dawn of the Twenty-First Century (Joanna Dee Das) / 24. Dance
in Musical Theater Revival and Adaptation: Engaging With the Past While
Creating Dances for the Present (Liza Gennaro) / 25. The Convergence of
Dance Styles in Hamilton: An American Musical (Phoebe Rumsey) / Part 7 -
Reading the Musical through Interdisciplinary Lenses / 26. Post-Secular
Musicals in a Post-Truth World (Jake Johnson) / 27. Let's Do the Time Warp
Again: Performing Time, Genre, and Spectatorship (Sarah Taylor Ellis) /
28. The Eye of the Storm: Reading Next to Normal with Psychoanalysis
(Aleksei Grinenko) / 29. Parent/Child Relationships in the Musicals of
Stephen Schwartz (Paul R. Laird) / 30. John Kander: The First Ninety-One
Years (James Leve) / 31. Unlikely Subjects: The Critical Reception of
History Musicals (Elissa Harbert) / Part 8 - Beyond Broadway: New Media and
Fan Studies / 32. Worshipping Lin-Manuel Miranda: Fans and Totems in the
Digital Age (Jessica Hillman-McCord) / 33. "Trash Talk and Virtual
Protests: The Musical Genre's Personal and Political Interactivity in the
Age of Social Media" (Kelly Kessler) / 34. The Great Generational Divide:
Stage-to-Screen Hollywood Musical Adaptations and the Enactment of Fandom
(Holley Replogle-Wong) / 35. Play It Again (and Again, and Again): The
Superfan and Musical Theater (James Deaville) / 36. Joss Whedon and the
Geek Musical (Renée Camus) / 37. "YouTube! Musicals! YouTubesicals!"
Cultivating Theater Fandom Through New Media (Aya Esther Hayashi) / 38.
Dual-Focus Strategy in a Serial Narrative: SMASH, Nashville, and the
Television Musical Series (Robynn Stilwell) / Part 9 - Growth and
Expansion: Across the Country and Around the World / 39. Sharon McQueen and
Milwaukee's Alternative Regional Musical Theater (Amanda McQueen) / 40.
Musicals in the Regional Theater (Jeffrey Ullom) / 41. Big River: A New
Road to Broadway (Steven Adler) / 42. The Third Biggest Market: Musical
Theater in Germany Since 1990 (Frédéric Döhl) / 43. The Korean
Self/American Other: Korean Musical Theater in the Context of National
Cultural Development (Hyunjung Lee) / 44. The Lion King: An International
History (Susan Bennett)
Part 1 - Setting the Stage: An Introduction to Analyzing the Musical
Theater / 1. Musical Theater Reception Theory, Or What Happens When You See
a Show? (Katie Welsh and Stacy Wolf) / 2. "[title of chapter]" (Millie
Taylor) / Part 2 - Starting with the '70s / 3. They're Playing My Song: The
American Musical in the Me-Decade (Bryan M. Vandevender) / 4. "My Corner of
the Sky": Adolescence and Coming of Age in the Musicals of Stephen Schwartz
(Ryan Bunch) / 5. Style as Star: Bob Fosse and Sixty Seconds That Changed
Broadway (Ryan Donovan) / 6. Recreating the Ephemeral: Broadway Revivals
Since 1971 (James Lovensheimer) / Part 3 - Aesthetic Transformations / 7.
Sing: Musical Theater Voices from Superstar to Hamilton (Ben Macpherson) /
8. Amplifying Broadway After the Golden Age (Arreanna Rostosky) / 9.
Starlight Expression and Phantom Operatics: Technology, Performance and the
Megamusical's Aesthetic of the Voice (Dominic Symonds) / 10. The Sung and
the Spoken in Michael John LaChiusa's Musicals (Alex Bádue) / 11. The New
"Sounds of Broadway": Orchestrating Electronic Instruments in Contemporary
Musicals (Michael M. Kennedy) / 12. Chart-Toppers to Showstoppers: Pop
Artists Scoring the Broadway Stage (Matthew Lockitt) / 13. Scenographic
Aesthetics and Automated Technologies in Broadway Musicals (Christin Essin)
/ Part 4 - Reading the Musical Through Gender / 14. Do-Re-#MeToo: Women,
Work and Representation in the Broadway Musical (Mary Jo Lodge) / 15. It's
Still Working: Collaborating to Perform the Stories of Everyday Americans,
Then and Now (Trudi Wright) / 16. The Pink Elephant in the Room (Aaron C.
