Anne Barton's final book uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Anne Barton was the author of Essays, Mainly Shakespearean (1994), Byron: Don Juan (1992), The Names of Comedy (1990), Ben Jonson, Dramatist (1984) and, (as Anne Righter), Shakespeare and the Idea of the Play (1962), as well as many essays and introductions. In 2000, she retired as Professor of English at the University of Cambridge, where she was a Fellow of Trinity College, Cambridge; she had previously been a Fellow of New College, Oxford, and Girton College, Cambridge, and was a Fellow of the British Academy. From the 1960s onwards, her work had a profound influence on the Royal Shakespeare Company and the performance and academic study of early modern drama more generally. Anne Barton died in 2013.
Inhaltsangabe
Foreword Adrian Poole Editor's note Hester Lees-Jeffries Acknowledgements 1. Into the woods 2. Staging the forest 3. The wild man in the forest 4. 'Like the old Robin Hood of England' 5. The forest and the city 6. Let the forest judge Afterword: Anne Barton (1933-2013) Peter Holland Further reading Index.
Foreword Adrian Poole Editor's note Hester Lees-Jeffries Acknowledgements 1. Into the woods 2. Staging the forest 3. The wild man in the forest 4. 'Like the old Robin Hood of England' 5. The forest and the city 6. Let the forest judge Afterword: Anne Barton (1933-2013) Peter Holland Further reading Index.
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