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Legend has tended to preserve Henry James as "The Master" that Joseph Conrad called him, a rather long-winded Olympian given to great utterances on the art of fiction and the writing of profound psychological studies. The real-life figure revealed in these letters is more terse, and even astringent, a professional writer, an eager observer of life, a man who delighted in meeting people and who made an art of friendship, but who did not hesitate to descend into the marketplace of letters and get the best possible price for his wares.Leon Edel designed this selection to show the kinds of letters…mehr

Produktbeschreibung
Legend has tended to preserve Henry James as "The Master" that Joseph Conrad called him, a rather long-winded Olympian given to great utterances on the art of fiction and the writing of profound psychological studies. The real-life figure revealed in these letters is more terse, and even astringent, a professional writer, an eager observer of life, a man who delighted in meeting people and who made an art of friendship, but who did not hesitate to descend into the marketplace of letters and get the best possible price for his wares.Leon Edel designed this selection to show the kinds of letters James wrote--to his family, his contemporaries, to would-be writers--letters injected with irony and obdurate truth. Here are letters to Conrad, Wells, Galsworthy, Henry Adams, Howells, Edith Wharton, Fanny Kemble--to great Victorians as well as those who bridged that era and the modern one.
Autorenporträt
Henry James (1843 - 1916) was an American-born British writer. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction.