17,99 €
inkl. MwSt.

Versandfertig in über 4 Wochen
payback
9 °P sammeln
  • Broschiertes Buch

Father Brown returns in his fourth collection of stories, and his sidekick Flambeau makes a return as well, although only in the two framing stories at the beginning and end of the collection. In the intervening ten stories, Father Brown is alone, and investigating mysteries involving objects as varied as mirrors, literal goldfish (made out of gold), and a suit of armor. As always, his investigations also provide him an opportunity to expound on the nature of evil, the differences between a charlatan's representation of the supernatural and the real thing, and the opportunities for thieves and murderers to repent of their deeds.…mehr

Produktbeschreibung
Father Brown returns in his fourth collection of stories, and his sidekick Flambeau makes a return as well, although only in the two framing stories at the beginning and end of the collection. In the intervening ten stories, Father Brown is alone, and investigating mysteries involving objects as varied as mirrors, literal goldfish (made out of gold), and a suit of armor. As always, his investigations also provide him an opportunity to expound on the nature of evil, the differences between a charlatan's representation of the supernatural and the real thing, and the opportunities for thieves and murderers to repent of their deeds.
Autorenporträt
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.