A rounded portrait of the Royal College of Music, investigating its educational and cultural impact on music and musical life.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David C. H. Wright became Reader in the Social History of Music at the Royal College of Music, London after a professional life spent in both music college and university environments. His writings range from the culture and economics of Victorian music publishing to the Prom seasons of William Glock and Robert Ponsonby in The Proms: A New History (2007). In 2013, he published a social and cultural history of the Associated Boards of the Royal Schools of Music.
Inhaltsangabe
Introduction beginnings and contexts, the themes of a history; Part I. Building and Consolidating (1883 1914): 1. The founding directors George Grove and Hubert Parry; 2. The students; 3. Establishing the musical and educational ethos concerts and curriculum; 4. The buildings and finances; Coda the First World War; Part II. Renewal and conventionality (1919 60): 5. Hugh Allen's RCM and musical life between the wars, 1919 1937; 6. The years of austerity George Dyson and Ernest Bullock, 1938 1960; Part III. Changing Musical Cultures (1960 1984): 7. Keith Falkner and rebuilding institutional confidence, 1960 1974; 8. Crossing the RCM century David Willcocks, 1974 84; Part IV. Into its Second Century, 1984 2018: 9. A changed state of rivalry the RAM, the 'centre of excellence' and the Gowrie review, 1982 92; 10. The new realities of accounting and assuring securing the RCM's public funding in the 1990s; 11. Reimagining for the future; Epilogue a prosopography.
Introduction beginnings and contexts, the themes of a history; Part I. Building and Consolidating (1883 1914): 1. The founding directors George Grove and Hubert Parry; 2. The students; 3. Establishing the musical and educational ethos concerts and curriculum; 4. The buildings and finances; Coda the First World War; Part II. Renewal and conventionality (1919 60): 5. Hugh Allen's RCM and musical life between the wars, 1919 1937; 6. The years of austerity George Dyson and Ernest Bullock, 1938 1960; Part III. Changing Musical Cultures (1960 1984): 7. Keith Falkner and rebuilding institutional confidence, 1960 1974; 8. Crossing the RCM century David Willcocks, 1974 84; Part IV. Into its Second Century, 1984 2018: 9. A changed state of rivalry the RAM, the 'centre of excellence' and the Gowrie review, 1982 92; 10. The new realities of accounting and assuring securing the RCM's public funding in the 1990s; 11. Reimagining for the future; Epilogue a prosopography.
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