This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
ROBERT SHAUGHNESSY is Reader in Drama at the University of Surrey, Roehampton. He has published widely in the fields of Shakespeare, Renaissance drama and contemporary theatre; his books include Representing Shakespeare: England, History and the RSC, Shakespeare on Film, and Shakespeare in Performance.
Inhaltsangabe
Acknowledgements Introduction PART I: DESPERATE EXPERIMENTS The Last of the Pre-Raphaelites Cambridge Irish PART II: THE DOUBLE LIFE OF TYRONE GUTHRIE Hamlet and Oedipus Biggs Revolution in Stratford PART III: THE STRANGE DEATH OF SHAKESPEARE'S ENGLAND Seeing Through Shakespeare Ruined Lear Conclusion Notes Index
Acknowledgements Introduction PART I: DESPERATE EXPERIMENTS The Last of the Pre-Raphaelites Cambridge Irish PART II: THE DOUBLE LIFE OF TYRONE GUTHRIE Hamlet and Oedipus Biggs Revolution in Stratford PART III: THE STRANGE DEATH OF SHAKESPEARE'S ENGLAND Seeing Through Shakespeare Ruined Lear Conclusion Notes Index
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'...makes a significant contribution to the literature on the difficult task of theorizing Shakespeare on stage.' - J.Schlueter, Choice
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