Offers a new historical and thematic perspective on the work of the renowned Japanese director Akira Kurosawa through a detailed discussion of the four films he made based on Russian sources.
Offers a new historical and thematic perspective on the work of the renowned Japanese director Akira Kurosawa through a detailed discussion of the four films he made based on Russian sources.
Olga V. Solovieva studied at the Moscow State University, Freie Universität Berlin, and Yale and currently teaches Comparative Literature at the University of Chicago. She is the author of Christ's Subversive Body: Practices of Religious Rhetoric in Culture and Politics (Northwestern University Press, 2018) and co-editor of Japan's Russia: Challenging the East-West Paradigm (Cambria Press, 2021).
Inhaltsangabe
* Introduction * 1: "Some Nice Music": The Russian Subtext of Kurosawa's Films * 2: "Toad in a Box": Self-Restoration as People's History * 3: The Idiot: Where the East Meets the West * 4: "To live! To live how?": Tolstoyan Religion in Ikiru * 5: The Lower Depths: Beggar Cinema, or Resistance to National Narcissism * 6: The Erased Grave of Dersu Uzala: A Nonwar Cinema of Memory and Mourning
* Introduction * 1: "Some Nice Music": The Russian Subtext of Kurosawa's Films * 2: "Toad in a Box": Self-Restoration as People's History * 3: The Idiot: Where the East Meets the West * 4: "To live! To live how?": Tolstoyan Religion in Ikiru * 5: The Lower Depths: Beggar Cinema, or Resistance to National Narcissism * 6: The Erased Grave of Dersu Uzala: A Nonwar Cinema of Memory and Mourning
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