The Routledge Handbook to Spanish Film Music
Herausgeber: Miranda, Laura
The Routledge Handbook to Spanish Film Music
Herausgeber: Miranda, Laura
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The Routledge Handbook to Spanish Film Music provides a significant contribution to the research and history of Spanish film music, exploring the interdependence and ways in which discourses of sound and vision are constructed dialogically in Spanish cinema, with contributions from leading international researchers.
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The Routledge Handbook to Spanish Film Music provides a significant contribution to the research and history of Spanish film music, exploring the interdependence and ways in which discourses of sound and vision are constructed dialogically in Spanish cinema, with contributions from leading international researchers.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 378
- Erscheinungstermin: 12. September 2024
- Englisch
- Abmessung: 250mm x 175mm x 25mm
- Gewicht: 832g
- ISBN-13: 9781032006345
- ISBN-10: 103200634X
- Artikelnr.: 70148612
- Verlag: Routledge
- Seitenzahl: 378
- Erscheinungstermin: 12. September 2024
- Englisch
- Abmessung: 250mm x 175mm x 25mm
- Gewicht: 832g
- ISBN-13: 9781032006345
- ISBN-10: 103200634X
- Artikelnr.: 70148612
Laura Miranda is a Lecturer at the Department of Art History and Musicology, University of Oviedo, Spain.
Introduction: Past, present and future in Spanish film music studies Laura
Miranda PART 1: First steps in sound in the 1930s 1 Synchronising voices
and shadows: Music and the transition to sound cinema in Spain Julio Arce
2 National music for the silent screen: Sound and national identity in
1920s Spanish cinema Marta García Carrión 3 The cinematic zarzuela:
Cross-media connections between theatre and film in Spain (1900-1963)
Peter W. Schulze 4 Soundtracks for the Republic: Musical propaganda in
documentary films during the Spanish Civil War Lidia López Gómez 5 A
missing link between the cinema of the Second Spanish Republic and the
first Franco period: Edgar Neville's Verbena (Madrid Carnival, 1941)
Christian Franco Torre PART 2: Music, ideology and power in the cinema of
the early years of Francoism 6 It sings inside a sea on a map: Three
periods of Latin American music in Spanish cinema (1930-1960) Marina Díaz
López 7 Music, power and violence in NO-DO: Folkloric cultures in 1940s
Francoist cinema Beatriz Busto Miramontes 8 "Todos somos uno cuando del
cante se trata": The empathizing power of the copla Bohumira Smidakova 9
Fashion victims?: Women, costume design, and music in 1940s Spanish cinema
Laura Miranda 10 Music for a plasterboard empire: Juan Quintero's scores
for Spanish historical films of the 1950s Joaquín López González 11 Copla,
melodrama and star persona in 1950s Spanish cinema: Antonio Molina and
Daniel Montorio Celsa Alonso 12 The arrival of the new Spanish cinema: The
film collaborations of Isidro Maiztegui and Juan Antonio Bardem María Fouz
Moreno 13 Text and context: Rodrigo's Concierto de Aranjuez as film score
Walter Aaron Clark PART 3: New (and old) rhythms from the aperturismo of
the 1960s 14 El último cuplé?: Sara Montiel: A diva between two eras
Enrique Encabo 15 Augusto Algueró and the cinema of "child prodigy"
singers: A perfect symbiosis Sofía López Hernández 16 Buñuel is Back:
Viridiana, music and religion in Spain in 1960 Laura Miranda 17 Music in
non-fiction films: New practices in Spanish documentary soundtracks in the
late Francoist era Diana Díaz González 18 The use of music in Carlos
Saura's fictional work (1960-1980): Narration and esthetics Marianne
Bloch-Robin 19 The zarzuela in Spanish film of the 1960s and 1970s: From
adaptation to reinterpretation Vicente Galbis López 20 Songs for a new day:
