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As the blond child of Canadian missionary parents, Daniel Coleman grew up with an ambivalent relationship to Ethiopia. He was obviously different from his playmates, but Ethiopia was his birthplace; he knew no other home. Like the eucalyptus, a tree imported to Ethiopia from Australia in the late nineteenth century to solve a firewood shortage, he and his missionary family were naturalized transplants. As ferenjie, they endlessly negotiated between the culture they brought with them and the culture in which they lived. Coleman's richly textured picture of missionary life transcends either-or…mehr

Produktbeschreibung
As the blond child of Canadian missionary parents, Daniel Coleman grew up with an ambivalent relationship to Ethiopia. He was obviously different from his playmates, but Ethiopia was his birthplace; he knew no other home. Like the eucalyptus, a tree imported to Ethiopia from Australia in the late nineteenth century to solve a firewood shortage, he and his missionary family were naturalized transplants. As ferenjie, they endlessly negotiated between the culture they brought with them and the culture in which they lived. Coleman's richly textured picture of missionary life transcends either-or analysis. His perceptive chapters touch on everything from the riot drills at his Addis Ababa boarding school to the paradoxical taste for luxury he acquired as a result of international famine relief. Interwoven with accounts of Ethiopia's political and religious turbulence, this intelligent and finely crafted memoir throws a transformative light on relations between races, cultures, and faiths.
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Autorenporträt
After finishing high school in Ethiopia, Daniel Coleman earned university degrees at the University of Regina and the University of Alberta. He now holds the Canada Research Chair in Critical Ethnicity and Race Study in the English department of McMaster University. Daniel Coleman is a leading researcher in the depiction of immigrant men in Canadian literature. He has won the John Charles Polanyi Prize for his study of how literary texts produce and reinforce categories of cultural identification such as gender, ethnicity and nationality. His critically acclaimed book, Masculine Migrations: Reading the Postcolonial Male in "New Canadian" Narratives, published in 1998 by University of Toronto Press, is considered the foundational Canadian work in the field. While being a bahir-zaff throughout his childhood brought Daniel Coleman the pain of never fully belonging, it also gave him the immeasurable benefits and insights of an intercultural life. Several of his essays on his missionary childhood have appeared in magazines and journals. "The Babies in the Colonial Washtub," included in a revised form in The Scent of the Eucalyptus, won a Silver Medal in the National Magazine Awards.