Keir Elam
The Semiotics of Theatre and Drama
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Keir Elam
The Semiotics of Theatre and Drama
- Broschiertes Buch
Keir Elam showed how this new 'science' could provide a radical shift in our understanding of theatrical performance, one of our very richest and most complex forms of communication.
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Keir Elam showed how this new 'science' could provide a radical shift in our understanding of theatrical performance, one of our very richest and most complex forms of communication.
Produktdetails
- Produktdetails
- New Accents
- Verlag: Taylor & Francis Ltd
- 2 ed
- Seitenzahl: 272
- Erscheinungstermin: 14. Juni 2002
- Englisch
- Abmessung: 201mm x 128mm x 20mm
- Gewicht: 342g
- ISBN-13: 9780415280181
- ISBN-10: 0415280184
- Artikelnr.: 21253473
- New Accents
- Verlag: Taylor & Francis Ltd
- 2 ed
- Seitenzahl: 272
- Erscheinungstermin: 14. Juni 2002
- Englisch
- Abmessung: 201mm x 128mm x 20mm
- Gewicht: 342g
- ISBN-13: 9780415280181
- ISBN-10: 0415280184
- Artikelnr.: 21253473
Keir Elam is Professor of English Drama at the University of Florence.
General Editor's Preface. Acknowledgements. 1. Preliminaries: Semiotics and Poetics: The Semiotics Enterprise
How Many Semiotics?
The material. 2. Foundations: Signs in the Theatre: Prague structuralism and the theatrical sign
Typologies of the sign. 3. Theatrical Communication: Codes, Systems and the Performance Text: Elements of theatrical communication
Theatrical Systems and Codes
Theatrical competence: frame, convention and the role of the audience. 4. Dramatic Logic: The construction of the dramatic world
Dramatic action and time
Actant, dramatis persona and the dramatic model. 5. Dramatic Discourse: Dramatic Communication
Context and deixis
Universe of discourse and co-text
Speech acts
The said and the unsaid: implicatures and figures
Textuality
Towards a dramatological analysis. 6. Concluding Comments: Theatre, Drama, Semiotics: Dramatic Text/performance text
A united enterprise? Suggestions for further reading. Bibliography. Index.
How Many Semiotics?
The material. 2. Foundations: Signs in the Theatre: Prague structuralism and the theatrical sign
Typologies of the sign. 3. Theatrical Communication: Codes, Systems and the Performance Text: Elements of theatrical communication
Theatrical Systems and Codes
Theatrical competence: frame, convention and the role of the audience. 4. Dramatic Logic: The construction of the dramatic world
Dramatic action and time
Actant, dramatis persona and the dramatic model. 5. Dramatic Discourse: Dramatic Communication
Context and deixis
Universe of discourse and co-text
Speech acts
The said and the unsaid: implicatures and figures
Textuality
Towards a dramatological analysis. 6. Concluding Comments: Theatre, Drama, Semiotics: Dramatic Text/performance text
A united enterprise? Suggestions for further reading. Bibliography. Index.
General Editor's Preface. Acknowledgements. 1. Preliminaries: Semiotics and Poetics: The Semiotics Enterprise
How Many Semiotics?
The material. 2. Foundations: Signs in the Theatre: Prague structuralism and the theatrical sign
Typologies of the sign. 3. Theatrical Communication: Codes, Systems and the Performance Text: Elements of theatrical communication
Theatrical Systems and Codes
Theatrical competence: frame, convention and the role of the audience. 4. Dramatic Logic: The construction of the dramatic world
Dramatic action and time
Actant, dramatis persona and the dramatic model. 5. Dramatic Discourse: Dramatic Communication
Context and deixis
Universe of discourse and co-text
Speech acts
The said and the unsaid: implicatures and figures
Textuality
Towards a dramatological analysis. 6. Concluding Comments: Theatre, Drama, Semiotics: Dramatic Text/performance text
A united enterprise? Suggestions for further reading. Bibliography. Index.
How Many Semiotics?
The material. 2. Foundations: Signs in the Theatre: Prague structuralism and the theatrical sign
Typologies of the sign. 3. Theatrical Communication: Codes, Systems and the Performance Text: Elements of theatrical communication
Theatrical Systems and Codes
Theatrical competence: frame, convention and the role of the audience. 4. Dramatic Logic: The construction of the dramatic world
Dramatic action and time
Actant, dramatis persona and the dramatic model. 5. Dramatic Discourse: Dramatic Communication
Context and deixis
Universe of discourse and co-text
Speech acts
The said and the unsaid: implicatures and figures
Textuality
Towards a dramatological analysis. 6. Concluding Comments: Theatre, Drama, Semiotics: Dramatic Text/performance text
A united enterprise? Suggestions for further reading. Bibliography. Index.