The term 'critical finance studies' remains largely unfocused and undefined. Against this backdrop, the key rationales of The Routledge Handbook to Critical Finance Studies are to provide a coherent notion of this emergent field and to demonstrate its analytical usefulness across a wide range of central aspects of contemporary finance.
The term 'critical finance studies' remains largely unfocused and undefined. Against this backdrop, the key rationales of The Routledge Handbook to Critical Finance Studies are to provide a coherent notion of this emergent field and to demonstrate its analytical usefulness across a wide range of central aspects of contemporary finance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christian Borch is Professor of Economic Sociology and Social Theory at the Copenhagen Business School, Denmark. Robert Wosnitzer is Clinical Associate Professor of Management Communication at New York University Stern School of Business.
Inhaltsangabe
INTRODUCTION; Christian Borch: What is Critical Finance Studies?; PART I: KEY CONCEPTS; Ch 1: Horacio Ortiz: Liquidity; Ch 2: Benjamin Lee: Volatility; Ch 3: Martijn Konings: Speculation; Ch 4: Alex Preda: Financial Noise; Ch 5: Carolyn Hardin and Adam Richard Rottinghaus: Risk and Arbitrage; PART II: CENTRAL ACTORS AND INSTITUTIONS; Ch 6: Nathan Coombs: Financial Regulation; Ch 7: Clément Fontan and Louis Larue: Central Banking; Ch 8: Angela Wigger and Rodrigo Fernandez: Shadow Banking and the Rise of Global Debt; Ch 9: Yamina Tadjeddine: Financial Intermediaries; Ch 10: Daniel Scott Souleles: Private Equity; Ch 11: Ekaterina Svetlova: Financial Models; Ch 12: Ann-Christina Lange: High-Frequency Trading; PART III: FINANCIALIZATION; Ch 13: Dick Bryan, David Harvie, Mike Rafferty and Bruno Tinel: The Financialized State; Ch 14: Léna Pellandini-Simányi: The Financialization of Everyday Life; Ch 15: José Ossandón: Consumer Credit and Credit Assessment; Ch 16: Julian Hartman and Mark Kear: Critical Financial Geography; Ch 17: Jing Wang: Fin-Tech; Ch 18: Torsten Andreasen, Mikkel Krause Frantzen and Frederik Tygstrup: Finance Fiction; Ch 19: Victoria Ivanova and Gerald Nestler: Art, Markets, and Finance;
INTRODUCTION; Christian Borch: What is Critical Finance Studies?; PART I: KEY CONCEPTS; Ch 1: Horacio Ortiz: Liquidity; Ch 2: Benjamin Lee: Volatility; Ch 3: Martijn Konings: Speculation; Ch 4: Alex Preda: Financial Noise; Ch 5: Carolyn Hardin and Adam Richard Rottinghaus: Risk and Arbitrage; PART II: CENTRAL ACTORS AND INSTITUTIONS; Ch 6: Nathan Coombs: Financial Regulation; Ch 7: Clément Fontan and Louis Larue: Central Banking; Ch 8: Angela Wigger and Rodrigo Fernandez: Shadow Banking and the Rise of Global Debt; Ch 9: Yamina Tadjeddine: Financial Intermediaries; Ch 10: Daniel Scott Souleles: Private Equity; Ch 11: Ekaterina Svetlova: Financial Models; Ch 12: Ann-Christina Lange: High-Frequency Trading; PART III: FINANCIALIZATION; Ch 13: Dick Bryan, David Harvie, Mike Rafferty and Bruno Tinel: The Financialized State; Ch 14: Léna Pellandini-Simányi: The Financialization of Everyday Life; Ch 15: José Ossandón: Consumer Credit and Credit Assessment; Ch 16: Julian Hartman and Mark Kear: Critical Financial Geography; Ch 17: Jing Wang: Fin-Tech; Ch 18: Torsten Andreasen, Mikkel Krause Frantzen and Frederik Tygstrup: Finance Fiction; Ch 19: Victoria Ivanova and Gerald Nestler: Art, Markets, and Finance;
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