This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed…mehr
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
English writer Sir Hugh Seymour Walpole, lived from 13 March 1884 to 1 June 1941. Following the publication of The Wooden Horse in 1909, Walpole wrote a lot, finishing at least one book year. The eldest of the Rev. Somerset Walpole's three children, Walpole was born in Auckland, New Zealand. Mildred Helen, née Barham, was his wife (1854-1925). His first piece was published in 1905; he began studying history at Emmanuel College in Cambridge in 1903. He accepted a position as a lay missioner with the Mersey Mission to Seamen in Liverpool upon his graduation from Cambridge in 1906. He obtained employment in 1908 as a French instructor at Epsom College and a book critic for The Standard. Walpole was a passionate music fan, so when he heard a new tenor at the Proms in 1920, he was quite moved and went in search of him. Lauritz Melchior became one of his closest friends, and Walpole contributed significantly to the singer's burgeoning career. Diabetes was detrimental to his health. In May 1941, after participating in a protracted march and giving a speech at the start of Keswick's fundraising "War Weapons Week," he overexerted himself and passed away at Brackenburn from a heart attack at the age of 57. He is interred at Keswick's St. John's graveyard.
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