Music as an aesthetic program in the cinema of Gonzalo García-Pelayo during
the Spanish Transition Pablo Piedras and Dana Zylberman PART 4: Musical
glocalisms in democratic Spain from the late twentieth century 21 This
isn't Hollywood... it's not even close: Film composers in Spain: evolution
of a profession Josep Lluís i Falcó 22 The generation of '89: Moving toward
a new concept of the film composer in Spain and looking back at harmony
Sergio Lasuén 23 The soundtrack of the barrio in contemporary Spanish
cinema: From Rumba to Latin and flamenco-trap Eduardo Viñuela 24 Rumbas
and the acoustic experience of marginality in cine quinqui Tom Whittaker
25 The music of Alberto Iglesias in the films of Pedro Almodóvar:
Intertextual dialogue and negotiating identities in The Skin I Live In
(2011) Alberto Jiménez Arévalo 26 The acoustic imaginary in recent Spanish
cinematic music Marvin D'Lugo 27 Spanish musical cinema in the 21st
century: New models for new times Teresa Fraile 28 Transmedia storytelling
and musical films: A case study of the Holy Camp! Phenomenon Cande
Sánchez-Olmos 29 Music winners and losers Núria Triana Toribio
Miranda PART 1: First steps in sound in the 1930s 1 Synchronising voices
and shadows: Music and the transition to sound cinema in Spain Julio Arce
2 National music for the silent screen: Sound and national identity in
1920s Spanish cinema Marta García Carrión 3 The cinematic zarzuela:
Cross-media connections between theatre and film in Spain (1900-1963)
Peter W. Schulze 4 Soundtracks for the Republic: Musical propaganda in
documentary films during the Spanish Civil War Lidia López Gómez 5 A
missing link between the cinema of the Second Spanish Republic and the
first Franco period: Edgar Neville's Verbena (Madrid Carnival, 1941)
Christian Franco Torre PART 2: Music, ideology and power in the cinema of
the early years of Francoism 6 It sings inside a sea on a map: Three
periods of Latin American music in Spanish cinema (1930-1960) Marina Díaz
López 7 Music, power and violence in NO-DO: Folkloric cultures in 1940s
Francoist cinema Beatriz Busto Miramontes 8 "Todos somos uno cuando del
cante se trata": The empathizing power of the copla Bohumira Smidakova 9
Fashion victims?: Women, costume design, and music in 1940s Spanish cinema
Laura Miranda 10 Music for a plasterboard empire: Juan Quintero's scores
for Spanish historical films of the 1950s Joaquín López González 11 Copla,
melodrama and star persona in 1950s Spanish cinema: Antonio Molina and
Daniel Montorio Celsa Alonso 12 The arrival of the new Spanish cinema: The
film collaborations of Isidro Maiztegui and Juan Antonio Bardem María Fouz
Moreno 13 Text and context: Rodrigo's Concierto de Aranjuez as film score
Walter Aaron Clark PART 3: New (and old) rhythms from the aperturismo of
the 1960s 14 El último cuplé?: Sara Montiel: A diva between two eras
Enrique Encabo 15 Augusto Algueró and the cinema of "child prodigy"
singers: A perfect symbiosis Sofía López Hernández 16 Buñuel is Back:
Viridiana, music and religion in Spain in 1960 Laura Miranda 17 Music in
non-fiction films: New practices in Spanish documentary soundtracks in the
late Francoist era Diana Díaz González 18 The use of music in Carlos
Saura's fictional work (1960-1980): Narration and esthetics Marianne
Bloch-Robin 19 The zarzuela in Spanish film of the 1960s and 1970s: From
adaptation to reinterpretation Vicente Galbis López 20 Songs for a new day:
Music as an aesthetic program in the cinema of Gonzalo García-Pelayo during
the Spanish Transition Pablo Piedras and Dana Zylberman PART 4: Musical
glocalisms in democratic Spain from the late twentieth century 21 This
isn't Hollywood... it's not even close: Film composers in Spain: evolution
of a profession Josep Lluís i Falcó 22 The generation of '89: Moving toward
a new concept of the film composer in Spain and looking back at harmony
