The SAGE Handbook of Popular Music

Herausgeber: Bennett, Andy; Waksman, Steve

• Gebundenes Buch

Produktbeschreibung

This Handbook represents a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field.

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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: SAGE Publications Ltd
• Seitenzahl: 664
• Erscheinungstermin: 3. März 2015
• Englisch
• Abmessung: 250mm x 175mm x 40mm
• Gewicht: 1307g
• ISBN-13: 9781446210857
• ISBN-10: 1446210855
• Artikelnr.: 41123014

Inhaltsangabe

Introduction - Andy Bennett and Steve Waksman
SECTION 1: Theory and Method - Introduction by Andy Bennett
The Many Worlds of Popular Music: Ethnomusicological - Kevin Dawe
Notes on Sociological Theory and Popular Music Studies - Motti Regev
Waiting for the Great Leap Forwards: Mixing Pop, Politics - Gilbert B.
Rodman
(Re)Generations of Popular Musicology - Serge Lacasse
Archival Research and the Expansion of Popular Music - Christine
Feldman-Barratt
SECTION 2: The Business of Popular Music - Introduction by Steve Waksman
Power, Production and the Pop Process - Reebee Garofalo
Intermediaries and Intermediation - Devon Powers
Popular Musical Labor in North America - Matt Stahl
Music in Advertising in the U.S.: History and Issues - Timothy D. Taylor
SECTION 3: Popular Music History - Introduction by Steve Waksman
Grinding out Hits at the Song Factory - Keir Keightley
Popular Music Genres: Aesthetics, Commerce and Identity - David Brackett
Live Music History - Matt Brennan
SECTION 4: The Global and the Local - Introduction by Andy Bennett
Observations on African, African-American, Middle Eastern - Tony Mitchell
Electronic Dance Music Cultures, Ritualization and the Case - Graham St.
John
"Everything Louder than Everyone Else': The Origins and Persistence of
Heavy Metal and Its Global Cultural Impact - Andy Brown
Punk Rock Globalization - Ross Haenfler
SECTION 5: The Star System - Introduction by Steve Waksman
Rock Stars as Icons - David Shumway
Everybody's in Show Biz: Performing Star Identity in Popular Music - Philip
Auslander
Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop -
Jacqueline Warwick
Dark Cosmos: Making Race, Shaping Stardom - C. Riley Snorton
SECTION 6: Body and Identity - Introduction by Andy Bennett
Blurred lines, gender and Popular Music - Sheila Whiteley
Popular Music, Race and Identity - Jon Stratton
Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion -
Sherril Dodds
Shaping the Past of Popular music: Memory, Forgetting and Documenting -
Catherine Strong
SECTION 7: Media - Introduction by Andy Bennett
In Print and On Screen: The Changing Character of Popular Music Journalism
- Simon Warner
Sight and Sound in Concert? The Interrelationship Between Music and
Television - Tim Wall and Paul Long
Viewing with Your Ears, Listening With Your Eyes: Synching Popular Music
and Cinema - Scott Henderson
Beyond Napster: Popular Music and the 'Normal' Internet - Nick Prior
SECTION 8: Technology - Introduction by Steve Waksman
Phonography and the 'Recording' in Popular Music - Patrick Feaster
Ghosts of Electricity: Amplification - Peter Doyle
Ubiquitous Musics: Technology, Listening, and Subjectivity - Anahid
Kassabian
SECTION 9: Digital Economies - Introduction by Steve Waksman
Modes of Production: The Value of Modal Analysis for Popular Music Studies
- Tim Anderson
Music, Copies and Essences - Joanna Demers
Authorship, Ownership, and Musical Appropriation - Kembrew McLeod
Music Cartels and the Dematerialization of Power - Aram Sinnreich