Thomas) / 17. "A Little More Mascara": Drag and the Broadway Musical from
La Cage aux Folles to Kinky Boots (John M. Clum) / Part 5 - Reading the
Musical through Race and Ethnicity / 18. The Multiracial Musical
Metropolis: Casting and Race after A Chorus Line (Todd Decker) / 19.
"Before the Parade Passes By": All-Black and All-Asian Hello, Dolly! as
Celebration of Difference (Sissi Liu) / 20. Race and the City: Racial
Formation in Avenue Q (SAJones) / 21. Can We "Leave Behind the World We
Know"? Exploring Race and Ethnicity in the Musicals of Lin-Manuel Miranda
(Elizabeth Titrington Craft) / 22. Falsettos and Indecent in the Shadow of
Fiddler on the Roof: Reconsidering Jewish Identity on Broadway in the New
Millennium (Raymond Knapp and Zelda Knapp) / Part 6 - Reading the Musical
through Dance / 23. What Makes a Musical? Contact (2000) and Debates About
Genre at the Dawn of the Twenty-First Century (Joanna Dee Das) / 24. Dance
in Musical Theater Revival and Adaptation: Engaging With the Past While
Creating Dances for the Present (Liza Gennaro) / 25. The Convergence of
Dance Styles in Hamilton: An American Musical (Phoebe Rumsey) / Part 7 -
Reading the Musical through Interdisciplinary Lenses / 26. Post-Secular
Musicals in a Post-Truth World (Jake Johnson) / 27. Let's Do the Time Warp
Again: Performing Time, Genre, and Spectatorship (Sarah Taylor Ellis) /
28. The Eye of the Storm: Reading Next to Normal with Psychoanalysis
(Aleksei Grinenko) / 29. Parent/Child Relationships in the Musicals of
Stephen Schwartz (Paul R. Laird) / 30. John Kander: The First Ninety-One
Years (James Leve) / 31. Unlikely Subjects: The Critical Reception of
History Musicals (Elissa Harbert) / Part 8 - Beyond Broadway: New Media and
Fan Studies / 32. Worshipping Lin-Manuel Miranda: Fans and Totems in the
Digital Age (Jessica Hillman-McCord) / 33. "Trash Talk and Virtual
Protests: The Musical Genre's Personal and Political Interactivity in the
Age of Social Media" (Kelly Kessler) / 34. The Great Generational Divide:
Stage-to-Screen Hollywood Musical Adaptations and the Enactment of Fandom
(Holley Replogle-Wong) / 35. Play It Again (and Again, and Again): The
Superfan and Musical Theater (James Deaville) / 36. Joss Whedon and the
Geek Musical (Renée Camus) / 37. "YouTube! Musicals! YouTubesicals!"
Cultivating Theater Fandom Through New Media (Aya Esther Hayashi) / 38.
Dual-Focus Strategy in a Serial Narrative: SMASH, Nashville, and the
Television Musical Series (Robynn Stilwell) / Part 9 - Growth and
Expansion: Across the Country and Around the World / 39. Sharon McQueen and
Milwaukee's Alternative Regional Musical Theater (Amanda McQueen) / 40.
Musicals in the Regional Theater (Jeffrey Ullom) / 41. Big River: A New
Road to Broadway (Steven Adler) / 42. The Third Biggest Market: Musical
Theater in Germany Since 1990 (Frédéric Döhl) / 43. The Korean
Self/American Other: Korean Musical Theater in the Context of National
Cultural Development (Hyunjung Lee) / 44. The Lion King: An International
History (Susan Bennett)
Theater / 1. Musical Theater Reception Theory, Or What Happens When You See
a Show? (Katie Welsh and Stacy Wolf) / 2. "[title of chapter]" (Millie
Taylor) / Part 2 - Starting with the '70s / 3. They're Playing My Song: The
American Musical in the Me-Decade (Bryan M. Vandevender) / 4. "My Corner of
the Sky": Adolescence and Coming of Age in the Musicals of Stephen Schwartz
(Ryan Bunch) / 5. Style as Star: Bob Fosse and Sixty Seconds That Changed
Broadway (Ryan Donovan) / 6. Recreating the Ephemeral: Broadway Revivals
Since 1971 (James Lovensheimer) / Part 3 - Aesthetic Transformations / 7.