Sergio Lasuén 23 The soundtrack of the barrio in contemporary Spanish
cinema: From Rumba to Latin and flamenco-trap Eduardo Viñuela 24 Rumbas
and the acoustic experience of marginality in cine quinqui Tom Whittaker
25 The music of Alberto Iglesias in the films of Pedro Almodóvar:
Intertextual dialogue and negotiating identities in The Skin I Live In
(2011) Alberto Jiménez Arévalo 26 The acoustic imaginary in recent Spanish
cinematic music Marvin D'Lugo 27 Spanish musical cinema in the 21st
century: New models for new times Teresa Fraile 28 Transmedia storytelling
and musical films: A case study of the Holy Camp! Phenomenon Cande
Sánchez-Olmos 29 Music winners and losers Núria Triana Toribio
Introduction: Past, present and future in Spanish film music studies Laura
Miranda PART 1: First steps in sound in the 1930s 1 Synchronising voices
and shadows: Music and the transition to sound cinema in Spain Julio Arce
2 National music for the silent screen: Sound and national identity in
1920s Spanish cinema Marta García Carrión 3 The cinematic zarzuela:
Cross-media connections between theatre and film in Spain (1900-1963)
Peter W. Schulze 4 Soundtracks for the Republic: Musical propaganda in
documentary films during the Spanish Civil War Lidia López Gómez 5 A
missing link between the cinema of the Second Spanish Republic and the
first Franco period: Edgar Neville's Verbena (Madrid Carnival, 1941)
Christian Franco Torre PART 2: Music, ideology and power in the cinema of
the early years of Francoism 6 It sings inside a sea on a map: Three
periods of Latin American music in Spanish cinema (1930-1960) Marina Díaz
López 7 Music, power and violence in NO-DO: Folkloric cultures in 1940s
Francoist cinema Beatriz Busto Miramontes 8 "Todos somos uno cuando del
cante se trata": The empathizing power of the copla Bohumira Smidakova 9
Fashion victims?: Women, costume design, and music in 1940s Spanish cinema
Laura Miranda 10 Music for a plasterboard empire: Juan Quintero's scores
for Spanish historical films of the 1950s Joaquín López González 11 Copla,
melodrama and star persona in 1950s Spanish cinema: Antonio Molina and
Daniel Montorio Celsa Alonso 12 The arrival of the new Spanish cinema: The
film collaborations of Isidro Maiztegui and Juan Antonio Bardem María Fouz
Moreno 13 Text and context: Rodrigo's Concierto de Aranjuez as film score
Walter Aaron Clark PART 3: New (and old) rhythms from the aperturismo of
the 1960s 14 El último cuplé?: Sara Montiel: A diva between two eras
Enrique Encabo 15 Augusto Algueró and the cinema of "child prodigy"
singers: A perfect symbiosis Sofía López Hernández 16 Buñuel is Back:
Viridiana, music and religion in Spain in 1960 Laura Miranda 17 Music in
non-fiction films: New practices in Spanish documentary soundtracks in the
late Francoist era Diana Díaz González 18 The use of music in Carlos
Saura's fictional work (1960-1980): Narration and esthetics Marianne
Bloch-Robin 19 The zarzuela in Spanish film of the 1960s and 1970s: From
adaptation to reinterpretation Vicente Galbis López 20 Songs for a new day:
Music as an aesthetic program in the cinema of Gonzalo García-Pelayo during
the Spanish Transition Pablo Piedras and Dana Zylberman PART 4: Musical
glocalisms in democratic Spain from the late twentieth century 21 This
isn't Hollywood... it's not even close: Film composers in Spain: evolution
of a profession Josep Lluís i Falcó 22 The generation of '89: Moving toward
a new concept of the film composer in Spain and looking back at harmony
Sergio Lasuén 23 The soundtrack of the barrio in contemporary Spanish
cinema: From Rumba to Latin and flamenco-trap Eduardo Viñuela 24 Rumbas
and the acoustic experience of marginality in cine quinqui Tom Whittaker
25 The music of Alberto Iglesias in the films of Pedro Almodóvar:
