The Routledge Handbook of Music Signification
Herausgeber: Sheinberg, Esti; Dougherty, William P
The Routledge Handbook of Music Signification
Herausgeber: Sheinberg, Esti; Dougherty, William P
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The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject.
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The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 406
- Erscheinungstermin: 26. März 2020
- Englisch
- Abmessung: 244mm x 170mm x 24mm
- Gewicht: 875g
- ISBN-13: 9780815376453
- ISBN-10: 0815376456
- Artikelnr.: 59083185
- Verlag: Taylor & Francis
- Seitenzahl: 406
- Erscheinungstermin: 26. März 2020
- Englisch
- Abmessung: 244mm x 170mm x 24mm
- Gewicht: 875g
- ISBN-13: 9780815376453
- ISBN-10: 0815376456
- Artikelnr.: 59083185
Esti Sheinberg published articles on music signification; Irony, Satire, Parody and the Grotesque in the Music of Shostakovich (Ashgate, 2000); edited Music Semiotics: A Network of Significations-in Honour and Memory of Raymond Monelle (Ashgate, 2012), and Anatoly Milka's Rethinking J. S. Bach's The Art of Fugue (Ashgate-Routledge, 2016). William P. Dougherty, Ellis and Nelle Levitt Professor of Music Theory and Composition at Drake University, has published articles on music semiotics and on the semiotics of the art song. In particular, he has explored settings of the Mignon Lieder from Goethe's Wilhelm Meisters Lehrjahre.
Introduction
Esti Sheinberg and William P. Dougherty
1. Music Signification and Philosophy
1. "Musik ist das nicht": On Romantic Incomprehensibility in Chopin
Jamie Liddle
2. From Semio-ethics to a Semiotics of Speech in Music and Musicology:
Theoretical (and Utopian) Projections
Christine Esclapez
3. Music and Reality
Ben Curry
4. From Ursatz to Urzemic: Avenues for Theories and Analyses of Music
SignificationEero Tarasti
1. Music Signification and Semiotics
1. The Musical Signifier
Lawrence Kramer
2. Barthes's The Grain of the Voice Revisited
Anne Kauppala
3. Britten and Stravinsky's Neoclassical Opera: Signs, Signification,
and Subjectivity
Nicholas P. McKay
4. Fundamental Concepts for the Semiotic Interpretation of Musical
Meaning: A Personal Journey
Robert Hatten
2. Music Signification and Topic Theory
1. Patterns and Topics as Elements of Signification in Late
Eighteenth-Century Music
Lauri Suurpää
2. "Mad Day" and the "March of Bacchus": Figaro in Mahler's Third
Symphony
Lóránt Péteri
3. Topics and Stylistic Register in Russian Opera, 1775-1800
Johanna Frymoyer
4. She Spins and She Sighs: The Spinning-Wheel Topic and the Lamentation
of the Romantic Female
Chia-Yi Wu
5. Charles Griffes's Xanadu: A Musical Garden of Opposites
Taylor A. Greer
1. Music Signification and Narrative
1. Music Narrative: Theory, Context, Subjectivity
Byron Almén
2. Motivic Linkage and Actantial Pairing in Britten's Operas
Michael Baker
3. The Narrative Rhetoric of Beethoven's Fifth Symphony
Anatole Leikin
4. From Music Signification to Musical Narrativity: Concepts and
Analyses
Márta Grabócz
1. Music Signification and Society
1. Musical Vernaculars and their Signifying Transformations
Marina Ritzarev
2. Multimodal Reinforcement and Worlds of Sense: A Political Approach to
Musical Emotions
Oscar Hernández-Salgar
3. Reading Meaning In and Out of Music from Theresienstadt: The Case of
Pavel Haas
Martin ¿urda
4. FKA twigs and Popular Music Signification: The Challenge of Fluid
Clarity
William Echard
5. Lost Innocence: Signifying East, Signifying West
Edward Campbell
1. Music Signification and Emotion, Cognition and Embodiment
1. Four Flavors of Pre-Modern Emotion
Michael Spitzer
2. Music as Experience: Musical Sense-making between Step-by-Step
Processing and Synoptic Overview
Mark Reybrouck
3. Melody as Representation
David Lidov
1. Music Signification and Education
1. Musical Semiosis as a Process of Learning and Growth
Juha Ojala
2. A Pragmatic Map of Music Signification for Music Analysis Courses
Joan Grimalt
1. Music Signification and Intermediality
1. The Operatic Principle: Negotiating Contradictory Demands of
Signification
Bálint Veres
2. Pianto as a Topical Signifier of Grief in Contemporary Operas by John
Adams, Thomas Adès, and Kaija Saariaho
Yayoi Uno Everett
3. Musical Ekphrasis: The Evolution of the Concept and the Breadth of
its Application
Siglind Bruhn
4. Bibliography
