The Routledge Handbook of Women's Work in Music

Herausgeber: Mathias, Rhiannon

• Broschiertes Buch

Produktbeschreibung

The Routledge Handbook of Womenâ s Work in Music presents a unique collection of core research, engaging with wide range of topics on womenâ s contributions (both historical and present-day) to Western and Eastern art music, popular music, world music, music education, ethnomusicology, music technology as well as in the music industries.

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Produktdetails

• Routledge Music Handbooks
• Verlag: Taylor & Francis Ltd
• Seitenzahl: 466
• Erscheinungstermin: 25. September 2023
• Englisch
• Abmessung: 243mm x 174mm x 27mm
• Gewicht: 852g
• ISBN-13: 9781032162041
• ISBN-10: 103216204X
• Artikelnr.: 68711146

Autorenporträt

Rhiannon Mathias is a lecturer and music fellow at Bangor University, UK, and director of the International Conferences on Women's Work in Music (2017, 2019, 2021, Bangor University).

Inhaltsangabe

Editor's Introduction
Part I: Challenging Gender Inequalities
1. Sophie Fuller, Grace, Betty, Maude and Me: 30 Years of Fighting for
Women Composers
2. Susan Wollenberg, 'Where Are We Now?': Teaching and Studying Women
Composers post-Citron
3. Helen Elizabeth Davies, 'Because I'm a Girl': Exploring Experiences,
Practices and Challenges Relating to Gender and Sexuality for Female
Musicians in Popular Music Higher Education
4. Emily Doolittle, Composer, Mother
5. Stephen Wilford, 'The Algerian woman is very strong': Music, Identity
and Gender in Algerian London
6. Valentine Harding, In Search of the Field: Reflections on an
Ethnomusicological Project in India
7. Christina Homer, Women's Work in Ethnomusicology: Alternative Spaces
Part II: (Re)Discoveries
8. Zaina Shihabi, A Brief Historical and Sociological Examination of
Twentieth-Century Arab Women Composers and Performers in Egypt
9. Sally Macarthur, The Rise and Rise of Women in Australian Composition
10. Susan Clauson-Elliott, Women Composers and the Proms: The First 100
Years (1895-1994)
11. Claudia Chibici-Revneanu, Chasing María Teresa Lara: An
Autoethnographic Account of Trying to Recuperate the Story of a
'Lost' Woman Composer
12. Joanna Schiller-Rydzewska, The Artistic Path and Achievement of
Polish Composer Ewa Synowiec
13. Eva M. Maschke, Composer, Performer, Teacher: Jeanne Barbillion
(1895-1992) and the Schola Cantorum de Paris
14. Elisabeth Honn Hoegberg, How Theocritus Sang: Eleanor Everest Freer's
Sonnets from the Portuguese
15. Rhian Davies, A Life in Fragments: Morfydd Owen (1891-1918)
Part III: Aesthetics and Music Creation
16. Rebecka Sofia Ahvenniemi, Overcoming the 'Male Gaze' of Music:
Towards Renewed Compositional Strategies
17. Isabel Nogueira, Voices, Sounds and Herstories: Constructing Feminist
Research in Experimental Music
18. Angela Elizabeth Slater, Invisible Canons: A Reflective Commentary on
the Formation of my Personal Canon of Women Composers
19. Lucy Hollingworth, Storytelling in Autoethnography - The Poetess
20. J. Michele Edwards, Chen Yi: Trauma, Myths, and Representation
21. Laura Dallman, Considering Autonomy and Collaboration in Three
Concerti by Jennifer Higdon
22. Ji Yeon Lee, Decoding the Riddle: The Tea-Party Scene in Unsuk Chin's
Alice in Wonderland
23. David Forrest, Kate Bush's Uncanny Harmonic Language
Part IV: Performance and Reception
24. Bella Powell, Notions of Virtuosity, Female Accomplishment, and the
Violin as Forbidden Instrument in Early-Mid Nineteenth-Century
England
25. Nuppu Koivisto, Visitors from 'the Merry Town by the Danube':
Viennese Ladies' Orchestras, Public Image and Variety Shows in
Finland from 1870 to 1914
26. Maren Bagge, Women Song Composers and the London Ballad Concerts
27. Ivette Janet Céspedes Gómez, Sara Gonzáles: A Different Song About
Women
28. Grace Takyi Donkor, Changing Roles of Women in the Gospel Music
Performance Space in Ghana
29. Maree Sheehan, M¿ori Women at the Forefront of Aotearoa/New Zealand
Music in the Mid 1980s and Early 1990s
30. Li-ming Pan, The Stereotypical Image and Body Representation of
Taiwanese Female Musicians
Part V: Opportunities and Leadership in the Music Professions
31. Jessica Duchen, Climb Every Mountain
32. Edwina Wolstencroft, Celebrating Women Composers on BBC Radio 3
33. Miia Laine, Contested Spaces: Gender Dynamics in Independent Radio
Stations in London
34. Karlyn King, 'And her voice is a backwards record': The Gendering of
Phonograph Technology
35. Carolyn Watson, Cracks in the Glass Ceiling: Women Conductors, New
Trends, Old Challenges
36. Frances Novillo, Personal Reflections on Professional Experience of
Women's Liturgical Leadership as Musicians in the Roman Catholic
Church
37. Gabriela Sanchez Diaz, Re-Mapping and Connecting Bodies of Women
Musicians
Part VI: New Perspectives on Women's Work in Music
38. Yuemin He, Materiality, Editorship and Canonisation in Wang Duanshu's
Collection of Elegance (1667)
39. Jennifer Cable, Mary Carlisle Howe (1882-1964) and Adella Prentiss
Hughes (1869-1950): Creating an Arts Culture in America, One Woman at
a Time
40. Elina G. Hamilton, Louise Hanson-Dyer (1884-1962): Patroness of Music
Publishing
41. Lia Lonnert and Helen Davies Mikkelborg, Lady Llanover and the
Swedish Connection: A Welsh Musical Legacy
42. Jessica Beck, The Women Musicians of the British Ethical Movement,
1887-1927
43. Kirstie Alison Muldoon, The Role of Women in Irish Music Institutions
in the Early Twentieth Century
44. Helen C. Thomas, The Beedle-Carter Correspondence: An Analysis of the
Cultural Work Undertaken by Maureen Beedle to Promote Elliott
Carter's Music in the UK and Europe