The Routledge Handbook of Classics and Cognitive Theory
Herausgeber: Meineck, Peter; Devereaux, Jennifer; Short, William Michael
The Routledge Handbook of Classics and Cognitive Theory
Herausgeber: Meineck, Peter; Devereaux, Jennifer; Short, William Michael
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
The Routledge Handbook of Classics and Cognitive Theory is an interdisciplinary volume that examines the application of cognitive theory to the study of the classical world, across several interrelated areas including linguistics, literary theory, social practices, performance, artificial intelligence and archaeology.
Andere Kunden interessierten sich auch für
- The Routledge Handbook of Emotions in the Ancient Near East303,99 €
- The Routledge Handbook of Early Christian Philosophy303,99 €
- Rodney CastledenThe Mycenaeans57,99 €
- The Routledge Handbook of Global Historical Archaeology64,99 €
- Paul CartledgeSparta and Lakonia55,99 €
- The World of the Ancient Silk Road303,99 €
- Antonio Sagona (Australia University of Melbourne)Ancient Turkey68,99 €
-
-
-
The Routledge Handbook of Classics and Cognitive Theory is an interdisciplinary volume that examines the application of cognitive theory to the study of the classical world, across several interrelated areas including linguistics, literary theory, social practices, performance, artificial intelligence and archaeology.
Produktdetails
- Produktdetails
- Routledge Handbooks of Classics and Theory
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 432
- Erscheinungstermin: 18. Dezember 2020
- Englisch
- Abmessung: 244mm x 170mm x 30mm
- Gewicht: 780g
- ISBN-13: 9780367732455
- ISBN-10: 0367732459
- Artikelnr.: 67682520
- Routledge Handbooks of Classics and Theory
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 432
- Erscheinungstermin: 18. Dezember 2020
- Englisch
- Abmessung: 244mm x 170mm x 30mm
- Gewicht: 780g
- ISBN-13: 9780367732455
- ISBN-10: 0367732459
- Artikelnr.: 67682520
Peter Meineck holds the endowed chair of Professor of Classics in the Modern World at New York University, USA. He is also an Honorary Professor of Classics at the University of Nottingham, UK and the Founding Director of Aquila Theatre. His most recent publications include Theatrocracy: Greek Drama, Cognition and the Imperative for Theatre (Routledge, 2017), Combat Trauma and the Ancient Greeks (ed. with David Konstan, 2014) and a new translation of Aristophanes' Frogs (forthcoming). He is also Rescue Captain of the Bedford Fire Department in New York. William Michael Short joined the Department of Classics and Ancient History at the University of Exeter, UK in 2017, after holding positions at the University of Texas at San Antonio and Loyola University, Maryland, both in the USA. He has edited or co-edited several volumes of papers including Con i Romani: Studi antropologici del mondo antico (2014, in Italian), Embodiment in Latin Semantics (2016) and Toward a Cognitive Classical Linguistics (forthcoming). Jennifer Devereaux is an advanced PhD candidate in Classics at the University of Southern California, USA. She is a member of the Computational Social Sciences Laboratory at USC's Brain and Creativity Institute and is currently a visiting postgraduate researcher at the University of Edinburgh, UK, in the Department of History, Classics and Archaeology. She has written a number of chapters on the topics of embodied cognition, historiography and rhetoric.
Acknowledgements; Foreword, David Konstan; List of Contributors;
Introduction, Peter Meineck, William Michael Short & Jennifer J. Devereaux;
