'In this fascinating actor's manual, edited by his daughter, the Russian demystifies how thoughts originate, develop and manifest themselves, working on the theory that if an actor thinks like a character, they will inevitably react, feel and behave like them' - WhatsOnStage.com
'An immensely detailed and illuminating take on the actor's craft and the knowledge which underpins it' - The Stage
'His clear style, using warmly candid personal experiences and humour, makes this an invaluable and compelling study' - WhatsOnStage.com
'Kogan presents readers with a groundbreaking understanding of the sub-conscious and how it can be applied to acting. His original perspective on Stanislavski's texhing gives readers a unique insight into thier characters' minds.' - The Drama Student Magazine.
'An immensely detailed and illuminating take on the actor's craft and the knowledge which underpins it' - The Stage
'His clear style, using warmly candid personal experiences and humour, makes this an invaluable and compelling study' - WhatsOnStage.com
'Kogan presents readers with a groundbreaking understanding of the sub-conscious and how it can be applied to acting. His original perspective on Stanislavski's texhing gives readers a unique insight into thier characters' minds.' - The Drama Student Magazine.
'In this fascinating actor's manual, edited by his daughter, the Russian demystifies how thoughts originate, develop and manifest themselves, working on the theory that if an actor thinks like a character, they will inevitably react, feel and behave like them' - WhatsOnStage.com
'An immensely detailed and illuminating take on the actor's craft and the knowledge which underpins it' - The Stage
'His clear style, using warmly candid personal experiences and humour, makes this an invaluable and compelling study' - WhatsOnStage.com
'Kogan presents readers with a groundbreaking understanding of the sub-conscious and how it can be applied to acting. His original perspective on Stanislavski's texhing gives readers a unique insight into thier characters' minds.' - The Drama Student Magazine.
'An immensely detailed and illuminating take on the actor's craft and the knowledge which underpins it' - The Stage
'His clear style, using warmly candid personal experiences and humour, makes this an invaluable and compelling study' - WhatsOnStage.com
'Kogan presents readers with a groundbreaking understanding of the sub-conscious and how it can be applied to acting. His original perspective on Stanislavski's texhing gives readers a unique insight into thier characters' minds.' - The Drama Student Magazine.