The Routledge International Handbook of Ethnographic Film and Video
Herausgeber: Vannini, Phillip
Schade – dieser Artikel ist leider ausverkauft. Sobald wir wissen, ob und wann der Artikel wieder verfügbar ist, informieren wir Sie an dieser Stelle.
The Routledge International Handbook of Ethnographic Film and Video
Herausgeber: Vannini, Phillip
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
The Routledge International Handbook of Ethnographic Film and Video is a state-of-the-art volume which encompasses the breadth and depth of the field of ethnographic film and video-based research, with a particular focus on making ethnographic film and video, as opposed to analysing or critiquing it.
Andere Kunden interessierten sich auch für
- The Routledge International Handbook of Goffman Studies60,99 €
- The Routledge International Handbook of Sensory Ethnography282,99 €
- The Routledge International Handbook of Intersectionality Studies195,99 €
- The Routledge International Handbook of More-than-Human Studies195,99 €
- The Routledge Handbook of Social Work Practice Research40,99 €
- The Routledge International Handbook of Perpetrator Studies40,99 €
- The Routledge International Handbook of Public Sociology236,99 €
The Routledge International Handbook of Ethnographic Film and Video is a state-of-the-art volume which encompasses the breadth and depth of the field of ethnographic film and video-based research, with a particular focus on making ethnographic film and video, as opposed to analysing or critiquing it.
Produktdetails
- Produktdetails
- Routledge International Handbooks
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 380
- Erscheinungstermin: 13. Dezember 2021
- Englisch
- Abmessung: 244mm x 170mm x 20mm
- Gewicht: 664g
- ISBN-13: 9781032237213
- ISBN-10: 103223721X
- Artikelnr.: 62951086
- Routledge International Handbooks
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 380
- Erscheinungstermin: 13. Dezember 2021
- Englisch
- Abmessung: 244mm x 170mm x 20mm
- Gewicht: 664g
- ISBN-13: 9781032237213
- ISBN-10: 103223721X
- Artikelnr.: 62951086
Phillip Vannini is a Professor in the School of Communication and Culture at Royal Roads University in Victoria, Canada, as well as Canada Research Chair in Public Ethnography. He is the author/editor of 15 books, including recent methodological texts such as Doing Public Ethnography and Non-Representational Methodologies. Vannini's research interests, typically pursued from an ethnographic approach, span the fields of social and cultural geographies, cultural studies, and sociology.
1. Introduction Part 1: Practicing the Art and Science of Ethnographic Film
and Video Introduction 2. Defining Ethnographic Film 3. Theorizing in/of
Ethnographic Film 4. Filming the Other 5. The New Art of Ethnographic
Filmmaking 6. Beyond Ethnographic Representation 7. From Ethnographic Media
to Multimodality Part 2: Applying and Extending Approaches and
Methodologies Introduction 8. Ethnomethodological Approaches 9. Oral
History, Visual Ethnography, and the Interactive Documentary 10. Visual
Psychological Anthropology 11. Video Diaries 12. Feminist and Queer
Approaches Part 3: Developing Genres and Styles Introduction 13.
Interactive Media 14. Sound Matters 15. Documentary Hybrids 16. Sensory
Vérité 17. Ethnocinema Part 4: Working with Others Introduction 18.
Respect, Integrity, Trust 19. Participation, Reception, Consent, and
Refusal 20. Collaborative Post-production 21. Filming with Non-humans Part
5: Working with Tools and Techniques Introduction 22. Mobile Video Methods
and Wearable Cameras 23. Drones 24. 360° Video 25. Screens as Film
Locations Part 6: Distributing and Circulating Introduction 26. How to
Distribute your Ethnographic Film 27. Circulating Ethnographic Films in the
Digital Age 28. Ethnographic Film/Video as a Graduate Thesis 29.
Ethnographic Film Festivals Conclusion 30. Everything you've always wanted
to ask Ethnographic Filmmaker but never had a chance to: A Roundtable
Discussion 31. Conclusion: The World According to Rouch
and Video Introduction 2. Defining Ethnographic Film 3. Theorizing in/of
Ethnographic Film 4. Filming the Other 5. The New Art of Ethnographic
Filmmaking 6. Beyond Ethnographic Representation 7. From Ethnographic Media
to Multimodality Part 2: Applying and Extending Approaches and
Methodologies Introduction 8. Ethnomethodological Approaches 9. Oral
History, Visual Ethnography, and the Interactive Documentary 10. Visual
Psychological Anthropology 11. Video Diaries 12. Feminist and Queer
Approaches Part 3: Developing Genres and Styles Introduction 13.
