In his introduction to Charles Baudelaire's Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic's ideas on art, criticism, romanticism, and the paintings of Delacroix.
In his introduction to Charles Baudelaire's Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic's ideas on art, criticism, romanticism, and the paintings of Delacroix.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Known for his equal skill in poetry and prose, Charles Baudelaire (1821-1867) was one of the most distinctive writers of the nineteenth century. Operating within the French literary scene, his provocative theories on contemporary art remain relevant today. His poetry collections include Les Fleurs du mal (1857) and Petits poèmes en prose (1868). Notable criticisms can be found in Baudelaire: Selected Writings on Art and Artists (1995). Michael Fried is a poet, art critic, art historian, and literary scholar. His many books include Absorption and Theatricality: Painting and Beholder in the Age of Diderot (1980), Art and Objecthood: Essays and Reviews (1998), and The Moment of Caravaggio (2010). Previous books of poems are Powers (1973), To the Center of the Earth (1994), and The Next Bend in the Road (2004). Fried is Professor Emeritus of the Humanities at Johns Hopkins University.
Inhaltsangabe
Introduction To The Bourgeois I. What is the Good of Criticism? II. What is Romanticism? III. On Colour IV. Eugene Delacroix V. On Erotic Subjects in Art, and on M. Tassaert VI. On Some Colourists VII. On the Ideal and the Model VIII. Some Draughstmen IX. On Portaiture X. The 'Chic' and the 'Poncif' XI. M. Horace Vernet XII. On Eclecticism and Doubt XIII. On M. Ary Scheffer and the Apes of Sentiment XIV. On Some Doubters XV. On Landscape XVI. Why Sculpture is Tiresome XVII. On Schools and Journeymen XVIII. On the Heroism of Modern Life
Introduction To The Bourgeois I. What is the Good of Criticism? II. What is Romanticism? III. On Colour IV. Eugene Delacroix V. On Erotic Subjects in Art, and on M. Tassaert VI. On Some Colourists VII. On the Ideal and the Model VIII. Some Draughstmen IX. On Portaiture X. The 'Chic' and the 'Poncif' XI. M. Horace Vernet XII. On Eclecticism and Doubt XIII. On M. Ary Scheffer and the Apes of Sentiment XIV. On Some Doubters XV. On Landscape XVI. Why Sculpture is Tiresome XVII. On Schools and Journeymen XVIII. On the Heroism of Modern Life
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