How do our ways of perceiving and producing Shakespeare differ from those of the nineteenth century, and how interrelated has the work of scholars and directors become over this century? Professor Styan's purpose in this book is to discuss the 'revolution' in Shakespeare studies implied by these questions.
How do our ways of perceiving and producing Shakespeare differ from those of the nineteenth century, and how interrelated has the work of scholars and directors become over this century? Professor Styan's purpose in this book is to discuss the 'revolution' in Shakespeare studies implied by these questions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Growing up on the coast of Australia, Jared spent a lot of his early years surfing and jogging in nature. As he grew older, his lust for adventure continued to grow and he travelled all over the world in search of it. Initially, he completed two ultra-running adventures both in Australia and South America, to raise money for various charities. One of these adventures was featured in his debut children's picture book, 'The Boy Who Ran Up a Volcano', which recounts his epic 13-hour run up a volcano in Peru. Stay updated on his author website: jaredstyan.com
Inhaltsangabe
List of illustrations Acknowledgements Introductory 1. Victorian Shakespeare 2. Scholars and actors 3. Mr Poel's Hamlet 4. The advent of stage-centred criticism 5. Barker at the Savoy 6. Granville-Barker's early criticism 7. Stylized Shakespeare and Nigel Playfair 8. Barry Jackson and dizzy modernity 9. Criticism: retreat and advance 10. Guthrie and the open stage 11. Shakespeare, Peter Brook and non-illusion 12. Conclusion: the critical revolution Notes Bibliography Index.
List of illustrations Acknowledgements Introductory 1. Victorian Shakespeare 2. Scholars and actors 3. Mr Poel's Hamlet 4. The advent of stage-centred criticism 5. Barker at the Savoy 6. Granville-Barker's early criticism 7. Stylized Shakespeare and Nigel Playfair 8. Barry Jackson and dizzy modernity 9. Criticism: retreat and advance 10. Guthrie and the open stage 11. Shakespeare, Peter Brook and non-illusion 12. Conclusion: the critical revolution Notes Bibliography Index.
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