The Routledge Companion to the Sound of Space

Herausgeber: Matthews, Emma-Kate; Burry, Mark; Burry, Jane

• Gebundenes Buch

Produktbeschreibung

This Companion explores a range of conceptual and practical relationships between sound and space across various disciplines, providing insights from technical, creative, cultural, political, philosophical, psychological, and physiological perspectives.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis Ltd
• Seitenzahl: 496
• Erscheinungstermin: 11. November 2024
• Englisch
• Abmessung: 246mm x 174mm
• ISBN-13: 9781032388540
• ISBN-10: 1032388544
• Artikelnr.: 70899884

Autorenporträt

Emma-Kate Matthews is an architect, composer, musician, and researcher. Her work explores the creative intersections between sonic and spatial practices through the production of site-responsive and spatialised audiovisual projects. Jane Burry is an architect and Head of the School of Architecture and Civil Engineering at the University of Adelaide. Her research leverages digital fabrication with simulation and feedback to create better, more sensitive, human-centric spaces through linking to environmental and perceptual experiences including the auditory. Mark Burry AO is an architect and the Founding Director of the Smart Cities Research Institute (SCRI) at Swinburne University of Technology. His role is to lead the development of a whole-of-university research approach to 'urban futures', helping ensure that our future cities anticipate and meet the needs of all - smart citizens participating in the development of smart cities.

Inhaltsangabe

List of figures
List of tables
List of contributors
Main Introduction
Emma-Kate Matthews and Jane Burry
Part I: Architectural Acoustics (Introduction)
Jane Burry
Chapter 1: Designed Extremes
Shane Myrbeck
Chapter 2: Introducing Acoustic Shadows
Pantea Alambeigi and Jane Burry
Chapter 3: Transferring The Impression Of Real And Imaginary Spaces
Philip J B Jackson and Philip D Coleman
Chapter 4: Beyond The Sweet Spot: Sound, Space And Emotion
Raj Patel, Iain Forsyth, Jane Pollard and Ed.Gerrie Van Noord
Chapter 5: Architectural Acoustics of the Sagrada Família Basílica
Sipei Zhao and Mark Burry
Chapter 6: Intimate Acoustic Environments On Record
Emil Kraugerud
Chapter 7: Long Range: Intrinsic Acoustic Performance
Zackery Belanger, Catie Newell and Wes Mcgee
Part II: Psychology And Physiology (Introduction)
Jane Burry
Chapter 8: Immersive Ambisonic Spatial Audio Design for Extreme
Environments
Stu Favilla
Chapter 9: In an Open (Music) Field. Space And Time Notation for
Representing Landscape
David Buck and Carla Molinari
Chapter 10: Lend Me Your Ears
Michael Fowler
Chapter 11: Imagining Together
Nina Garthwaite
Chapter 12: Aural Diverse Spatial Perception: From Paracusis to Panacusis
Loci
John L. Drever
Chapter 13: On Sonic Growth And Form; Biometric Evolution of Sound and
Space Paul Bavister
Chapter 14: Infrastructures of Inaudibility: The Spatial Politics of
Assistive Listening
Jonathan Tyrrell
Part III: Philosophy And Politics (Introduction)
Mark Burry
Chapter 15: Reading Aloud: The Vocalisation of Living Space
Paul Carter
Chapter 16: From Affordances to Value Chains: Probing the System of Sound,
Space and Public
Sven Anderson
Chapter 17: On Vibrational Architectures
Gascia Ouzounian (Text) and Jan St. Werner (Images)
Chapter 18: House of Silence, of Stillness, of Solitude
Mark Taylor
Chapter 19: Dimensionless Space (With Serrated Edges and Sucking Noises):
Intimacy, Asmr, Micro-Magic, Sensory Scholarship and Other Taboos
David Toop
Chapter 20: Posthuman Listening to the More-Than-Human Soundscape
Jordan Lacey
Chapter 21: Towards A Topology of Music
Ildar Khannanov
Chapter 22: Sound's Spatial-Material Circuitry
Raviv Ganchrow
Chapter 23: Place, Sound, and Architecture
Jeff Malpas
Chapter 24: Shaping Sounds of Future Environments
Eleni-Ira Panourgia
Part IV: Sound Art and Music (Introduction)
Emma-Kate Matthews
Chapter 25: Spatiosonic Dialogues: Exploring Architecture's Role in Music
Composition and Performance
Emma-Kate Matthews
Chapter 26: In Praise of Emptiness: A Future for Performance Venues
Fabricio Mattos
Chapter 27: Opera in the Bathhouse; Exploring an Acoustically Led Approach
to Dramaturgy and Scenography
Rosalind Parker and Pedro Novo
Chapter 28: Sound, Space and the Iko Loudspeaker - The Apparent Paradox of
Diversity with Unity
Angela Mcarthur and Emma Margetson
Chapter 29: Intimate Sound: Making Known, Curating and Composing for Small
Spaces
Lawrence Harvey
Chapter 30: Listening With, Listening Toward: Proposing Graphic
Transcription as a Means Of (Re)Hearing Space
Ben Mcdonnell
Chapter 31: Site-Oriented Music Curation. Contouring The Listening Spaces
Sasha Elina
Chapter 32: Notes from the Far Field
Philip Samartzis
Chapter 33: Fluid Architectures and Aural Sculpturality - Towards an
Aesthetic of Sonic Spatio-Temporal Environments
Gerriet Krishna Sharma
Chapter 34: Acoustic Atlas - An Orchestra of Echoes
Cobi Van Tonder
Index