Intertextual dialogue and negotiating identities in The Skin I Live In
(2011) Alberto Jiménez Arévalo 26 The acoustic imaginary in recent Spanish
cinematic music Marvin D'Lugo 27 Spanish musical cinema in the 21st
century: New models for new times Teresa Fraile 28 Transmedia storytelling
and musical films: A case study of the Holy Camp! Phenomenon Cande
Sánchez-Olmos 29 Music winners and losers Núria Triana Toribio
Miranda PART 1: First steps in sound in the 1930s 1 Synchronising voices
and shadows: Music and the transition to sound cinema in Spain Julio Arce
2 National music for the silent screen: Sound and national identity in
1920s Spanish cinema Marta García Carrión 3 The cinematic zarzuela:
Cross-media connections between theatre and film in Spain (1900-1963)
Peter W. Schulze 4 Soundtracks for the Republic: Musical propaganda in
documentary films during the Spanish Civil War Lidia López Gómez 5 A
missing link between the cinema of the Second Spanish Republic and the
first Franco period: Edgar Neville's Verbena (Madrid Carnival, 1941)
Christian Franco Torre PART 2: Music, ideology and power in the cinema of
the early years of Francoism 6 It sings inside a sea on a map: Three
periods of Latin American music in Spanish cinema (1930-1960) Marina Díaz
López 7 Music, power and violence in NO-DO: Folkloric cultures in 1940s
Francoist cinema Beatriz Busto Miramontes 8 "Todos somos uno cuando del
cante se trata": The empathizing power of the copla Bohumira Smidakova 9
Fashion victims?: Women, costume design, and music in 1940s Spanish cinema
Laura Miranda 10 Music for a plasterboard empire: Juan Quintero's scores
for Spanish historical films of the 1950s Joaquín López González 11 Copla,
melodrama and star persona in 1950s Spanish cinema: Antonio Molina and
Daniel Montorio Celsa Alonso 12 The arrival of the new Spanish cinema: The
film collaborations of Isidro Maiztegui and Juan Antonio Bardem María Fouz
Moreno 13 Text and context: Rodrigo's Concierto de Aranjuez as film score
Walter Aaron Clark PART 3: New (and old) rhythms from the aperturismo of
the 1960s 14 El último cuplé?: Sara Montiel: A diva between two eras
Enrique Encabo 15 Augusto Algueró and the cinema of "child prodigy"
singers: A perfect symbiosis Sofía López Hernández 16 Buñuel is Back:
Viridiana, music and religion in Spain in 1960 Laura Miranda 17 Music in
non-fiction films: New practices in Spanish documentary soundtracks in the
late Francoist era Diana Díaz González 18 The use of music in Carlos
Saura's fictional work (1960-1980): Narration and esthetics Marianne
Bloch-Robin 19 The zarzuela in Spanish film of the 1960s and 1970s: From
adaptation to reinterpretation Vicente Galbis López 20 Songs for a new day:
Music as an aesthetic program in the cinema of Gonzalo García-Pelayo during
the Spanish Transition Pablo Piedras and Dana Zylberman PART 4: Musical
glocalisms in democratic Spain from the late twentieth century 21 This
isn't Hollywood... it's not even close: Film composers in Spain: evolution
of a profession Josep Lluís i Falcó 22 The generation of '89: Moving toward
a new concept of the film composer in Spain and looking back at harmony
Sergio Lasuén 23 The soundtrack of the barrio in contemporary Spanish
cinema: From Rumba to Latin and flamenco-trap Eduardo Viñuela 24 Rumbas
and the acoustic experience of marginality in cine quinqui Tom Whittaker
25 The music of Alberto Iglesias in the films of Pedro Almodóvar:
Intertextual dialogue and negotiating identities in The Skin I Live In
(2011) Alberto Jiménez Arévalo 26 The acoustic imaginary in recent Spanish
cinematic music Marvin D'Lugo 27 Spanish musical cinema in the 21st
century: New models for new times Teresa Fraile 28 Transmedia storytelling
and musical films: A case study of the Holy Camp! Phenomenon Cande
Sánchez-Olmos 29 Music winners and losers Núria Triana Toribio