This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppressed. Developed by Brazilian director and theorist Augusto Boal, these theatrical forms invite people to mobilize their knowledge and rehearse struggles against oppression.
This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppressed. Developed by Brazilian director and theorist Augusto Boal, these theatrical forms invite people to mobilize their knowledge and rehearse struggles against oppression.
Kelly Howe is a teacher/writer/activist based at Loyola University Chicago. She served twice as president of Pedagogy and Theatre of the Oppressed (PTO) and co-organized three of its conferences. She also co-edited Theatre of the Oppressed in Actions with Julian Boal and Scot McElvany. Julian Boal is a well-known Theatre of the Oppressed practitioner who has realized workshops in more than 25 countries around the world. He recently completed his PhD, entitled "On Old Forms in New Times: Theatre of the Oppressed Today, Between a 'Rehearsal of Revolution' and Interactive Training for the Victims". José Soeiro is a Portuguese sociologist, political activist, and researcher. He is currently a Member of Parliament. He was responsible for "Estudantes por Empréstimo," the first Legislative Theatre project in Portugal, and is one of the organizers of Óprima!-a Gathering of Theatre of the Oppressed and Activism.
Inhaltsangabe
Editor and Contributor Biographies Acknowledgments List of Abbreviations --- Introduction: Theatre of the Oppressed and its Time(s) PART I: ROOTS Genealogies Critical Frames Oppression From Roots to Branches PART II: GROUND SHIFTS Changing Landscapes in Late Capitalism Critical Reflections on the Early Multiplication of Theatre of the Oppressed PART III: CONTEMPORARY PRACTICE Spaces Practices in Context EPILOGUE APPENDIX INDEX
Editor and Contributor Biographies Acknowledgments List of Abbreviations --- Introduction: Theatre of the Oppressed and its Time(s) PART I: ROOTS Genealogies Critical Frames Oppression From Roots to Branches PART II: GROUND SHIFTS Changing Landscapes in Late Capitalism Critical Reflections on the Early Multiplication of Theatre of the Oppressed PART III: CONTEMPORARY PRACTICE Spaces Practices in Context EPILOGUE APPENDIX INDEX
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