Esti Sheinberg and William P. Dougherty
1. Music Signification and Philosophy
1. "Musik ist das nicht": On Romantic Incomprehensibility in Chopin
Jamie Liddle
2. From Semio-ethics to a Semiotics of Speech in Music and Musicology:
Theoretical (and Utopian) Projections
Christine Esclapez
3. Music and Reality
Ben Curry
4. From Ursatz to Urzemic: Avenues for Theories and Analyses of Music
SignificationEero Tarasti
1. Music Signification and Semiotics
1. The Musical Signifier
Lawrence Kramer
2. Barthes's The Grain of the Voice Revisited
Anne Kauppala
3. Britten and Stravinsky's Neoclassical Opera: Signs, Signification,
and Subjectivity
Nicholas P. McKay
4. Fundamental Concepts for the Semiotic Interpretation of Musical
Meaning: A Personal Journey
Robert Hatten
2. Music Signification and Topic Theory
1. Patterns and Topics as Elements of Signification in Late
Eighteenth-Century Music
Lauri Suurpää
2. "Mad Day" and the "March of Bacchus": Figaro in Mahler's Third
Symphony
Lóránt Péteri
3. Topics and Stylistic Register in Russian Opera, 1775-1800
Johanna Frymoyer
4. She Spins and She Sighs: The Spinning-Wheel Topic and the Lamentation
of the Romantic Female
Chia-Yi Wu
5. Charles Griffes's Xanadu: A Musical Garden of Opposites
Taylor A. Greer
1. Music Signification and Narrative
1. Music Narrative: Theory, Context, Subjectivity
Byron Almén
2. Motivic Linkage and Actantial Pairing in Britten's Operas
Michael Baker
3. The Narrative Rhetoric of Beethoven's Fifth Symphony
Anatole Leikin
4. From Music Signification to Musical Narrativity: Concepts and
Analyses
Márta Grabócz
1. Music Signification and Society
1. Musical Vernaculars and their Signifying Transformations
Marina Ritzarev
2. Multimodal Reinforcement and Worlds of Sense: A Political Approach to
Musical Emotions
Oscar Hernández-Salgar
3. Reading Meaning In and Out of Music from Theresienstadt: The Case of
Pavel Haas
Martin ¿urda
4. FKA twigs and Popular Music Signification: The Challenge of Fluid
Clarity
William Echard
5. Lost Innocence: Signifying East, Signifying West
Edward Campbell
1. Music Signification and Emotion, Cognition and Embodiment
1. Four Flavors of Pre-Modern Emotion
Michael Spitzer
2. Music as Experience: Musical Sense-making between Step-by-Step
Processing and Synoptic Overview
Mark Reybrouck
3. Melody as Representation
David Lidov
1. Music Signification and Education
1. Musical Semiosis as a Process of Learning and Growth
Juha Ojala
2. A Pragmatic Map of Music Signification for Music Analysis Courses
Joan Grimalt
1. Music Signification and Intermediality
1. The Operatic Principle: Negotiating Contradictory Demands of
Signification
Bálint Veres
2. Pianto as a Topical Signifier of Grief in Contemporary Operas by John
Adams, Thomas Adès, and Kaija Saariaho
Yayoi Uno Everett
3. Musical Ekphrasis: The Evolution of the Concept and the Breadth of
its Application
Siglind Bruhn
4. Bibliography
Introduction
Esti Sheinberg and William P. Dougherty
1. Music Signification and Philosophy
1. "Musik ist das nicht": On Romantic Incomprehensibility in Chopin
Jamie Liddle
2. From Semio-ethics to a Semiotics of Speech in Music and Musicology:
Theoretical (and Utopian) Projections
Christine Esclapez
3. Music and Reality
Ben Curry
4. From Ursatz to Urzemic: Avenues for Theories and Analyses of Music
SignificationEero Tarasti
1. Music Signification and Semiotics
1. The Musical Signifier
Lawrence Kramer
2. Barthes's The Grain of the Voice Revisited
Anne Kauppala
3. Britten and Stravinsky's Neoclassical Opera: Signs, Signification,
and Subjectivity
Nicholas P. McKay
4. Fundamental Concepts for the Semiotic Interpretation of Musical
Meaning: A Personal Journey
Robert Hatten
2. Music Signification and Topic Theory
1. Patterns and Topics as Elements of Signification in Late
Eighteenth-Century Music
Lauri Suurpää
2. "Mad Day" and the "March of Bacchus": Figaro in Mahler's Third
Symphony
Lóránt Péteri
3. Topics and Stylistic Register in Russian Opera, 1775-1800
Johanna Frymoyer
4. She Spins and She Sighs: The Spinning-Wheel Topic and the Lamentation
of the Romantic Female
Chia-Yi Wu
5. Charles Griffes's Xanadu: A Musical Garden of Opposites
Taylor A. Greer
1. Music Signification and Narrative
1. Music Narrative: Theory, Context, Subjectivity
Byron Almén
2. Motivic Linkage and Actantial Pairing in Britten's Operas
Michael Baker
