Keir Elam showed how this new 'science' could provide a radical shift in our understanding of theatrical performance, one of our very richest and most complex forms of communication.
Keir Elam showed how this new 'science' could provide a radical shift in our understanding of theatrical performance, one of our very richest and most complex forms of communication.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Keir Elam is Professor of English Drama at the University of Florence.
Inhaltsangabe
General Editor's Preface. Acknowledgements. 1. Preliminaries: Semiotics and Poetics: The Semiotics Enterprise How Many Semiotics? The material. 2. Foundations: Signs in the Theatre: Prague structuralism and the theatrical sign Typologies of the sign. 3. Theatrical Communication: Codes, Systems and the Performance Text: Elements of theatrical communication Theatrical Systems and Codes Theatrical competence: frame, convention and the role of the audience. 4. Dramatic Logic: The construction of the dramatic world Dramatic action and time Actant, dramatis persona and the dramatic model. 5. Dramatic Discourse: Dramatic Communication Context and deixis Universe of discourse and co-text Speech acts The said and the unsaid: implicatures and figures Textuality Towards a dramatological analysis. 6. Concluding Comments: Theatre, Drama, Semiotics: Dramatic Text/performance text A united enterprise? Suggestions for further reading. Bibliography. Index.
General Editor's Preface. Acknowledgements. 1. Preliminaries: Semiotics and Poetics: The Semiotics Enterprise How Many Semiotics? The material. 2. Foundations: Signs in the Theatre: Prague structuralism and the theatrical sign Typologies of the sign. 3. Theatrical Communication: Codes, Systems and the Performance Text: Elements of theatrical communication Theatrical Systems and Codes Theatrical competence: frame, convention and the role of the audience. 4. Dramatic Logic: The construction of the dramatic world Dramatic action and time Actant, dramatis persona and the dramatic model. 5. Dramatic Discourse: Dramatic Communication Context and deixis Universe of discourse and co-text Speech acts The said and the unsaid: implicatures and figures Textuality Towards a dramatological analysis. 6. Concluding Comments: Theatre, Drama, Semiotics: Dramatic Text/performance text A united enterprise? Suggestions for further reading. Bibliography. Index.
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