57,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 1-2 Wochen
  • Gebundenes Buch

THE SACRED CINEMA OF ANDREI TARKOVSKYBy Jeremy RobinsonA major new study of Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Rublev, Solaris and The Sacrifice. This book explores every aspect of Andrei Tarkovsky's output in the most detailed fashion - including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky's films are analyzed in depth, with scene-by-scene discussions. This is an important addition to film studies, the most painstaking study of Andrei…mehr

Produktbeschreibung
THE SACRED CINEMA OF ANDREI TARKOVSKYBy Jeremy RobinsonA major new study of Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Rublev, Solaris and The Sacrifice. This book explores every aspect of Andrei Tarkovsky's output in the most detailed fashion - including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky's films are analyzed in depth, with scene-by-scene discussions. This is an important addition to film studies, the most painstaking study of Andrei Tarkovsky's work available. Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist - at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences. As genre films, Andrei Tarkovsky's movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don't have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies. No one could deny that Andrei Rublev is one of the greatest historical films to explore the Middle Ages, up there with The Seventh Seal, El Cid, The Navigator and Pier Paolo Pasolini's 'Life' trilogy. If you judge Andrei Rublev in terms of historical accuracy, epic spectacle, serious themes, or cinematic poetry, it comes out at the top. Finally, in the religious film genre, The Sacrifice and Nostalghia are among the finest in cinema, the equals of the best of Ingmar Bergman, Luis Bunuel, Robert Bresson and Carl-Theodor Dreyer. Contains 150 illustrations, of Andrei Tarkovsky's films, Tarkovsky at work, his contemporaries, and his favourite painters. This edition has 23 new pages of illustrations. Bibliography, filmographies and notes. Illustrated. 696pp. www.crmoon.comREVIEW: Robinson's book on the sacred cinema of Tarkovsky is one of the best on the subject. Professor Prakash Kona, English and Foreign Languages University
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Jeremy Robinson has published poetry, fiction, and studies of J.R.R. Tolkien, Samuel Beckett, Thomas Hardy, André Gide and D.H. Lawrence. Robinson has edited poetry books by Novalis, Ursula Le Guin, Friedrich Hölderlin, Francesco Petrarch, Dante Alighieri, Arseny Tarkovsky, and Rainer Maria Rilke. Books on film and animation include: The Cinema of Hayao Miyazaki ¿ Hayao Miyazaki: Pocket Guide ¿ Princess Mononoke: Pocket Movie Guide ¿ Spirited Away: Pocket Movie Guide ¿ Pasolini: Il cinema di Poesia/ The Cinema of Poetry ¿ The Art of Masamune Shirow (3 volumes) ¿ The Ghost In the Shell Book (2 volumes) ¿ Fullmetal Alchemist ¿ Blade Runner and the Cinema of Philip K. Dick ¿ Blade Runner: Pocket Movie Guide ¿ The Cinema of Donald Cammell ¿ Performance: Donald Cammell: Nic Roeg: Pocket Movie Guide ¿ Ken Russell: England's Great Visionary Film Director and Music Lover ¿ Tommy: Ken Russell: The Who: Pocket Movie Guide ¿ Women In Love: Ken Russell: D.H. Lawrence: Pocket Movie Guide ¿ The Devils: Ken Russell: Pocket Movie Guide ¿ Walerian Borowczyk: Cinema of Erotic Dreams ¿ The Beast: Pocket Movie Guide ¿ The Lord of the Rings Movies ¿ The Fellowship of the Ring: Pocket Movie Guide ¿ The Two Towers: Pocket Movie Guide ¿ The Return of the King: Pocket Movie Guide ¿ Jean-Luc Godard: The Passion of Cinema ¿ The Sacred Cinema of Andrei Tarkovsky ¿ Andrei Tarkovsky: Pocket Guide.