The Routledge International Handbook of Critical Disability Studies
Herausgeber: Ellis, Katie; Kent, Mike; Cousins, Kim
The Routledge International Handbook of Critical Disability Studies
Herausgeber: Ellis, Katie; Kent, Mike; Cousins, Kim
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Critical disability studies both questions these existing notions of disability and interrogates how they have become a part of the academic attitude towards the field. As the first comprehensive handbook on critical disability studies, this volume provides an authoritative overview of the subject.
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Critical disability studies both questions these existing notions of disability and interrogates how they have become a part of the academic attitude towards the field. As the first comprehensive handbook on critical disability studies, this volume provides an authoritative overview of the subject.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge International Handbooks
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 400
- Erscheinungstermin: 26. Dezember 2024
- Englisch
- Abmessung: 252mm x 179mm x 31mm
- Gewicht: 850g
- ISBN-13: 9780367338572
- ISBN-10: 0367338572
- Artikelnr.: 71231321
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Routledge International Handbooks
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 400
- Erscheinungstermin: 26. Dezember 2024
- Englisch
- Abmessung: 252mm x 179mm x 31mm
- Gewicht: 850g
- ISBN-13: 9780367338572
- ISBN-10: 0367338572
- Artikelnr.: 71231321
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Katie Ellis is a Professor in Internet Studies and Director of the Centre for Culture and Technology at Curtin University. Mike Kent is a Professor and Head of School for Media, Creative Arts and Social Enquiry at Curtin University, Australia. Kim Cousins is a Research Assistant and Sessional Academic with the Centre for Culture and Technology and the School of Media, Creative Arts & Social Inquiry at Curtin University.
1.Introduction. Part I - Representation, Art and Culture. 2.Disability,
intersectionality and decolonial perspectives from the Global South.
3.Pandemic art and the intersection of disability and trauma studies.
4.Neurodiversity paradigm in art. 5.Reinhabiting, reimagining, and
recreating ableist spaces: Embodied criticality in art. 6.A case of the
blues: Music, blindness, and citizenship. 7.Making the outsider
centre-stage: A conversation on leadership opportunities for artists with
disabilities in Australian theatre. 8.Queer, crip, and anti-colonial
theories in popular culture: De/Constructing normativity in Disney's The
Owl House. 9.Articulating the self: Disability rhetorics, autobiographical
comics and the case of David Small's Stitches. 10.Rudolph the Red-Nosed
Reindeer: Not a supercrip. 11.Force of nature, forced by society:
Rethinking Shakespeare's Richard III. 12.Precarity and the global
dispossession of indigeneity through representations of disability. Part II
- Media, Technology and Communication. 13.Neurodiversity and the internet:
Challenging the dominant autism narratives in Indonesia. 14.Centering
disabled Americans' writings about the Covid-19 pandemic: A Critical
Disability Studies analysis. 15.Indigenous sign languages in Australia.
16.A comparative study of Australia and Brazil: approaches to the UNCRPD
and digital access. 17.Vision Australia's use of podcasts. 18.Transhuman
liminalities and the othered body: Exploring disability and superheroes in
the Marvel Cinematic Universe. 19.Redefining access in the smart city.
20.Disability and the Social Construction of Technology. 21.Take a selfie:
Paralympic athletes on social media. 22.Disability's right to the Smart
City: A manifesto for the emergent future. 23.Disability and digital public
health communication: Gamification and accessibility. Part III - Activism
and the Life Course. 24.Inclusion without access: Policing encounters with
Deafness. 25.Disability and activism in Oman. 26.Invisible disability,
Instagram, and health communications. 27.Singing from the same song-sheet:
Harnessing the human rights framework through critical disability studies
to achieve inclusive education. 28.Disability Critical Race Theory
(DisCrit): Past, Present and Future - an overview. 29.Liveable
disabilities: Life courses and opportunity structures across time in
Sweden. 30.Autocriticality and interdisciplinarity: Personal-professional
applications of the tripartite model of disability. 31.Speculative Net Zero
from the margins. 32.'Doing' disability research, ethically: A
self-critique of a participatory disability research project.
intersectionality and decolonial perspectives from the Global South.
3.Pandemic art and the intersection of disability and trauma studies.
4.Neurodiversity paradigm in art. 5.Reinhabiting, reimagining, and
recreating ableist spaces: Embodied criticality in art. 6.A case of the
blues: Music, blindness, and citizenship. 7.Making the outsider
centre-stage: A conversation on leadership opportunities for artists with
disabilities in Australian theatre. 8.Queer, crip, and anti-colonial
theories in popular culture: De/Constructing normativity in Disney's The
Owl House. 9.Articulating the self: Disability rhetorics, autobiographical
comics and the case of David Small's Stitches. 10.Rudolph the Red-Nosed
Reindeer: Not a supercrip. 11.Force of nature, forced by society:
Rethinking Shakespeare's Richard III. 12.Precarity and the global
dispossession of indigeneity through representations of disability. Part II
- Media, Technology and Communication. 13.Neurodiversity and the internet:
Challenging the dominant autism narratives in Indonesia. 14.Centering
disabled Americans' writings about the Covid-19 pandemic: A Critical
Disability Studies analysis. 15.Indigenous sign languages in Australia.
16.A comparative study of Australia and Brazil: approaches to the UNCRPD
and digital access. 17.Vision Australia's use of podcasts. 18.Transhuman
liminalities and the othered body: Exploring disability and superheroes in
the Marvel Cinematic Universe. 19.Redefining access in the smart city.
