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Edited by two pioneers in the field of sensory archaeology, this Handbook comprises a key point of reference for the ever-expanding field of sensory archaeology: one that surpasses previous books in this field, both in scope and critical intent.
This Handbook provides an extensive set of specially commissioned chapters, each of which summarizes and critically reflects on progress made in this dynamic field during the early years of the twenty-first century. The authors identify and discuss the key current concepts and debates of sensory archaeology, providing overviews and commentaries on…mehr

Produktbeschreibung
Edited by two pioneers in the field of sensory archaeology, this Handbook comprises a key point of reference for the ever-expanding field of sensory archaeology: one that surpasses previous books in this field, both in scope and critical intent.

This Handbook provides an extensive set of specially commissioned chapters, each of which summarizes and critically reflects on progress made in this dynamic field during the early years of the twenty-first century. The authors identify and discuss the key current concepts and debates of sensory archaeology, providing overviews and commentaries on its methods and its place in interdisciplinary sensual culture studies. Through a set of thematic studies, they explore diverse sensorial practices, contexts and materials, and offer a selection of archaeological case-studies from different parts of the world. In the light of this, the research methods now being brought into the service of sensory archaeology are re-examined.

Of interest to scholars, students and others with an interest in archaeology around the world, this book will be invaluable to archaeologists and is also of relevance to scholars working in disciplines contributing to sensory studies: aesthetics, anthropology, architecture, art history, communication studies, history (including history of science), geography, literary and cultural studies, material culture studies, museology, philosophy, psychology, and sociology.
Autorenporträt
Robin Skeates is a Professor at Durham University, UK. His research and publications explore a wide variety of themes within the overlapping fields of material, visual and sensual culture studies and museum and heritage studies. He is author of An Archaeology of the Senses: Prehistoric Malta, which combines his specialist interests in sensory archaeology and Central Mediterranean prehistory. Jo Day is Assistant Professor in Greek Archaeology and Curator of the Classical Museum at University College Dublin, Republic of Ireland. She edited Making Senses of the Past: Toward a Sensory Archaeology and continues to research archaeology and the senses, especially relating to the Aegean Bronze Age. She also works on early ceramic technology and ancient foodways.