The Routledge International Handbook of Ethnographic Film and Video is a state-of-the-art volume which encompasses the breadth and depth of the field of ethnographic film and video-based research, with a particular focus on making ethnographic film and video, as opposed to analysing or critiquing it.
The Routledge International Handbook of Ethnographic Film and Video is a state-of-the-art volume which encompasses the breadth and depth of the field of ethnographic film and video-based research, with a particular focus on making ethnographic film and video, as opposed to analysing or critiquing it.
Phillip Vannini is a Professor in the School of Communication and Culture at Royal Roads University in Victoria, Canada, as well as Canada Research Chair in Public Ethnography. He is the author/editor of 15 books, including recent methodological texts such as Doing Public Ethnography and Non-Representational Methodologies. Vannini's research interests, typically pursued from an ethnographic approach, span the fields of social and cultural geographies, cultural studies, and sociology.
Inhaltsangabe
1. Introduction Part 1: Practicing the Art and Science of Ethnographic Film and Video Introduction 2. Defining Ethnographic Film 3. Theorizing in/of Ethnographic Film 4. Filming the Other 5. The New Art of Ethnographic Filmmaking 6. Beyond Ethnographic Representation 7. From Ethnographic Media to Multimodality Part 2: Applying and Extending Approaches and Methodologies Introduction 8. Ethnomethodological Approaches 9. Oral History, Visual Ethnography, and the Interactive Documentary 10. Visual Psychological Anthropology 11. Video Diaries 12. Feminist and Queer Approaches Part 3: Developing Genres and Styles Introduction 13. Interactive Media 14. Sound Matters 15. Documentary Hybrids 16. Sensory Vérité 17. Ethnocinema Part 4: Working with Others Introduction 18. Respect, Integrity, Trust 19. Participation, Reception, Consent, and Refusal 20. Collaborative Post-production 21. Filming with Non-humans Part 5: Working with Tools and Techniques Introduction 22. Mobile Video Methods and Wearable Cameras 23. Drones 24. 360° Video 25. Screens as Film Locations Part 6: Distributing and Circulating Introduction 26. How to Distribute your Ethnographic Film 27. Circulating Ethnographic Films in the Digital Age 28. Ethnographic Film/Video as a Graduate Thesis 29. Ethnographic Film Festivals Conclusion 30. Everything you've always wanted to ask Ethnographic Filmmaker but never had a chance to: A Roundtable Discussion 31. Conclusion: The World According to Rouch
1. Introduction Part 1: Practicing the Art and Science of Ethnographic Film and Video Introduction 2. Defining Ethnographic Film 3. Theorizing in/of Ethnographic Film 4. Filming the Other 5. The New Art of Ethnographic Filmmaking 6. Beyond Ethnographic Representation 7. From Ethnographic Media to Multimodality Part 2: Applying and Extending Approaches and Methodologies Introduction 8. Ethnomethodological Approaches 9. Oral History, Visual Ethnography, and the Interactive Documentary 10. Visual Psychological Anthropology 11. Video Diaries 12. Feminist and Queer Approaches Part 3: Developing Genres and Styles Introduction 13. Interactive Media 14. Sound Matters 15. Documentary Hybrids 16. Sensory Vérité 17. Ethnocinema Part 4: Working with Others Introduction 18. Respect, Integrity, Trust 19. Participation, Reception, Consent, and Refusal 20. Collaborative Post-production 21. Filming with Non-humans Part 5: Working with Tools and Techniques Introduction 22. Mobile Video Methods and Wearable Cameras 23. Drones 24. 360° Video 25. Screens as Film Locations Part 6: Distributing and Circulating Introduction 26. How to Distribute your Ethnographic Film 27. Circulating Ethnographic Films in the Digital Age 28. Ethnographic Film/Video as a Graduate Thesis 29. Ethnographic Film Festivals Conclusion 30. Everything you've always wanted to ask Ethnographic Filmmaker but never had a chance to: A Roundtable Discussion 31. Conclusion: The World According to Rouch
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