20.Disability and the Social Construction of Technology. 21.Take a selfie:
Paralympic athletes on social media. 22.Disability's right to the Smart
City: A manifesto for the emergent future. 23.Disability and digital public
health communication: Gamification and accessibility. Part III - Activism
and the Life Course. 24.Inclusion without access: Policing encounters with
Deafness. 25.Disability and activism in Oman. 26.Invisible disability,
Instagram, and health communications. 27.Singing from the same song-sheet:
Harnessing the human rights framework through critical disability studies
to achieve inclusive education. 28.Disability Critical Race Theory
(DisCrit): Past, Present and Future - an overview. 29.Liveable
disabilities: Life courses and opportunity structures across time in
Sweden. 30.Autocriticality and interdisciplinarity: Personal-professional
applications of the tripartite model of disability. 31.Speculative Net Zero
from the margins. 32.'Doing' disability research, ethically: A
self-critique of a participatory disability research project.
1.Introduction. Part I - Representation, Art and Culture. 2.Disability,
intersectionality and decolonial perspectives from the Global South.
3.Pandemic art and the intersection of disability and trauma studies.
4.Neurodiversity paradigm in art. 5.Reinhabiting, reimagining, and
recreating ableist spaces: Embodied criticality in art. 6.A case of the
blues: Music, blindness, and citizenship. 7.Making the outsider
centre-stage: A conversation on leadership opportunities for artists with
disabilities in Australian theatre. 8.Queer, crip, and anti-colonial
theories in popular culture: De/Constructing normativity in Disney's The
Owl House. 9.Articulating the self: Disability rhetorics, autobiographical
comics and the case of David Small's Stitches. 10.Rudolph the Red-Nosed
Reindeer: Not a supercrip. 11.Force of nature, forced by society:
Rethinking Shakespeare's Richard III. 12.Precarity and the global
dispossession of indigeneity through representations of disability. Part II
- Media, Technology and Communication. 13.Neurodiversity and the internet:
Challenging the dominant autism narratives in Indonesia. 14.Centering
disabled Americans' writings about the Covid-19 pandemic: A Critical
Disability Studies analysis. 15.Indigenous sign languages in Australia.
16.A comparative study of Australia and Brazil: approaches to the UNCRPD
and digital access. 17.Vision Australia's use of podcasts. 18.Transhuman
liminalities and the othered body: Exploring disability and superheroes in
the Marvel Cinematic Universe. 19.Redefining access in the smart city.
20.Disability and the Social Construction of Technology. 21.Take a selfie:
Paralympic athletes on social media. 22.Disability's right to the Smart
City: A manifesto for the emergent future. 23.Disability and digital public
health communication: Gamification and accessibility. Part III - Activism
and the Life Course. 24.Inclusion without access: Policing encounters with
Deafness. 25.Disability and activism in Oman. 26.Invisible disability,
Instagram, and health communications. 27.Singing from the same song-sheet:
Harnessing the human rights framework through critical disability studies
to achieve inclusive education. 28.Disability Critical Race Theory
(DisCrit): Past, Present and Future - an overview. 29.Liveable
disabilities: Life courses and opportunity structures across time in
Sweden. 30.Autocriticality and interdisciplinarity: Personal-professional
applications of the tripartite model of disability. 31.Speculative Net Zero
from the margins. 32.'Doing' disability research, ethically: A
self-critique of a participatory disability research project.
intersectionality and decolonial perspectives from the Global South.
3.Pandemic art and the intersection of disability and trauma studies.
4.Neurodiversity paradigm in art. 5.Reinhabiting, reimagining, and
recreating ableist spaces: Embodied criticality in art. 6.A case of the
blues: Music, blindness, and citizenship. 7.Making the outsider
centre-stage: A conversation on leadership opportunities for artists with
disabilities in Australian theatre. 8.Queer, crip, and anti-colonial
theories in popular culture: De/Constructing normativity in Disney's The
Owl House. 9.Articulating the self: Disability rhetorics, autobiographical
comics and the case of David Small's Stitches. 10.Rudolph the Red-Nosed
Reindeer: Not a supercrip. 11.Force of nature, forced by society:
Rethinking Shakespeare's Richard III. 12.Precarity and the global
dispossession of indigeneity through representations of disability. Part II
- Media, Technology and Communication. 13.Neurodiversity and the internet:
Challenging the dominant autism narratives in Indonesia. 14.Centering
disabled Americans' writings about the Covid-19 pandemic: A Critical
Disability Studies analysis. 15.Indigenous sign languages in Australia.
16.A comparative study of Australia and Brazil: approaches to the UNCRPD
and digital access. 17.Vision Australia's use of podcasts. 18.Transhuman
liminalities and the othered body: Exploring disability and superheroes in
the Marvel Cinematic Universe. 19.Redefining access in the smart city.
20.Disability and the Social Construction of Technology. 21.Take a selfie:
Paralympic athletes on social media. 22.Disability's right to the Smart
City: A manifesto for the emergent future. 23.Disability and digital public
health communication: Gamification and accessibility. Part III - Activism
and the Life Course. 24.Inclusion without access: Policing encounters with
Deafness. 25.Disability and activism in Oman. 26.Invisible disability,
Instagram, and health communications. 27.Singing from the same song-sheet:
Harnessing the human rights framework through critical disability studies
to achieve inclusive education. 28.Disability Critical Race Theory
(DisCrit): Past, Present and Future - an overview. 29.Liveable
disabilities: Life courses and opportunity structures across time in
Sweden. 30.Autocriticality and interdisciplinarity: Personal-professional
applications of the tripartite model of disability. 31.Speculative Net Zero
from the margins. 32.'Doing' disability research, ethically: A
self-critique of a participatory disability research project.