Part One: Cognitive Linguistics; 1. Cognitive-Functional Grammar and the
Complexity of Early Greek Epic Diction, Ahuvia Kahane; 2. The Cognitive
Linguistics of Homeric Surprise, Alexander S. W. Forte; 3. Construal and
Immersion, a Cognitive Linguistic Approach to Homeric Immersivity, Rutger
J. Allen; 4. Roman Cultural Semantics, William Michael Short; 5.
Psycholinguistics and the Classical Languages, Alessandro Vatri; Part Two:
Cognitive Literary Theory; 6. The Cognition of Deception: Falsehoods in
Homer's Odyssey and their Audiences, Elizabeth Minchin; 7. The Forbidden
Fruit of Compression in Homer, Anna Bonifazi; 8. Human Cognition and
Narrative Closure: The Odyssey's Open-End, Joel Christensen; 9. "I'll
imitate Helen"! Troubling Text-worlds and Schemas in Aristophanes'
Thesmophoriazusae, Antonis Tsakmakis; 10. The Body-as-Metaphor in Latin
Literature, Jennifer J. Devereaux; Part Three: Social Cognition; 11. Group
Identity and Archaic Lyric: We-Group and Out-Group in Alcaeus 129, Jessica
Romney; 12. Plato's Dialogically Extended Cognition: Cognitive
Transformation as Elenctic Catharsis, Laura Candiotto; 13. Cognitive
Dissonance, Defeat, and the Divinization of Demetrius Poliorcetes in Early
Hellenistic Athens, Thomas R. Martin; 14. Irony in Theory and Practice. The
Test Case of Cicero's Philippics, Luca Grillo; 15. Roman Ritual Orthopraxy
and Overimitation, Jacob L. Mackey; 16. Theory of Mind from Athens to
Augustine: Divine Omniscience and the Fear of God, Paul C. Dilley; Part
Four: Performance and Cognition; 17. Sappho's Kinesthetic Turn: Agency and
Embodiment in Archaic Greek Poetry, Sarah Olsen; 18. What Do We Actually
See On Stage? A Cognitive Approach to the Interactions Between Visual and
Aural Effects in the Performance of Greek Tragedy, Anne-Sophie Noel; 19.
Mirth and Creative Cognition in the Spectating of Aristophanic Comedy,
Angeliki Varakis-Martin; Part Five: Artificial Intelligence; 20. The
Extended Mind of Hephaestus: Automata and Artificial Intelligence in Early
Greek Hexameter, Amy Lather; 21. Staging Artificial Intelligence: The Case
of Greek Drama, Maria Gerolemou; Part Six: Cognitive Archaeology; 22.
Thinking with Statues: The Roman Public Portrait and the Cognition of
Commemoration, Diana Y. Ng; 23. Animal Sacrifices in Roman Asia Minor and
its Depictions: A Cognitive Approach, Günter Schörner; 24. Art,
Architecture, and False Memory in the Roman Empire: A Cognitive
Perspective, Maggie L. Popkin; Index
Introduction, Peter Meineck, William Michael Short & Jennifer J. Devereaux;
Part One: Cognitive Linguistics; 1. Cognitive-Functional Grammar and the
Complexity of Early Greek Epic Diction, Ahuvia Kahane; 2. The Cognitive
Linguistics of Homeric Surprise, Alexander S. W. Forte; 3. Construal and
Immersion, a Cognitive Linguistic Approach to Homeric Immersivity, Rutger
J. Allen; 4. Roman Cultural Semantics, William Michael Short; 5.
Psycholinguistics and the Classical Languages, Alessandro Vatri; Part Two:
Cognitive Literary Theory; 6. The Cognition of Deception: Falsehoods in
Homer's Odyssey and their Audiences, Elizabeth Minchin; 7. The Forbidden
Fruit of Compression in Homer, Anna Bonifazi; 8. Human Cognition and
Narrative Closure: The Odyssey's Open-End, Joel Christensen; 9. "I'll
imitate Helen"! Troubling Text-worlds and Schemas in Aristophanes'
Thesmophoriazusae, Antonis Tsakmakis; 10. The Body-as-Metaphor in Latin
Literature, Jennifer J. Devereaux; Part Three: Social Cognition; 11. Group
Identity and Archaic Lyric: We-Group and Out-Group in Alcaeus 129, Jessica
Romney; 12. Plato's Dialogically Extended Cognition: Cognitive
Transformation as Elenctic Catharsis, Laura Candiotto; 13. Cognitive
Dissonance, Defeat, and the Divinization of Demetrius Poliorcetes in Early
Hellenistic Athens, Thomas R. Martin; 14. Irony in Theory and Practice. The
Test Case of Cicero's Philippics, Luca Grillo; 15. Roman Ritual Orthopraxy
and Overimitation, Jacob L. Mackey; 16. Theory of Mind from Athens to
Augustine: Divine Omniscience and the Fear of God, Paul C. Dilley; Part
Four: Performance and Cognition; 17. Sappho's Kinesthetic Turn: Agency and
Embodiment in Archaic Greek Poetry, Sarah Olsen; 18. What Do We Actually
See On Stage? A Cognitive Approach to the Interactions Between Visual and
Aural Effects in the Performance of Greek Tragedy, Anne-Sophie Noel; 19.