3. The Narrative Rhetoric of Beethoven's Fifth Symphony
Anatole Leikin
4. From Music Signification to Musical Narrativity: Concepts and
Analyses
Márta Grabócz
1. Music Signification and Society
1. Musical Vernaculars and their Signifying Transformations
Marina Ritzarev
2. Multimodal Reinforcement and Worlds of Sense: A Political Approach to
Musical Emotions
Oscar Hernández-Salgar
3. Reading Meaning In and Out of Music from Theresienstadt: The Case of
Pavel Haas
Martin ¿urda
4. FKA twigs and Popular Music Signification: The Challenge of Fluid
Clarity
William Echard
5. Lost Innocence: Signifying East, Signifying West
Edward Campbell
1. Music Signification and Emotion, Cognition and Embodiment
1. Four Flavors of Pre-Modern Emotion
Michael Spitzer
2. Music as Experience: Musical Sense-making between Step-by-Step
Processing and Synoptic Overview
Mark Reybrouck
3. Melody as Representation
David Lidov
1. Music Signification and Education
1. Musical Semiosis as a Process of Learning and Growth
Juha Ojala
2. A Pragmatic Map of Music Signification for Music Analysis Courses
Joan Grimalt
1. Music Signification and Intermediality
1. The Operatic Principle: Negotiating Contradictory Demands of
Signification
Bálint Veres
2. Pianto as a Topical Signifier of Grief in Contemporary Operas by John
Adams, Thomas Adès, and Kaija Saariaho
Yayoi Uno Everett
3. Musical Ekphrasis: The Evolution of the Concept and the Breadth of
its Application
Siglind Bruhn
4. Bibliography
Esti Sheinberg and William P. Dougherty
1. Music Signification and Philosophy
1. "Musik ist das nicht": On Romantic Incomprehensibility in Chopin
Jamie Liddle
2. From Semio-ethics to a Semiotics of Speech in Music and Musicology:
Theoretical (and Utopian) Projections
Christine Esclapez
3. Music and Reality
Ben Curry
4. From Ursatz to Urzemic: Avenues for Theories and Analyses of Music
SignificationEero Tarasti
1. Music Signification and Semiotics
1. The Musical Signifier
Lawrence Kramer
2. Barthes's The Grain of the Voice Revisited
Anne Kauppala
3. Britten and Stravinsky's Neoclassical Opera: Signs, Signification,
and Subjectivity
Nicholas P. McKay
4. Fundamental Concepts for the Semiotic Interpretation of Musical
Meaning: A Personal Journey
Robert Hatten
2. Music Signification and Topic Theory
1. Patterns and Topics as Elements of Signification in Late
Eighteenth-Century Music
Lauri Suurpää
2. "Mad Day" and the "March of Bacchus": Figaro in Mahler's Third
Symphony
Lóránt Péteri
3. Topics and Stylistic Register in Russian Opera, 1775-1800
Johanna Frymoyer
4. She Spins and She Sighs: The Spinning-Wheel Topic and the Lamentation
of the Romantic Female
Chia-Yi Wu
5. Charles Griffes's Xanadu: A Musical Garden of Opposites
Taylor A. Greer
1. Music Signification and Narrative
1. Music Narrative: Theory, Context, Subjectivity
Byron Almén
2. Motivic Linkage and Actantial Pairing in Britten's Operas
Michael Baker
3. The Narrative Rhetoric of Beethoven's Fifth Symphony
Anatole Leikin
4. From Music Signification to Musical Narrativity: Concepts and
Analyses
Márta Grabócz
1. Music Signification and Society
1. Musical Vernaculars and their Signifying Transformations
Marina Ritzarev
2. Multimodal Reinforcement and Worlds of Sense: A Political Approach to
Musical Emotions
Oscar Hernández-Salgar
3. Reading Meaning In and Out of Music from Theresienstadt: The Case of
Pavel Haas
Martin ¿urda
4. FKA twigs and Popular Music Signification: The Challenge of Fluid
Clarity
William Echard
5. Lost Innocence: Signifying East, Signifying West
Edward Campbell
1. Music Signification and Emotion, Cognition and Embodiment
1. Four Flavors of Pre-Modern Emotion
Michael Spitzer
2. Music as Experience: Musical Sense-making between Step-by-Step
Processing and Synoptic Overview
Mark Reybrouck
3. Melody as Representation
David Lidov
1. Music Signification and Education
1. Musical Semiosis as a Process of Learning and Growth
Juha Ojala
2. A Pragmatic Map of Music Signification for Music Analysis Courses
Joan Grimalt
1. Music Signification and Intermediality
1. The Operatic Principle: Negotiating Contradictory Demands of
Signification
Bálint Veres
2. Pianto as a Topical Signifier of Grief in Contemporary Operas by John
Adams, Thomas Adès, and Kaija Saariaho
Yayoi Uno Everett
3. Musical Ekphrasis: The Evolution of the Concept and the Breadth of
its Application
Siglind Bruhn
4. Bibliography