Interactive Media 14. Sound Matters 15. Documentary Hybrids 16. Sensory
Vérité 17. Ethnocinema Part 4: Working with Others Introduction 18.
Respect, Integrity, Trust 19. Participation, Reception, Consent, and
Refusal 20. Collaborative Post-production 21. Filming with Non-humans Part
5: Working with Tools and Techniques Introduction 22. Mobile Video Methods
and Wearable Cameras 23. Drones 24. 360° Video 25. Screens as Film
Locations Part 6: Distributing and Circulating Introduction 26. How to
Distribute your Ethnographic Film 27. Circulating Ethnographic Films in the
Digital Age 28. Ethnographic Film/Video as a Graduate Thesis 29.
Ethnographic Film Festivals Conclusion 30. Everything you've always wanted
to ask Ethnographic Filmmaker but never had a chance to: A Roundtable
Discussion 31. Conclusion: The World According to Rouch
1. Introduction Part 1: Practicing the Art and Science of Ethnographic Film
and Video Introduction 2. Defining Ethnographic Film 3. Theorizing in/of
Ethnographic Film 4. Filming the Other 5. The New Art of Ethnographic
Filmmaking 6. Beyond Ethnographic Representation 7. From Ethnographic Media
to Multimodality Part 2: Applying and Extending Approaches and
Methodologies Introduction 8. Ethnomethodological Approaches 9. Oral
History, Visual Ethnography, and the Interactive Documentary 10. Visual
Psychological Anthropology 11. Video Diaries 12. Feminist and Queer
Approaches Part 3: Developing Genres and Styles Introduction 13.
Interactive Media 14. Sound Matters 15. Documentary Hybrids 16. Sensory
Vérité 17. Ethnocinema Part 4: Working with Others Introduction 18.
Respect, Integrity, Trust 19. Participation, Reception, Consent, and
Refusal 20. Collaborative Post-production 21. Filming with Non-humans Part
5: Working with Tools and Techniques Introduction 22. Mobile Video Methods
and Wearable Cameras 23. Drones 24. 360° Video 25. Screens as Film
Locations Part 6: Distributing and Circulating Introduction 26. How to
Distribute your Ethnographic Film 27. Circulating Ethnographic Films in the
Digital Age 28. Ethnographic Film/Video as a Graduate Thesis 29.
Ethnographic Film Festivals Conclusion 30. Everything you've always wanted
to ask Ethnographic Filmmaker but never had a chance to: A Roundtable
Discussion 31. Conclusion: The World According to Rouch
and Video Introduction 2. Defining Ethnographic Film 3. Theorizing in/of
Ethnographic Film 4. Filming the Other 5. The New Art of Ethnographic
Filmmaking 6. Beyond Ethnographic Representation 7. From Ethnographic Media
to Multimodality Part 2: Applying and Extending Approaches and
Methodologies Introduction 8. Ethnomethodological Approaches 9. Oral
History, Visual Ethnography, and the Interactive Documentary 10. Visual
Psychological Anthropology 11. Video Diaries 12. Feminist and Queer
Approaches Part 3: Developing Genres and Styles Introduction 13.
Interactive Media 14. Sound Matters 15. Documentary Hybrids 16. Sensory
Vérité 17. Ethnocinema Part 4: Working with Others Introduction 18.
Respect, Integrity, Trust 19. Participation, Reception, Consent, and
Refusal 20. Collaborative Post-production 21. Filming with Non-humans Part
5: Working with Tools and Techniques Introduction 22. Mobile Video Methods
and Wearable Cameras 23. Drones 24. 360° Video 25. Screens as Film
Locations Part 6: Distributing and Circulating Introduction 26. How to
Distribute your Ethnographic Film 27. Circulating Ethnographic Films in the
Digital Age 28. Ethnographic Film/Video as a Graduate Thesis 29.
Ethnographic Film Festivals Conclusion 30. Everything you've always wanted
to ask Ethnographic Filmmaker but never had a chance to: A Roundtable
Discussion 31. Conclusion: The World According to Rouch