Mirth and Creative Cognition in the Spectating of Aristophanic Comedy,
Angeliki Varakis-Martin; Part Five: Artificial Intelligence; 20. The
Extended Mind of Hephaestus: Automata and Artificial Intelligence in Early
Greek Hexameter, Amy Lather; 21. Staging Artificial Intelligence: The Case
of Greek Drama, Maria Gerolemou; Part Six: Cognitive Archaeology; 22.
Thinking with Statues: The Roman Public Portrait and the Cognition of
Commemoration, Diana Y. Ng; 23. Animal Sacrifices in Roman Asia Minor and
its Depictions: A Cognitive Approach, Günter Schörner; 24. Art,
Architecture, and False Memory in the Roman Empire: A Cognitive
Perspective, Maggie L. Popkin; Index
Acknowledgements; Foreword, David Konstan; List of Contributors;
Introduction, Peter Meineck, William Michael Short & Jennifer J. Devereaux;
Part One: Cognitive Linguistics; 1. Cognitive-Functional Grammar and the
Complexity of Early Greek Epic Diction, Ahuvia Kahane; 2. The Cognitive
Linguistics of Homeric Surprise, Alexander S. W. Forte; 3. Construal and
Immersion, a Cognitive Linguistic Approach to Homeric Immersivity, Rutger
J. Allen; 4. Roman Cultural Semantics, William Michael Short; 5.
Psycholinguistics and the Classical Languages, Alessandro Vatri; Part Two:
Cognitive Literary Theory; 6. The Cognition of Deception: Falsehoods in
Homer's Odyssey and their Audiences, Elizabeth Minchin; 7. The Forbidden
Fruit of Compression in Homer, Anna Bonifazi; 8. Human Cognition and
Narrative Closure: The Odyssey's Open-End, Joel Christensen; 9. "I'll
imitate Helen"! Troubling Text-worlds and Schemas in Aristophanes'
Thesmophoriazusae, Antonis Tsakmakis; 10. The Body-as-Metaphor in Latin
Literature, Jennifer J. Devereaux; Part Three: Social Cognition; 11. Group
Identity and Archaic Lyric: We-Group and Out-Group in Alcaeus 129, Jessica
Romney; 12. Plato's Dialogically Extended Cognition: Cognitive
Transformation as Elenctic Catharsis, Laura Candiotto; 13. Cognitive
Dissonance, Defeat, and the Divinization of Demetrius Poliorcetes in Early
Hellenistic Athens, Thomas R. Martin; 14. Irony in Theory and Practice. The
Test Case of Cicero's Philippics, Luca Grillo; 15. Roman Ritual Orthopraxy
and Overimitation, Jacob L. Mackey; 16. Theory of Mind from Athens to
Augustine: Divine Omniscience and the Fear of God, Paul C. Dilley; Part
Four: Performance and Cognition; 17. Sappho's Kinesthetic Turn: Agency and
Embodiment in Archaic Greek Poetry, Sarah Olsen; 18. What Do We Actually
See On Stage? A Cognitive Approach to the Interactions Between Visual and
Aural Effects in the Performance of Greek Tragedy, Anne-Sophie Noel; 19.