Sing: Musical Theater Voices from Superstar to Hamilton (Ben Macpherson) /
8. Amplifying Broadway After the Golden Age (Arreanna Rostosky) / 9.
Starlight Expression and Phantom Operatics: Technology, Performance and the
Megamusical's Aesthetic of the Voice (Dominic Symonds) / 10. The Sung and
the Spoken in Michael John LaChiusa's Musicals (Alex Bádue) / 11. The New
"Sounds of Broadway": Orchestrating Electronic Instruments in Contemporary
Musicals (Michael M. Kennedy) / 12. Chart-Toppers to Showstoppers: Pop
Artists Scoring the Broadway Stage (Matthew Lockitt) / 13. Scenographic
Aesthetics and Automated Technologies in Broadway Musicals (Christin Essin)
/ Part 4 - Reading the Musical Through Gender / 14. Do-Re-#MeToo: Women,
Work and Representation in the Broadway Musical (Mary Jo Lodge) / 15. It's
Still Working: Collaborating to Perform the Stories of Everyday Americans,
Then and Now (Trudi Wright) / 16. The Pink Elephant in the Room (Aaron C.
Thomas) / 17. "A Little More Mascara": Drag and the Broadway Musical from
La Cage aux Folles to Kinky Boots (John M. Clum) / Part 5 - Reading the
Musical through Race and Ethnicity / 18. The Multiracial Musical
Metropolis: Casting and Race after A Chorus Line (Todd Decker) / 19.
"Before the Parade Passes By": All-Black and All-Asian Hello, Dolly! as
Celebration of Difference (Sissi Liu) / 20. Race and the City: Racial
Formation in Avenue Q (SAJones) / 21. Can We "Leave Behind the World We
Know"? Exploring Race and Ethnicity in the Musicals of Lin-Manuel Miranda
(Elizabeth Titrington Craft) / 22. Falsettos and Indecent in the Shadow of
Fiddler on the Roof: Reconsidering Jewish Identity on Broadway in the New
Millennium (Raymond Knapp and Zelda Knapp) / Part 6 - Reading the Musical
through Dance / 23. What Makes a Musical? Contact (2000) and Debates About
Genre at the Dawn of the Twenty-First Century (Joanna Dee Das) / 24. Dance
in Musical Theater Revival and Adaptation: Engaging With the Past While
Creating Dances for the Present (Liza Gennaro) / 25. The Convergence of
Dance Styles in Hamilton: An American Musical (Phoebe Rumsey) / Part 7 -
Reading the Musical through Interdisciplinary Lenses / 26. Post-Secular
Musicals in a Post-Truth World (Jake Johnson) / 27. Let's Do the Time Warp
Again: Performing Time, Genre, and Spectatorship (Sarah Taylor Ellis) /
28. The Eye of the Storm: Reading Next to Normal with Psychoanalysis
(Aleksei Grinenko) / 29. Parent/Child Relationships in the Musicals of
Stephen Schwartz (Paul R. Laird) / 30. John Kander: The First Ninety-One
Years (James Leve) / 31. Unlikely Subjects: The Critical Reception of
History Musicals (Elissa Harbert) / Part 8 - Beyond Broadway: New Media and
Fan Studies / 32. Worshipping Lin-Manuel Miranda: Fans and Totems in the
Digital Age (Jessica Hillman-McCord) / 33. "Trash Talk and Virtual
Protests: The Musical Genre's Personal and Political Interactivity in the
Age of Social Media" (Kelly Kessler) / 34. The Great Generational Divide:
Stage-to-Screen Hollywood Musical Adaptations and the Enactment of Fandom
(Holley Replogle-Wong) / 35. Play It Again (and Again, and Again): The
Superfan and Musical Theater (James Deaville) / 36. Joss Whedon and the
Geek Musical (Renée Camus) / 37. "YouTube! Musicals! YouTubesicals!"
Cultivating Theater Fandom Through New Media (Aya Esther Hayashi) / 38.
Dual-Focus Strategy in a Serial Narrative: SMASH, Nashville, and the
Television Musical Series (Robynn Stilwell) / Part 9 - Growth and
Expansion: Across the Country and Around the World / 39. Sharon McQueen and
Milwaukee's Alternative Regional Musical Theater (Amanda McQueen) / 40.
Musicals in the Regional Theater (Jeffrey Ullom) / 41. Big River: A New
Road to Broadway (Steven Adler) / 42. The Third Biggest Market: Musical
Theater in Germany Since 1990 (Frédéric Döhl) / 43. The Korean
Self/American Other: Korean Musical Theater in the Context of National
Cultural Development (Hyunjung Lee) / 44. The Lion King: An International
History (Susan Bennett)