The Routledge Research Companion to Johann Sebastian Bach
Herausgeber: Leaver, Robin A
The Routledge Research Companion to Johann Sebastian Bach
Herausgeber: Leaver, Robin A
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The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years.
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The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 566
- Erscheinungstermin: 28. November 2016
- Englisch
- Abmessung: 241mm x 161mm x 40mm
- Gewicht: 1027g
- ISBN-13: 9781409417903
- ISBN-10: 1409417905
- Artikelnr.: 47174228
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 566
- Erscheinungstermin: 28. November 2016
- Englisch
- Abmessung: 241mm x 161mm x 40mm
- Gewicht: 1027g
- ISBN-13: 9781409417903
- ISBN-10: 1409417905
- Artikelnr.: 47174228
Robin A. Leaver is professor emeritus of sacred music, Westminster Choir College, Princeton; currently visiting professor at the Institute of Sacred Music, Yale University, and Honorary Professor at Queen's University, Belfast, Northern Ireland. He has written the program notes for the Bach Choir of Bethlehem since 1984 and contributes from time to time to the program books of the Bach Collegium Japan. Past president of the American Bach Society, Dr. Leaver is the editor of monographs in the series Contextual Bach Studies (Scarecrow/ Rowman & Littlefield 2006- ), and the General Editor of The Yale Journal of Music and Religion. Recent Bach studies include contributions to Exploring Bach's B-Minor Mass (Cambridge University Press, 2013), which he co-edited with Yo Tomita and Jan Smaczny; the Bach-Jahrbuch (2013); Bach: The Journal of the Riemenschneider Bach Institute (2014), and Bach Perspectives 10 (2016). He is currently researching the liturgical contexts of Bach's music.
Preface: Robin A. Leaver
I. Sources
2 Documents (Hans-Joachim Schulze)
3 Manuscripts (Yo Tomita)
4 Printed Editions (Gregory Butler)
II. Contexts
5 Households (Tanya Kevorkian)
6 Schools (Markus Rathey)
7 Church (Robin A. Leaver)
8 Courts (Andrew Talle)
III. Musical Influences
9 The Alt-Bachisches Archiv (Stephen Rose)
10 Other Composers (Kirsten Beisswenger)
IV Genres and Forms
11 Vocal Music (Mark A. Peters)
12 Keyboard music (David Yearsley)
13 Instrumental and Chamber Music (David Ledbetter)
14 Chorales (Robin A. Leaver)
15 Canons, Counterpoint, Pedagogy (Paul Walker)
16 Compositional Technique (Ulrich Siegele)
17 Sons and Pupils (Stephen Roe)
18 Early Posthumour Printed Editions (Matthew Dirst)
19 Recent Research Developments (Manual Bärwald)
20 Chronology (Robin A. Leaver)
I. Sources
2 Documents (Hans-Joachim Schulze)
3 Manuscripts (Yo Tomita)
4 Printed Editions (Gregory Butler)
II. Contexts
5 Households (Tanya Kevorkian)
6 Schools (Markus Rathey)
7 Church (Robin A. Leaver)
8 Courts (Andrew Talle)
III. Musical Influences
9 The Alt-Bachisches Archiv (Stephen Rose)
10 Other Composers (Kirsten Beisswenger)
IV Genres and Forms
11 Vocal Music (Mark A. Peters)
12 Keyboard music (David Yearsley)
13 Instrumental and Chamber Music (David Ledbetter)
14 Chorales (Robin A. Leaver)
15 Canons, Counterpoint, Pedagogy (Paul Walker)
16 Compositional Technique (Ulrich Siegele)
17 Sons and Pupils (Stephen Roe)
18 Early Posthumour Printed Editions (Matthew Dirst)
19 Recent Research Developments (Manual Bärwald)
20 Chronology (Robin A. Leaver)
Preface: Robin A. Leaver
I. Sources
2 Documents (Hans-Joachim Schulze)
3 Manuscripts (Yo Tomita)
4 Printed Editions (Gregory Butler)
II. Contexts
5 Households (Tanya Kevorkian)
6 Schools (Markus Rathey)
7 Church (Robin A. Leaver)
8 Courts (Andrew Talle)
III. Musical Influences
9 The Alt-Bachisches Archiv (Stephen Rose)
10 Other Composers (Kirsten Beisswenger)
IV Genres and Forms
11 Vocal Music (Mark A. Peters)
12 Keyboard music (David Yearsley)
13 Instrumental and Chamber Music (David Ledbetter)
14 Chorales (Robin A. Leaver)
15 Canons, Counterpoint, Pedagogy (Paul Walker)
16 Compositional Technique (Ulrich Siegele)
17 Sons and Pupils (Stephen Roe)
18 Early Posthumour Printed Editions (Matthew Dirst)
19 Recent Research Developments (Manual Bärwald)
20 Chronology (Robin A. Leaver)
I. Sources
2 Documents (Hans-Joachim Schulze)
3 Manuscripts (Yo Tomita)
4 Printed Editions (Gregory Butler)
II. Contexts
5 Households (Tanya Kevorkian)
6 Schools (Markus Rathey)
7 Church (Robin A. Leaver)
8 Courts (Andrew Talle)
III. Musical Influences
9 The Alt-Bachisches Archiv (Stephen Rose)
10 Other Composers (Kirsten Beisswenger)
IV Genres and Forms
11 Vocal Music (Mark A. Peters)
12 Keyboard music (David Yearsley)
13 Instrumental and Chamber Music (David Ledbetter)
14 Chorales (Robin A. Leaver)
15 Canons, Counterpoint, Pedagogy (Paul Walker)
16 Compositional Technique (Ulrich Siegele)
17 Sons and Pupils (Stephen Roe)
18 Early Posthumour Printed Editions (Matthew Dirst)
19 Recent Research Developments (Manual Bärwald)
20 Chronology (Robin A. Leaver)