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"September 11: Terror and Boredom". In immenser Bandbreite schrieb Amis seit dem 11. September Erzählungen und Essays zum Thema. Faszinierend ist der Perspektivenwechsel. One of Britain's finest writers confronts the 'defining moment' of the 21st century.
Martin Amis first wrote about September 11 a week later in a piece for The Guardian beginning, 'It was the advent of the second plane, sharking in low over the Statue of Liberty: that was the defining moment.'
He has kept returning to September 11, in essays and reviews, and in two remarkable short stories, 'In the Palace of the End'
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Produktbeschreibung
"September 11: Terror and Boredom". In immenser Bandbreite schrieb Amis seit dem 11. September Erzählungen und Essays zum Thema. Faszinierend ist der Perspektivenwechsel. One of Britain's finest writers confronts the 'defining moment' of the 21st century.
Martin Amis first wrote about September 11 a week later in a piece for The Guardian beginning, 'It was the advent of the second plane, sharking in low over the Statue of Liberty: that was the defining moment.'

He has kept returning to September 11, in essays and reviews, and in two remarkable short stories, 'In the Palace of the End' and 'The Last Days of Muhammad Atta'. All are collected here, together with an expanded account of his travels with Tony Blair in 2007 - to Belfast, to Washington, and to Baghdad and Basra.

'We are arriving at an axiom in long-term thinking about international terrorism,' he writes: 'the real danger lies, not in what it inflicts, but in what it provokes. Thus by far the gravest consequence of September 11, to date, is Iraq... Meanwhile, September 11 continues, it goes on, with all its mystery, its instability, and its terrible dynamism.'
Autorenporträt
Martin Amis was twenty-three when he wrote his first novel, The Rachel Papers (1973). Over the next half century - in fourteen more novels, two collections of short stories, eight works of literary criticism and reportage, and his acclaimed memoir, Experience - he established himself as the most distinctive and influential prose stylist of his generation. To many of his readers, Amis was also the funniest. His intoxicating comedic gifts express a profound understanding of the human experience, particularly its most shocking cruelties, and Amis wrote with pathos and verve on an astonishing range of subjects, from masculinity and movie violence to nuclear weapons and Nazi doctors. His books, which have been translated into thirty-eight languages, provide an indelible portrait and critique of late-capitalist society at the turn of the twenty-first century. He died in 2023.
Rezensionen
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