Mirth and Creative Cognition in the Spectating of Aristophanic Comedy,
Angeliki Varakis-Martin; Part Five: Artificial Intelligence; 20. The
Extended Mind of Hephaestus: Automata and Artificial Intelligence in Early
Greek Hexameter, Amy Lather; 21. Staging Artificial Intelligence: The Case
of Greek Drama, Maria Gerolemou; Part Six: Cognitive Archaeology; 22.
Thinking with Statues: The Roman Public Portrait and the Cognition of
Commemoration, Diana Y. Ng; 23. Animal Sacrifices in Roman Asia Minor and
its Depictions: A Cognitive Approach, Günter Schörner; 24. Art,
Architecture, and False Memory in the Roman Empire: A Cognitive
Perspective, Maggie L. Popkin; Index
Introduction, Peter Meineck, William Michael Short & Jennifer J. Devereaux;
Part One: Cognitive Linguistics; 1. Cognitive-Functional Grammar and the
Complexity of Early Greek Epic Diction, Ahuvia Kahane; 2. The Cognitive
Linguistics of Homeric Surprise, Alexander S. W. Forte; 3. Construal and
Immersion, a Cognitive Linguistic Approach to Homeric Immersivity, Rutger
J. Allen; 4. Roman Cultural Semantics, William Michael Short; 5.
Psycholinguistics and the Classical Languages, Alessandro Vatri; Part Two:
Cognitive Literary Theory; 6. The Cognition of Deception: Falsehoods in
Homer's Odyssey and their Audiences, Elizabeth Minchin; 7. The Forbidden
Fruit of Compression in Homer, Anna Bonifazi; 8. Human Cognition and
Narrative Closure: The Odyssey's Open-End, Joel Christensen; 9. "I'll
imitate Helen"! Troubling Text-worlds and Schemas in Aristophanes'
Thesmophoriazusae, Antonis Tsakmakis; 10. The Body-as-Metaphor in Latin
Literature, Jennifer J. Devereaux; Part Three: Social Cognition; 11. Group
Identity and Archaic Lyric: We-Group and Out-Group in Alcaeus 129, Jessica
Romney; 12. Plato's Dialogically Extended Cognition: Cognitive
Transformation as Elenctic Catharsis, Laura Candiotto; 13. Cognitive
Dissonance, Defeat, and the Divinization of Demetrius Poliorcetes in Early
Hellenistic Athens, Thomas R. Martin; 14. Irony in Theory and Practice. The
Test Case of Cicero's Philippics, Luca Grillo; 15. Roman Ritual Orthopraxy
and Overimitation, Jacob L. Mackey; 16. Theory of Mind from Athens to
Augustine: Divine Omniscience and the Fear of God, Paul C. Dilley; Part
Four: Performance and Cognition; 17. Sappho's Kinesthetic Turn: Agency and
Embodiment in Archaic Greek Poetry, Sarah Olsen; 18. What Do We Actually
See On Stage? A Cognitive Approach to the Interactions Between Visual and
Aural Effects in the Performance of Greek Tragedy, Anne-Sophie Noel; 19.
Mirth and Creative Cognition in the Spectating of Aristophanic Comedy,
Angeliki Varakis-Martin; Part Five: Artificial Intelligence; 20. The
Extended Mind of Hephaestus: Automata and Artificial Intelligence in Early
Greek Hexameter, Amy Lather; 21. Staging Artificial Intelligence: The Case
of Greek Drama, Maria Gerolemou; Part Six: Cognitive Archaeology; 22.
Thinking with Statues: The Roman Public Portrait and the Cognition of
Commemoration, Diana Y. Ng; 23. Animal Sacrifices in Roman Asia Minor and
its Depictions: A Cognitive Approach, Günter Schörner; 24. Art,
Architecture, and False Memory in the Roman Empire: A Cognitive
Perspective, Maggie L. Popkin; Index